Showing posts with label community. Show all posts
Showing posts with label community. Show all posts

Thursday, December 17, 2009

Bits of News



So I fly back to Indiana tomorrow, for Christmas with my family.  We're all going out to our favorite Italian restaurant that evening, assuming the weather accommodates my flight plans.  This restaurant has been the go-to place for our family celebrations for as long as I remember.  This occasion will be the first time we've all gone since James' death.  There will be plenty of such firsts this season, of course, and for the next year.  Goody.  But as Mary says, the only way out is through, and we'll toast him, eat some good food, tell some favorite stories, laugh and cry.  When Dad first mentioned this plan to me, he said "We probably won't be the first guys sobbing in the men's room."  I agreed.  It's an Italian restaurant, after all, even if it's in the stoic Midwest.  I doubt we'll bother hiding in the men's room, frankly.  Why start now?

Huh.  That wasn't what I got online to tell you though.  First off, I did a bit of house-cleaning yesterday on this here bloggerino, adding some fun new links, and updating old ones (finally, Greg, I'll be sending people directly to the Midnight Garden).  If any of my links don't work, please do let me know.

One of the new links is called Queer New York.  The illustrious, intriguing, and ever-productive Father Tony started a new blog focusing on life in New York from a queer perspective (did you pick up on that from the name?), and much to my delight he invited me to be one of the contributers.  Initially I was unsure if I should accept for a few reasons: 1) I haven't exactly been burning up the interwebs here at my present blog, why add another blog to ignore, 2) I rarely managed to go anywhere or do anything even remotely New York City-related AND 3) I didn't seem to know more than, oh, let's say three gay men in New York, and maybe six world-wide.  Starting this blog actually doubled the number of gay men I interacted with on a regular basis, and I haven't even met all the local ones face to face.

(Okay, if I didn't link to you in the paragraph above, don't take it personally, it was just taking all day, and I have other things I need to do.  Did I mention I'm flying to Indiana tomorrow?  I will also admit that if you haven't posted anything on your blog for two or more months, I didn't link to you.  Doesn't mean I don't love you, I just figure you didn't need the pressure.)

Fortunately my natural tendency towards gluttony won out though, and I accepted Tony's invitation.  I only have two modest posts up at this point, but I anticipate this being a fun endeavor to be part of.  There's some wonderful stuff there, and I'm looking forward to seeing what else comes down the pike.  Tony has assembled an eclectic mix of men and women (though he still wants to find more queer bloggers of color, so contact him if you fit the bill, or know someone who does), and has, with only a small number of caveats ("this won't be the place to post pictures of your cat") encouraged us to post anything we like.  Reviews of various kinds are making a big showing at present, but no doubt some of the fun with this venue will be seeing how it shapes itself over time. If there is a mission at this point, I'd say it would be to give out of towners the inside scoop on LGBT life in NYC.  PDQ.  RSVP.  BTW.  LOL. (OMG did I just type LOL?  Seriously?)

Huh.  Don't know why I thought that was necessary.  I do feel like progressive politics tends to involve a LOT of acronyms, not that there's anything wrong with that.  And don't you love the caps button?  I sometimes wish I had one in my daily life, though the fact is city living would probably benefit from fewer caps buttons running around the joint.  Just in general.  Did I mention I'm going to Indiana tomorrow?  Have I mentioned before that I usually spend the first two days of my visits to Indiana sleeping, or wanting to sleep?  Sixteen hours at a stretch is not unheard of.  I call it the Richmond Coma, and I think the sheer dearth of NOISE (caps intended) has a physical effect on me.  My nervous system, which in cities is probably more nervous than is healthy, simply collapses. I usually come out of the coma ready for long walks and some serious dog-romping, though, and conveniently, there is a dog who loves to romp.  I might actually get some video footage of that, if Fang is amenable.  Amenable is her normal state, if not organizing principle, so I'm optimistic.  Whether or not I actually turn that video into something worth seeing, that's the real question here.  I'm less optimistic on that front, but not completely without hope.

Wow.  I DO go on.  I can't believe it's been two weeks since I posted anything here.  I don't know about the rest of you bloggers, but this process has evolved into a fairly useful processing tool for me.  I feel the lack when I don't do it.  Babbling on paper (what Dad calls 'bilge-pumping') is fairly necessary to my mental well-being too, but I think I've been reasonably good about not putting that stuff out on the internet for all and sundry.  Sundry gets really cranky about that kind of thing, and who can blame her?

I'm shutting up now.  But I've missed you, and hope to be writing more regularly, here at at the new house.


Sunday, March 23, 2008

Living, Loving Links

It’s time to give away some aloe plants again. These all came from one I got from my mom. All of hers came from her mom. I don’t know if it goes back farther than that, but for at least three generations this plant and its scions have been entwined with my family. I can remember seeing it on the family farm, Emro. I know for a fact that my brother, sister, and both aunts also have off-spring; I’m sure others, both family and friends, do as well. Its extreme fecundity has very specific characteristics; individual plants do get bigger with age, but most of their energy seems to be devoted to putting out new plants, and getting them to grow to a certain size. Not all aloes do this, I learned some years ago. I rescued another one when a roommate in Alphabet City threw it in the trash, and I immediately noticed different characteristics. It too put out little plants like the Emro aloe, but most of its energy seemed devoted to enlarging the original plant. It got bigger, each frond lengthening and widening, new fronds springing up. Had I not known the truth, I would have sworn it and the Emro plant were two different species.




Eventually I no longer had space for the big guy, so gave him to my friend Megan, where, newly christened Big Al, he has continued to grow. I helped her repot him a couple of years ago, since that is now definitely a two-person job. He dominates Megan’s living room, sitting by the TV, still grows bigger, and frankly seems to have developed an attitude. Look for Big Al on Myspace.




But back to the Emro aloes. These are not the only plants that are descendents of plants from my maternal grandmother; the boston ferns that hang in the kitchen and bathroom are too. One showers me with negative ions (the good, mood-lifting ones) when I’m at the dining table, the other does the same when I shower. At one point Tommy hid his Frodo action figure (you heard me) in the one in the shower; I was lathering up one day to realize I had a tiny little peeping Tom. "Where's Frodo?" has become a new sport.




Then there is the angel-wing begonia; it too comes from an Emro plant, and has relatives living with several of mine. Actually, since they’re all cuttings, that means they’re technically all part of the same plant, which is even cooler, don't you think? This is the plant that seemed to be at death’s door back in September. I’m cautiously optimistic these days; it’s putting out more leaves and they look healthy. I doubt it will ever regain its former glory (it was five feet tall at one point), but at least it no longer looks like a sad skeleton.




Then there are the plants who were here in the apartment when I moved in, left by the previous tenant. There was a spider plant hanging in the kitchen where the boston fern is now. Ginger told me she’d had it since college, and had brought it with her everywhere she’d lived since (no, I don't know why she left it here). Hanging in the kitchen window, it felt like it was at the center of the apartment. I began thinking of it almost as the spirit of the place. It's funny to realize it had lived here longer than me. I started calling her Grandmother Spider, in recognition of her age and prolific outgrowth. It seemed to fit. She was even more prolific than the Emro aloes; runners and plantlets spilled over the pot, cascading down the window -which faces north, by the way, on a narrow courtyard, and is not someplace I would have expected a spider plant to thrive. For a while I had two of her sons (don’t ask me why I thought they were male, but I did) hanging in the two windows of the living room (facing east, also on the courtyard). They were both smaller, springing up with a youthful vigor and a deeper green. Brian, when he lived here, found these two plants disconcerting. When they began putting out runners and baby plants, he could never quite shake the feeling that if he sat in front of the TV too long, they would end up sinking roots into his flesh.




It wasn’t long, with all three hanging plants merrily reproducing, before we were neck-deep in plantlets. Brian was sure they were going to smother us in our sleep one night, and even I began feeling a tad overwhelmed. I was able to give several away, but many more were left wanting homes; scores of them sat in water, growing roots that became increasingly entangled with one another. Eventually through a combination of give away and culling (Grandma was allowed to continue reproducing, but both the boys lost that privilege), I was able to whittle things back, finally ending up only with Grandmother Spider. She was starting to look a bit peaked by this point though, and I realized she was potbound. The repotting didn’t seem to go well, perhaps because I had to break up the ball into separate plants. She never really regained her old vigor, and just faded away. I wonder if plants can die of old age? She had to have been at least twenty, possibly thirty years old. I was sad, but frankly also a bit relieved. With her gone, I felt like yet one more significant influence of the previous tenant had been allowed to fade naturally, and I was now, almost eight years after taking over the lease, able to invite a new spirit plant into the center of my home. So that is where the second Boston fern went. At present there are no spider plants living in this apartment at all, and I’m feeling like that’s okay. If I ever feel the need for one though, I know Grandma has offspring throughout the city, in the homes of many friends. I can even say hi to one of the sons anytime I want, since he sits in a first floor window not far from my building. He is allowed to reproduce again, and seems to like the southern exposure.




The other plant I inherited with the apartment is a golden pothos. When I first moved in, two or three short cuttings of this plant were sitting in a big, heavy blue vase. I have no idea how long they had been there. They were in the office, which at the time was mostly Kurt’s domain, so I assumed they were his. (Like the plants, I inherited Kurt as a roommate, and it also worked out splendidly.) After a few years though, I began to feel badly for the cuttings, so I appropriated, potted, and moved them to the living room (which, at the time, was exclusively my domain). I don’t remember when exactly I stopped pruning it back, and tying it to a string along the wall, but I think it happened no more than five, maybe six years ago. I’d keep wrapping it around the room, if there weren’t a heating pipe in the way now that would singe it. I’m doubling it back, and giving cuttings to anyone who asks for one, as long as he or she is standing right in front of me, hand out ready to take it that instant. I can't handle the guilt of homeless plants any longer.


This scattering of green throughout my space has helped save my sanity, I have no doubt. Their calming green and reminders of older, more important rhythms is often a good wake-up call for me. I also like the feeling of connection they give me: to my grandmother, the family farm, my mom, aunts, siblings and friends across the country, even former residents -known and not- of apartment #20. I imagine a greensong linking the plants with their counterparts regardless of distance, shrinking the space between me and my loved ones, and strengthening our bonds.

Friday, March 21, 2008

Tending the Soil, Trusting the Season

Fragments I don't see relating, but want to put together anyway:



Sometime today there will be a procession through my mostly Dominican neighborhood, honoring Good Friday. There will be a priest on a megaphone, calling out lines in a musical chant, the congregants responding likewise. Actual songs will be interspersed through all this. To my no doubt unsophisticated ear, I always hear an echo of the Muslim call to prayer in all this, especially the priest's amplified chanting, but also in some of the hymns. I imagine the rituals of prayer coming down through the ages, starting in Moorish Spain, changing from Arabic to Spanish, Muslim to Christian, emigrating to the Caribbean, and ending up outside my doorstep in New York City, still retaining a bit of all those flavors. I may be completely off about the influences... but even so, I like the feeling it gives me that at the heart of true blessing, reverance and thanksgiving, we are more alike than not. At least that's how I see it today.



To answer a question from new friend Butch, the mask accompanying the post below is not the River Liffy, but the Green Man. This link is by no means the only place you can find information on him, he's an old fellow with lots of meanings. Put loosely, I understand him as the male energy of life, specifically a Celtic manifestation, a sort of Father Nature, and with particular ties to Pan, Dionysus, Herne the Hunter, and all the other male gods of Springtime. As such maybe he'd be a better accompaniment to today's post, but he seemed like the right image for my St. Paddy's Day post. Yeats, Ó Searcaigh, and I all connect with Pagan impulses in our own ways, I would say, and the idea of 'going back to sources' explored in both poems made me think of this guy. My sister and brother-in-law gave him to me a few years ago, and he hangs on my wall, across from my bed (one of the few guardian masks I didn't make myself), smiling down on me each morning as I wake up in my gritty urban fifth-floor walk-up.

I don't think St. Patrick would have minded.



By a funny coincidence though, I do have a small River Liffy mask, a gift from my mother a few years ago. Liffy hangs on the edge of the wall dividing the living room from the hallway. She's one of the first things I see when I walk through my front door, shrouded behind my exuberant golden pothos, twining itself around three of the walls. My sense of who she is to me is much more unformed (okay, just so Java's heart will go pitter-pat, I'll say 'inchoate'. Happy Easter, Dear). I'm always glad to see her though. And I do love Dublin. If you enlarge the lower photo, you'll also see that behind her hangs a beautifully calligraphed print of the Yeats poem that I copied out in the previous post, so while I didn't post her with the poem, she is close to it in my world. I don't know what all the lovely coincidences in Butch's question mean, if anything, but I liked them.



Years ago I heard a fantastic joke on TV, from Art Buchwald (yes, that takes you to Wikipedia, it was the most concise biography I could find; feel free to do your own search). I won't do justice to Buchwald's telling of it (it really loses something if you don't hear it told in his New York accent), but here it is.



A man decides that he wants to win the lottery, so he begins praying to God for this, every day. Years go by with the man making this prayer daily, all to know avail. After ten years of this increasingly frantic supplication one day he loses all patience and screams, "God, I've been a good man all these years, why won't you let me win the lottery?"



Suddenly, a voice booms from the heavens.



"Do me a favor! Buy a ticket!"



I fear I have spent a lot of my life being that man. One of the lessons I seem to have to relearn repeatedly is how to find the balance between taking action, and -for lack of a better description- going with the flow. The wellspring of joy and creativity in my life, particularly as it relates to performing, has felt very blocked for years now, and I haven't done much recently to address that (unless we include periodically moping about it on my blog). Spring is one of my favorite times of year, in part because of its reminder that life is reborn, growth occurs, rejuvenation does happen, it just happens according to its own time-table, not mine.



And yet... this doesn't mean I can just sit back. I still need to plant the seeds. For long stretches of time that may be all I do. I'm learning to trust fallow periods more as I age, trusting that just because I can't see it or measure it doesn't mean important growth is going on underground. But that doesn't let me off the hook for doing some work.



Sometimes the soil is sour, depleted or just unsuitable. Sometimes there hasn't been enough water. Sometimes the shoots come up, and it's my job to protect them from late frost and snow, careless feet, or hungry rabbits. Nature will take care of itself just fine without my help, but if I am hoping for specific results, flowers or vegetables say, rather than happy rodents or a rocky front yard, then I have to do some work. Yes, a balance is to be sought. Respect for the forces involved must be maintained. But I mustn't fall into the comfortable laziness (probably really a form of fear), of passivity.



Then there's the other side. Various people in my life are dealing with difficult issues right now, and various caretakers are watching them deal with those issues, trying to help, but often struggling with the recognition, and accompanying guilt, that there is nothing they can do. I feel badly for both people in the equation; both experience a feeling of helplessness, of being at the mercy of forces they can't control, even when they believe they should be able to. While I am reminding myself that I must do the things I can, THEN trust in other forces, many many of my loved ones might want to remind themselves that some things are beyond our power, and even when we do all the 'right' stuff, sometimes things still go wrong. Then we find what to do next. Feeling guilty for failing to protect a loved one is a burden many people subject themselves to understandably, but needlessly.

("Easy for you to say," mutters the chorus... I know, I know. I do it too, sometimes.)

So I hope each of you, in your own way, finds this season a time of rejuvenation, healing or just plain old joyous growth, in whatever way is best for you. Some of us may need to get our asses out there to plant seeds and pull weeds... but some of us may just need to trust that we've done all we can. Do you know which one you are? Are you sure?

Sunday, March 16, 2008

A Day Late

March 15th is my dad's birthday. Sadly I wasn't able to be there for the festivities, I wasn't even able to call during dinner as is my usual habit (fortunately everyone will be gathering at Mary's and Tony's tonight for Irish stew and twice-baked potatoes).

I can be reasonably certain how the party happened though. Dad, Mom, James, Mary and Tony all gathered in the dining room of Laceyland, joined by both the dog and the cat. Everyone held hands for silent grace, with Fang insisting she be a part of it too, so people on either side of her each took an ear. (The cat is largely uninterested in grace.)

The smells of Dad's chosen birthday meal -this year it was roast beef, mashed potatoes, and salad- wafted in from the kitchen, making mouths water (probably all seven of them; even I, who don't really eat beef any longer, would revel in the aroma.) Mom brought it out, James opened the first bottle of red wine, and everyone set to. In amongst talk of everyone's day were memories of trips taken, other occasions celebrated, a lot of wonderful meals remembered. We talk about food a lot, my family. A second bottle was probably opened, though none of them would drink much more than two glasses. We like being nicely oiled, or as my sister puts it "goofed up," but not more than that.

The volume and speed of the conversation probably rose a bit, but not to a mind-splitting degree. The lights were turned off, and Mom fetched the birthday cake. White cake, chocolate frosting, sliced bananas and frosting in between the two layers, this is Dad's favorite cake, the one fond memory he has of his mother's cooking. That wasn't really her thing. He blew out the candles (with the baby of the family turning 40 in June, any attempt to put the 'right' number of candles on the cake ceased decades ago), and Mom immediately took them off and dunked them in cold water, to save for the next birthday. Some frugal, Quaker farm-girl habits never die, but she takes the ribbing ('run! run! Get them to the sink! Aiee!') with a good nature.

The cake was sliced, tea poured, tonight the rule about seconds on dessert was relaxed, then it was time for presents. Dad has always been hard to find presents for. From what I hear, this is a condition common to dads. Not sure what the hell that is about. It's gotten worse as he and Mom have gotten older, because they need nothing now, and don't have much in the way of wants either. Even books, the fool-proof present in the past, now are chosen with greater discrimination, though the absolutely perfect ones are not by-passed. Mostly he got nice wine, cheeses, other fine comestibles, since those are always appreciated. Second cups of tea were poured, the news watched on TV, then everyone went off to his or her respective homes and evening chores. Part of what made this evening so special is the fact that it isn't that rare. Mary and Tony may not join them for dinner every night, but family meals still happen a few times a week, even if they're not always this fancy. I feel some envy at not being able to participate, but mostly I feel delighted knowing this quiet family ritual is observed so often.

I've said in other entries that trying to describe why you love a person is hard to do without sounding insipid and trite, or resorting to lists of fine qualities. I think that problem is only worsened when you're talking about a parent. I can talk about all the good I've seen Dad do in the world, as a teacher, counselor to students and colleagues, and now as clerk for The American Friends Service Committee, which has him gallivanting all over the world in his seventies, doing things we would have never imagined like going up the sides of mountains in Columbian war zones in trucks with benches bolted in the back... but this wouldn't tell you about his goofy side. I could mention that in hearing the news about Eliot Spitzer he speculated about what one would get for $4300 an hour, and decided he wouldn't settle for anything less than a trampoline and an off-stage accordian player (and comments like these from my parents have long since ceased to traumatize me, if they ever did), but that wouldn't tell you about his ferocity... I could talk about when I was a student at Dad's college, he and I frequently found ourselves going after the same administrators, so my 'teen rebellion' years got to be spent with my dad in the same trenches...but that still wouldn't give you a full picture of him. I might mention his special bond with babies and dogs, his desire to have a pet penguin and baby elephant that he would take for walks, the way he taught us to that literature and art matter in the world, but didn't let us get precious about it (In a copy of The Joy of Cooking he gave me, he quoted Bertolt Brecht, writing "First food, then rights!"), his love of Benny Goodman, Beethoven, the Beatles, Yeats, Keats, Levertov, Austen, Eliot, of dancing... okay, so I'm making that list I said I wouldn't. And I've barely scratched the surface.

Suffice it to say, I think he's been a force of love, vision, humor, and celebration in the world and he's just been a hell of a lot of fun to be around. We have had our problems, of course. Human beings will, after all, and fathers and sons may almost be required to... but in all the ways that mattered, he has always been behind me.

Below is a poem of his that I'm particularly fond of, and perhaps does a better job of showing his character than my scatter-shot approach above. If you're not familiar with the Dickinson poem he's responding to, it's included at the bottom of the entry.

Happy birthday, Dad. I love thee.






Another Slant of light


This afternoon’s sun is not yet at the horizon,
and it has bathed the unmarked snow fields
a mellow pink. The sun has set a joyful scene, dear Emily,
not like that New England winter light you praised
and mourned, a century ago.


Now more gold has
entered the light, and the snow invites us to urge
the dog’s happy leaps in and out of the drifts. Were
I not too old and stiff, too self-conscious
at looking foolish, I would make snow angels
in the trackless field or roll down the hill
below the meetinghouse. Like the dog, I would bathe
in this light, the brisk cold, the soft-tinged snow.


I hear a different heft of music, Emily,
this winter afternoon: the perfect cathedral tune,
Bach’s Toccata and Fugue in D Minor,and the triumphant last movement of St. Saens’
organ symphony. Listen to the opening bars:
dah dah dah dah / da da da da DAH! /
Da da da da, /da da da dah Dahh!
Oh hum along, Emily, wave your hands.


I always want to dance to that tune,
Emily, all around the room, though it
also makes me look foolish beyond my years.


But I don’t just hear organ music. The light
makes me imagine the dancing harpsichord
driving Artie Shaw’s Gramercy Five
on "Summit Ridge Drive" and "Back Bay Shuffle."
(A couple of Boston tunes, Emily.)


The day will darken toward more somber hues
and tones when the sun dips below the horizon,
but for now there is no heavenly hurt, no gouging
into the heart to find the meanings. It is cold, it will
grow dark, yes, as always, but now the light
is soft, golden, pink; the snow receives it as decoration,
as barrel-organ honky tonk, splashy
show-off tunes, as the body’s pleasure
in the triumphal, long-shadowed winter light...

Paul Lacey.



(258)
There's a certain Slant of light,
Winter Afternoons -
That oppresses, like the Heft
Of Cathedral Tunes

Heavenly Hurt, it gives us -
We can find no scar,
But internal difference,
Where the Meanings, are-

None may teach it -Any -
'Tis the Seal Despair -
An imperial affliction
Sent us on the Air -

When it comes, the Landscape listens
Shadows - hold their breath -
When it goes, 'tis like the Distance
On the look of Death -

Emily Dickinson 1890.

Sunday, March 09, 2008

Tying Knots



From time to time I’ll feel a vague, inchoate desire to make something. Sometimes it finds expression in baking bread, making red sauce, or having friends to dinner. Sometimes (all too rarely) it results in me emptying my mending bag, sewing on buttons, closing up seams. I can remember a time when it took expression in sketching on pretty much a daily basis, but sadly I’ve fallen out of the habit, and the ability has atrophied. I still make masks, but they are more often motivated by specific projects or commissions these days; less often do I turn to it as pure impulse. Sometimes the house gets cleaned, lemon and lavender scents clearing my head and my mood, clean, uncluttered surfaces letting my eye come to rest.


And once every great while, the desire to make will find expression in making friendship bracelets. You know what I’m talking about, right? Well, maybe if you didn’t go to a pinko-commie-Quaker-pacifist-hippy-dippy-crunchy-granola college, you didn’t come across them. They’re those colorful little ribbons of macrame, made with embroidery thread. They're given as gifts to someone special (not exclusively romantic partners), tied on the wrist, or in some cases, ankle, then worn until time, sweat, and showers causes them to break off. Almost everyone in my school wore one or two at some point.


From the very start they satisfied some deep needs in me. First of all was the need to play with color in a very basic way. I love rich, deep, super-saturated colors, more jewel-tones than neon. I don’t usually care much for pastels; I like colors with the courage of their convictions, and usually pastels just look watery and wimpy to me (as in all things, there are exceptions). I’m generally disappointed in the colors of men’s clothing. Maybe there will be an ultramarine blue, a tomato red, a green once in a while, less often a lavender – and even then they are shades I find boring or unappealing – but most of what one sees is black, grey, khaki, white, the least interesting browns one can imagine, and of course, navy blue; this is what real men, at least in the United States, are allowed to wear. Anything else runs the risk of making one look frivolous, if not downright faggy.


I like blue. I wear blue. I wear a lot of blue. But the colors that really get my juices flowing run more towards pine green, deep violet, Tuscany yellows, and copper reds just to name a few. In recent years I’ve come to appreciate fire colors like never before, reds, oranges, yellows, (I think coinciding with a lifting in spirit, and greater willingness to be seen) but even then I don’t want them to look like they came from a Crayola box. A SMALL Crayola box. Primary colors in general bore me, especially the most basic blue and red that exist out there (often even in the plaids). I think I would like them well enough, if they weren’t so damn ubiquitous.


So anything made with embroidery thread is a good antidote to all this. They were meant to be used purely for decoration, so there is no need to bow to utility. Every possible color and shade, is available. Just browsing at the store is a delight to the eye. What’s more, the bracelets allow you to explore colors in combination. How will this teal look next to this magenta? How about if a lavender is placed between them? Can a yellow be added, or will it just spend the whole time screaming at the lavender? And what about pattern? The repertoire of the friendship bracelet is limited to angled rows, chevrons, diamonds, and something I call alphas (basically diamonds with an inverted V attached), but that still opens up an array of possible color and pattern combos.


Maybe this need for color would be equally satisfied by finger-painting, but that’s not the only need it fills. I also find a great satisfaction in making knots. In the simple act of joining threads, the image of healing is never far off for me. Then there’s the pleasure in watching the pattern take shape, rows of knots slowly accruing, like weaving but with much quicker results and fewer equipment needs. Also like weaving, the process of tying knots becomes a great gateway to a trance-state, what Abraham Maslow called ‘flow’. At the very beginning of the process I may need to focus on the task so the threads get put in the order I want, but once I’ve made it through the first complete sequence, my hands can take over with only minimal attention paid by my eye and conscious mind. This is when things often rise to the surface, questions I’m grappling with, confusions I’m feeling, all the clutter in my brain that needs shaping, organizing, purging. Occasionally when I’m aware of feeling this way, I’ll choose to make a bracelet. More often than not though, the impulse to make one, even to some extent the choice of colors, will come first, and only after I’ve started do I begin to see what is lurking in the depths.


I used to have this joyful, timeless experience in a lot of different ways; like I said above, drawing used to provide it; so did putting the layers of paper mache on the mold of a mask. In 1992 though, when I had just ended my first serious relationship, I was asked to make some masks for a production, and realized that while I was working, instead of my welcome trance-state, I was tapping into a whole lot of anger. Fights were replayed, irritations relived, I wrote new scenes where I explained why his ‘let’s be friends’ approach was unwelcome and insulting... not the peaceful meditative state I was used to having during this task. I no longer envision my poor ex-boyfriend’s head on a platter when I make masks, but neither have I regained the sense of flow I once had. Someday, I hope it will return.


I never lost it with these silly little bracelets though. And that’s another part of their appeal, I think. They’re completely pointless. Wearing them until they rot off, that's the closest they get to having a purpose. Occasionally I will tie one around a gift bottle of wine, or a vase, but attempts to use them like actual ribbon, i.e. for tying up packages, rarely works. I’ve sometimes offered them as bookmarks, but they’re ill-suited to that purpose as well, for all but the biggest, thickest hardbacks. I made a big one once, just for the hell of it, and ended up sewing it into the bag I made to carry my tin whistles. It does the job okay I suppose, but something else would have probably been better. I rarely give them away these days because people feel obligated to put them on, then they worry I’ll notice it missing the next time I see them. I explain that unless they’re surfers, skate-boarders, or under the age of 20, I don’t expect them to wear it, but they don’t believe me. There was a time when I had a plethora of them, and left them tied randomly to poles and fences in Greenwich Village. I figured I’d recognize my own patterns and color choices well enough that if I ever saw someone with one later, I’d recognize it and strike up a conversation, but so far that has never happened. Chances are good most of them got thrown in the trash by disgruntled supers.


No, they’re utterly pointless, and frankly, I don’t make them for the finished object, but for the process. Sometimes life fills me too full of experience, and I need the clarifying, organizing energies the making of these things gives me.


Last night I found myself needing to stay home. I thought it was simply wanting to take advantage of having the apartment to myself, but soon I realized that I was feeling the desire to make a friendship bracelet. It’s probably been years since the last time. I think I’d been feeling the desire for a few days, so my unconscious finally just made me sit at home, declining all invitations.


Right off the bat my color choices indicated new thoughts. Black, white, sunny yellow, a dark, not-quite-wine-colored red were my choices. I got two strands of each, for a V pattern. These are not colors I would typically combine. Normally I would have seen them as the the easiest choices in graphic design, striking yes, but maybe dull from over-use, in newspapers, logos and posters all over the place. I went with it though, and soon into the pattern realized I liked it, perhaps needed the message each color had to give me.


The white thread warned me of my perfectionism, rigid thinking, my fear of looking foolish, my need for there to be absolutes. The yellow reminded me to notice the simple, quiet, daily pleasures, especially the ones I think I don’t deserve. The red spoke, yes, of passion, love, committing deeply and fully, taking risks, but also of seeing the bigger picture, and committing fully to that as well. The black spoke of mystery and nighttime (when I often feel my creativity is at its most free), of the seed planted deep, committed to its own secret growth. It reminded me to be patient, truly patient, not just pay lip-service, to the secrets working underground, according to their own rhythms.
I felt for a number of years that I was spinning my wheels professionally and artistically; in recent years I felt like I wasn’t even doing that much. This black thread told me to have faith, to trust that things have to work at their own pace. I must tend the soil, water and feed the seed, but mostly I need to leave it alone, and trust I will know what to do when the next step presents itself.


The knots spoke to me as well. They tied me to so many people in my life; to my family and college friends of course; to the new friends I’m getting to know on and off-line; to the old friends who show up out of the blue - even from out of town - with an uncanny sense for when I need them; to the cautious optimism a treatment plan is providing a loved one; to the celebration of a deep bond being made deeper, where I drank too much and kissed too much and gave straight guys noogies that they took with admirable forbearance; to the new friends and gracious hosts who once again opened their home and lives to me, revealing themselves a bit more through older friendships; to the death of a wonderful old man who had helped liberate Bergen-Belsen, and let the horrors of what he saw there move him to connect, to befriend, and to nurture; to another celebration of another impending marriage and the joy I felt in being included; to the cooling words of a good friend reading my first draft of an enraged letter, less than a week after I had done the same for her; to shared meals and late night talks that nourished me more than the missed sleep; all these bonds, all these connections were recorded and celebrated in the tying of knots.


A sense of gratitude has been growing in my life in recent months. You can see it in my blog, I think. I’m sensible enough to know that it isn’t enough however. If the only thing my gratitude leads to is bits of macrame and cheerful mooning about in my apartment, then it hasn’t done me much good. I am ready to take action, but I know I haven’t yet. It’s odd too, because the fact is I like working. At least I think I remember feeling that way. I agree with G.B. Shaw when he says "I want to be thoroughly used up when I die, for the harder I work the more I live. I rejoice in life for its own sake." I dance with Rumi as he sings "everyone has been made for some particular work, and the desire for that work has been put in every heart." I nod with recognition – and cringe at the unwitting accusation -- when Thoreau says "be not simply good – be good for something." I say this with no self-pity, and with no need for loving denials (Seriously, I’m not fishing), but in recent years I don't think I've been good for much. I’m wary of the ego’s need for adulation being the secret motive for my work (a constant bugaboo for actors), just as I watch his tendency to insist that not doing things at all is better than doing them badly. But the need for work, the need to do, to make, that isn’t ego. It’s recognizing responsibility to life.


Goodness. What a lot to hang on a tiny piece of ribbon. By the end of the evening though, I felt like something important had been rediscovered. There was a sense of grounding: of coming home even. I don’t know what the next step is. But I think I will when I see it.

Sunday, February 24, 2008

All About Me

This is Megan.
She's a koala.
She's eating eucalyptus leaves.




(We had just been exercising in the Sheep's Meadow under a hot summer sun. I'm sweaty, red-faced, and blotchy the way you're supposed to be. She looks like she just stepped out of the shower. Maybe she's glowing. A bit. God, I hate that bitch.)


This is Jeff.
He's a clown.
He's wearing a rubber nose.
Also a hat.




(It's all right, he's a good clown, he won't hurt you. Seriously, he's really funny. Okay, okay, breathe...No no, the T shirt is a name, not an instruction...yes, I understand but- uh huh... look, he's also a great actor, and he doesn't wear the nose then. Usually. Does that help? ...All right, if you would just come over --look, will you calm down-no... no... Seriously dude, would you CHILL? Jesus Christ on a Bicycle!)




Jeff and Megan have known each other since high school in Northern Virgina (NoVA, to the cool kids, and believe me, these kids are cool), were sweethearts for a while, and managed to maintain a friendship throughout college and the years after. Well, last Tuesday the Koala and the Clown decided that their duo was too good, too right, and should be made a permanent thing. I couldn't agree more.


I've been trying all weekend to explain why this makes me so deleriously happy. The funny thing about trying to explain why you love people is it so hard to do without sounding like a Hallmark card, or just listing their fine qualities. On top of that, the entry about their engagement kept becoming all about me, and why I wanted this to happen. I don't seem to be getting anywhere though, and what the hell, it IS my blog, so here are just a few of the things that make me happy about all this.


I met Jeff doing the original play Significant Circus back in spring of 2001, and he was but one of many precious gifts I took away from that experience. I tend to treat straight men like timid woodland creatures when I first meet them, moving slowly and deliberately so as not to startle them, in the hopes that maybe eventually they'll feel safe enough to eat from my hand. Initially Jeff seemed like a prime candidate for this policy, but I soon found I was selling him short. You have to understand, in this play, while Jeff was playing a human being, I was playing a dog. A talking dog. Nor was this my first time (see, all about me...). We only had a couple of scenes together, and our characters didn't really interact much, we were usually just there as parts of crowd scenes. At one point we had stopped while the director attended to some other problem, me crouched at Jeff's feet, both of us lost in our own thoughts. It took me a few moments to notice that Jeff was petting me absent-mindedly, scritching me behind the ears... Just petting the dog. I doubt he was even conscious of it; like I said, it had been going on for some moments before I was. If that hadn't been enough, I knew we were going to be friends when he, I, and two other (hot!) actors decided to run our extremely physical, acrobatic, full-body-contact fight call in our underwear. Just 'cause. It was that kind of play.


He is one of the most disciplined, hard-working people I know, and at times I feel like he's driven, and too self-flagellating (like life in New York Theatre doesn't beat you enough). I'll tell him to lighten up periodically, yet I'm also awed by how much he gets done. Generally he's juggling roughly 493 projects at once, in three states and two countries (I'm not kidding), but even then, if you ask him to help you move, he's there. I swear, if I suddenly needed to move while he was working in Italy, he would find a way to be there that day, and still miss less than an hour's rehearsal. And you have to understand, we're talking about moving IN NEW YORK CITY. No place to park, five floor walk-ups with no elevators, doors and staircases that are too small for TV sets, let alone actual furniture... nope, he's there, and usually taking charge.


I met Megan a few years later, when she moved to New York as their relationship rekindled. As with Jeff, I initially thought she was sweet, lovely, a bit shy and reserved, a southern gal I might easily scandalize accidentally. I was just as wrong with her. While she and I haven't wrestled in our underwear (yet), I quickly learned she was actually a hot dancer, a rocker-chick with a serious Guns N' Roses fetish and several tattoos. At first I thought it odd someone like this was studying library science, but it just turned out I hadn't met enough librarians. She can drink me under the table, which granted isn't that hard these days, but she IS a lot smaller than me. Of the two of them, she's far more likely to be the one causing trouble in public, and she gets away with it because she can turn on the Bambi eyes, and just look like a sweet young thing. I adore this about her. I also adore the fact that when she's writing papers, she wears bunny ears because "they help me think." When she has her glasses on she looks like she's the librarian at the Playboy Mansion. She and I bonded when we learned each of us has a Muppet Dance (Jeff likes to make us sit on the same side of the booth in restaurants, so he can watch us do them simultaneously). Her sense of humor is often wicked, and I adore this about her too.




Then there are all the things I love about them that they have in common: their writing skill, their empathy, their ability to switch from serious to silly on a dime (and not belittle either one), their love of books, art, dance, theatre, music, good food, red wine -all the things that make for wonderful friendships and amazing conversations, but perhaps not particularly good stories. They've challenged me, supported me, and maybe best of all, helped me make my work better. I feel blessed by my time with them, hearing, being heard, loving, and being loved.



They're also both smokin' hot, and not afraid to give me smooches when I need 'em. (Which, for the record, is CONSTANTLY. Probably half the reason I went into theatre. All about me.)



The road to this point has been a long one, and what with them being human beings and all, not always easy. They were split up for a time, a few years ago. I've had good couple friends break up before (who hasn't) and knew I would have no trouble maintaining a friendship with each of them. So why was I so upset by the break-up? Sure I was sad that they were both hurting, that made sense, but this seemed like something more. Gradually I began to realize that I felt strongly that they were SUPPOSED to be together. Unlike in previous cases, I had an opinion, dare I say, an AGENDA even, in this.



I was good. I behaved. I did not breathe a word of this to either of them, because what the hell did I know, it wasn't my decision, I wasn't involved, I didn't know all the things that had come between them, and besides I know better than to advise people on much of anything but especially romance, yeah, let's look at my track record, and no one wants advice when they're in this much pain anyway, and they DEFINITELY don't need me pursuing my own AGENDA for god's sake, what kind of moron would risk alienating both his friends by meddling in their affairs like this because HE wants them to reconcile...?



(All about me.)



Nope I didn't say a thing (right, guys? I didn't, did I? I was good, right?). And I worked at picturing them with other people, starting new relationships, building different lives. They were mine, I wasn't going to lose them, and since it's all about me, that's what mattered.



BUT... I was thrilled when they reconciled, saw that if anything the bond was stronger and healthier now, maybe in some way the split had been necessary. It was good. So glad you two finally saw sense and did what I wanted, ya pinheads. (Me. All. About.) I'm sure I'm only one of many people saying this to you. Together and separately you have inspired, delighted and supported me. I hope you'll let me return the favor, whenever I can.











Thursday, February 21, 2008

Good Thoughts



I have so many things to tell you about, such as my wonderful day in East Meadow with Marc and Jess, but I got some bad news this weekend, and it feels odd and false to chirp away. I'm sure we all wonder sometimes what is too much sharing on our respective blogs, but I felt like I needed to acknowledge this.

Someone I love very much was diagnosed with cancer and is waiting to find out what his treatment options will be. He's a fairly private person, which is why I'm not naming him, or explaining our connection, but he is important to me, and to people I love, a very significant part of my chosen family.

Given how little I'm telling you about the situation, I realize it's hard to do this, but I would ask that you hold my loved one in your thoughts, prayers, meditations, or whatever practice you observe in the next few days. Maybe you'll only be able to put generalized well-wishes out in the world with this limited amount of information, but it won't do the world any harm to have generalized well-wishes, will it?

Sunday, February 10, 2008

Another Good Excuse for Spinach Dip



Last night I joined Jeff and Genna at their apartment in Astoria along with several other nice folks, to celebrate Jeff's 27th birthday. Genna and I became friends in the Winter of 2001 while working on a play, and we've been friends ever since. Jeff entered the picture a few years later, but the connection was as easy and comfortable with him as it had been with her from the get-go (at least for me, I should let them speak for themselves).

Every year Genna tops her previous year's cake, and this was no exception. Made only with chocolate and eggs, it was a slice of mousse-like, fudgy goodness, garnished with red raspberries; she was heart-broken later when she realized she'd forgotten the fresh whipped cream, but frankly I think what we had was perfection itself. The cake of course followed a mountain of other goodies, including Genna's spinach dip. I'm not the only one who looks forward to this dip; late comers to the party sighed with relief when they arrived to find it had not yet run out. The dip reminded me, if I hadn't noticed it already, that Jeff and Genna have been part of every important celebration in my life for a few years now. Just in the past six months we've celebrated Thanksgiving, New Year's and now Jeff's birthday together, each time with good food, red wine, a nice mix of friends, conversations ranging widely in topic and tone, and yes, some spinach dip. We also have no qualms about creating a celebration whenever we feel the need. Having these two as part of my New York family has been a blessing, helping to root me in a place where I so often feel rootless. We may go months without seeing one another, life here being on the frantic side a lot, but when we reconnect, it's as if no time has passed. We weigh down another groaning table with goodies (even when it's just the three of us, we cook for an army), crack open another bottle of wine, and pick up where we left off with the conversation.

Happy Birthday, Pal. Thanks for sharing your celebrations, thoughts, questions, confusions, frustrations, silliness and cooking with me. My life is the richer for it.

Tuesday, February 05, 2008

Climbing Home

I live in a five floor walk-up. What that means is, there are five floors, and no elevator. I live in the very top floor, in the very last apartment. This is the front door to the building. I've lived here over eight years now, and my name still isn't on the directory there. I recently noticed the name had been changed however; no longer did it list my predecessor as the tenant, now there are two new names. Neither of them are mine or Tommy's. I have no idea who they are. They're not anyone in the building as far as I know. I could squawk about this to the landlord, but I won't, because a) I think it's funny, and b) I like to save my calls for real emergencies, so the landlord takes me seriously when I do call. It seems to be working.

Monday, January 21, 2008

Don't Forget the Means

In honor or Martin Luther King Day, I've been leafing back through my copy of his book, Why We Can't Wait.  I'm tempted to post the chapter Letter from Birmingham Jail in its entirety, since it stands as a wonderful synthesis of so much of his philosophy, but instead, I'll link you to it here.  It is easily googled (this really is a seminal text), if for any reason this link is not to your liking.  The book as a whole is magnificent, and his writing is as lucid and inspiring as his speeches.

As I remarked in an earlier entry, MLK jr. is well on the way to being a national hero.  Some might claim giving him his own day is evidence he already is, but there is still some controversy around it.  Nonetheless I'd say a growing majority of the nation recognizes that his tireless and inspiring work played a principle role in the passage of the Civil Rights Act.  He is recognized as one of the twentieth centuries great thinkers and orators, his words made all the more impressive by having contributed to impressive results. I think there is a growing admiration for what King accomplished, but I fear how he and his followers accomplished it is getting swept under the carpet.  

After resisting the urge to post one entire chapter of his book, indulge me while I quote him extensively from an earlier chapter.  

Fortunately, history does not pose problems without eventually producing solutions.  The disenchanted, the disadvantaged and the disinherited seem, at times of deep crisis, to summon up some sort of genius that enables them to perceive and capture the appropriate weapons to carve out their destiny.  Such was the peaceable weapon of nonviolent direct action, which materialized almost over night to inspire the Negro, and was seized in his outstretched hands with a powerful grip.

Nonviolent action, the Negro saw, was the way to supplement-not replace-the process of change through legal recourse.  It was the way to divest himself of passivity without arraying himself in vindictive force.  Acting in concert with fellow Negroes to to assert himself as a citizen, he would embark on a militant program, to demand the rights which were his: in the streets,on the buses, in the stores, the parks and other public facilities.  

The religious tradition of the Negro had shown him that the nonviolent resistance of the early Christians had constituted a moral offensive of  such overriding power that it shook the Roman Empire.  American history had taught him that nonviolence in the form of boycotts and protests had confounded the British monarchy and laid the basis for freeing the colonies from unjust domination.  Within his own century, the nonviolent ethic of Mahatma Gandhi and his followers had muzzled the guns of the British Empire in India and freed more than three hundred and fifty million people from colonialism.  

Like his predecessors, the Negro was willing to risk martyrdom in order to move and stir the social conscience of his community and the nation.  Instead of submitting to surreptitious cruelty in thousands of dark jail cells and on countless shadowed street corners, he would force his oppressor to commit his brutality openly-in the light of day-with the rest of the world looking on.  

Acceptance of nonviolent direct action was a proof of a certain sophistication on the part of the Negro masses; for it showed that they dared to break with the old, ingrained concepts of our society.  The eye-for-an-eye philosophy, the impulse to defend oneself when attacked, has always been held as the highest measure of American manhood.  We are a nation that worships the frontier tradition, and our heroes are those who champion justice through violent retaliation against injustice.  It is not simple to adopt the credo that moral force has as much strength and virtue as the capacity to return a physical blow; or that to refrain from hitting back requires more will and bravery than the automatic reflexes of defense...

To the Negro of 1963... it had become obvious that nonviolence could symbolize the gold badge of heroism rather than the white feather of cowardice.  In addition to being consistent with his religious precepts, it served his need to act on his own for his own liberation.  It enabled him to transmute hatred into constructive energy, to seek not only to free himself but to free his oppressor from his sins.  This transformation, in turn, had the marvelous effect of changing the face of the enemy.  The enemy the Negro faced became not the individual who had oppressed him but the evil system which permitted that individual to do so.  (Why We Can't Wait. Martin Luther King, Jr., published 1963: Harper and Row.  pp. 36-38.)


I fear what is getting lost in all this is just how radical this movement was.  Perhaps because it was effective, and the victors write the history books, it's easy to look back on that time and think there was a clarity then that is hard to see in today's conflicts.  'Whites only' facilities?  Open prevention of black votes?  NOT LETTING THEM SIT AT A LUNCH COUNTER?  There isn't any thing to defend there, is there.  It may be easy to believe with 20/20 hindsight that nonviolent action was not merely the most honorable choice, but also the most effective.  It's important to remember that at the time, this movement was considered by many to be dangerous, subversive, or hopelessly naive.  I take great heart in the fact that they remained committed, not because they saw it as the most effective response, but because they saw it first as the most respectful of human dignity, theirs and that of their opponents.  


Monday, January 07, 2008

Off to a Good Start

Last Fall I felt like maybe I was spending just a teensy bit too much time by myself.  There were a number of reasons for this (one being I felt like my brain was turning to oatmeal), but a big one was talking to myself.  Oh, I don't think it's a problem, really.  I talk to myself when I'm alone all the time.  The problem is I was getting caught talking to myself in public.  A lot.  After a while, when I noticed someone looking at me like he thought he needed to drop a net on me, I began putting a hand up to my ear, and tilting my head, so it looked like I was talking on the phone.  This works surprisingly well, but I thought the the fact that I had a contingency plan for when I got caught talking to myself was a bad sign. (When one is in mid-town, an alternative plan is to act like one is running a monologue before an audition; yes, I have a back-up contingency plan.)  

As the Fall progressed, I began seeing more of friends, and, even better, having more events here in the apartment.  So far though, 2008 has broken all records for socializing in the apartment, and I'm thrilled.  I'm hoping that if I get to talk to friends more often, I'll be less likely to walk around in public like I'm in the middle of my living room.  In One week there has already been three social gatherings here; New Year's Eve has already been reported on, then Melissa and I invited Charles over on the 1st to help us with leftovers.  He was great company as always, but did NOT pull his weight in the getting-rid-of-leftovers department, being all concerned with eating sensibly and other such nonsense.  He's 6'5", built like a lumberjack, and he let himself be out-eaten by a pair of marmots.   Hm.  There may be a reason he's built like a lumberjack.  Charles, do you feel objectified?  Tough shit.   

Moving on... the third gathering was last night when I hosted my informal arts support group,
known as the Exploding Yurts.  Don't ask, I'm sure any story you come with up will be far funnier than the original.  Once again I got to trot out my new bowls and plates, as well as using the other ceramics and linens that really ought to get out more.  I'm perfectly happy to use nice stuff when it's just me (see above), make a celebration out of every moment yada yada yada, but that still only cracks out a few things at a time.  There were only four of us last night, but I still got to go apeshit with placemats, serving bowls, cloth napkins, plates, cups and other random gew-gaws.  (Is 'random gew-gaw' redundant?  Is a gew-gaw ever NOT random?)  I've used up all my votive candles, which feels like a victory somehow, since I've had them sitting around for five years or more.  Ya just gotta remember to use them.  

I'm hoping this is a new pattern.  I guess I could do more than hope, it's not like I'm a passive participant in all this.  I can make a point of inviting people over, right?  I seem to forget that. I think this apartment calls people in more at this time of year; every January has been more social than almost any other time of year.  The streets are quiet and the place gets cozy, sitting on the top floor with all the windows, even the ones on the courtyard, getting a fair bit of light.  As the weather heats up, I start looking around for ways to be somewhere cooler for the Summer.  I do not deal with heat well.  Unless I can be submerged in water any time I want, I would happily avoid temperatures over 75 F.  When I haven't managed to find work out of the city, I spend most of the time in my place panting in front of my air conditioner.  It's a small one, and I don't want to share.  I definitely don't want to cook.  Even eating is fairly unappealing, frankly.  Come Summer, most of my socializing happens in air conditioned public spaces, if it happens at all.  

So, I make a mental note; this is the time of year when I love the city most, when it and I get along best.  Make the most of it.  Have lots of parties.  

Saturday, January 05, 2008

Looser Ends than Usual

After coffee and afternoon naps,  is there any greater adult pleasure than putting on a brand new pair of plush socks?  I got some for Christmas, and I couldn't be more delighted.  

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A friend recently quoted Calvin (of Calvin and Hobbes fame, not John Calvin) to me.  

"What's the point of wearing your favorite rocketship underpants if no one ever asks to see them?"

I acknowledged the wisdom of this.  Then I asked if she had anything she wanted to show me.  Let me just tell all of you, if you ever want me to see your lucky underpants, all you have to do is say so.

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Fellow blogger users, do you find sometimes that when you're writing, the automatic return stops working, and you'll find the sentence just keeps going to the right forever?  I've been having this happen a lot.  It didn't when I was writing on the library computer in Indiana, it's not happening now (naturally) but almost every other time in the last month it has.  I find if I put the cursor between two words, delete the space between them, then put it back in, the auto-return will work again, but that doesn't necessarily translate into how the entry looks once it's posted.  This is the reason why most of my entries recently will have weird short sentences in the middle of paragraphs for no apparent reason.  Maybe blogger thinks I am trying to write poetry.  

Is anyone else having this problem?  And if so, did you find a way to fix it?  
 
 

Friday, January 04, 2008

Solstice Walk


On the solstice this year, I decided to take my old walk.   I wanted to visit some important personal sites, and do so in the order I always did as a kid. After reading Bruce Chatwin's The Songlines I wondered if this served a similar purpose in my life, but I think the concept of dinnesanchas comes much closer.  The term comes from Irish, and means something like 'the naming of place'; the idea as I understand it is that when a place has been inhabited for a long time by people with an unbroken narrative tradition, every rock, hummock, hill, stream, or creek has a name and a story.  Describing my little walk with this grand term is pompous, hanging far too much weight on it, but there is still something in the concept that resonates with me.  

I break with tradition almost immediately by starting from my sister's and brother-in-law's place, rather than my parents' home, but I realized that the distance between them never really had much of import for me.  The special places and the stories start later.  

First stop is the kicking post.  This was a gift to the college from the class of 1940, and is a simply a small menhir about my height, sitting right next to the main entrance to the campus.  I had always thought it was meant to be a way for Quaker students to vent their unseemly anger, but this time I actually read the sign posted on it, and realize that you are supposed to make a wish and kick it for good luck.  I'm somewhat surprised the class of 1940 would have been willing to offer such a superstitious, verging on pagan, monument, but I make a wish and kick the post, being something of a pagan myself.  Besides, I never turn down a chance to make a wish.      

The next stop is actually a recent addition, since my adulthood.  Boy for a trip down memory lane, I've already screwed it up.  If this were my Songlines, I'd be subject to the death penalty by now.  Okay, this stop is an enormous catalpa tree, with a trunk so wide that with our arms out-stretched my mom, dad, and I can only just barely touch fingers.  This is the tree friend my mom visits -and hugs-  each morning with the dog.  She has done so for at least twenty years, I believe.  Something about its presence calls to her, and feels welcoming.  An enormous pin oak has recently entered her life as well, but I think this catalpa is the only tree she visits every day.
Today I notice that one of its huge limbs has a bee hive in it.  It almost looks like the bulge in the branch has been created by the hive, since their entrance is right in the center of it.  It's worrisome that the bees are out and about, since it is December 23rd, but since it is almost 60 degrees F, I assume they knew what they're doing.  

I then walk along the west edge of the campus, which has a tall fence separating it from the cemetery next door.  The fence didn't completely separate the two places when I was a kid and college student; lots of students used to go study in the beautiful surroundings.  There was a gentle hazing tradition, maybe still is, where upper- class students would tell first-years to go find the Glass Tomb.  There really is one, once you figure out the joke.  

The cemetery never played heavily in my childhood fantasies though, so I don't mind the new fence (Mom does).  On this side, I'm walking through a windbreak of evergreens that are so tall and dense you can almost stay dry in a rain storm here.  An owl had a nest here for many years, but I can't tell if she's still here.  I stop to visit the tiny grave of Morton Bisp.  For reasons unknown to me, this little tombstone for a child who died before his sixth birthday (in 1953), is separated from the cemetery, one lone stone that didn't make it onto the other side of the fence.  I assume he was buried on college property on purpose.  

Now I'm at the top of the sledding hill, the place we always came as kids.  If you could see this shallow little valley with its two modest peaks, you'd realize just how midwestern my upbringing was.  I remember the rides down being quite satisfying, right up until I was thirteen or so, but when I look at it now, I laugh.  I know it's still used that way by faculty kids.  The family dog before I was born, the first Fang, loved riding on sleds.  We tried to get Lilly, the dog I grew up with, to try it but it never appealed to her; she liked running along side barking better.  This was also a good rolling hill in the Summer, and you could get some pretty good speed up for that.  Once after seeing me do it, Lilly gave it a try, but her legs kept getting in the way.  She learned that she liked the feeling however, so from then on her walks usually included rolling blissfully in very clean grass.  Dew-covered grass was her favorite, so we think she may have been bathing.  She always kept herself very clean.   

At the top of the other hill there is a bronze statue honoring Mary Dyer, a Quaker hanged on Boston Common for preaching in defiance of the Puritan authorities.  She's seated, looking at her hands.  As a kid, I would climb up to sit in her lap, but that no longer seems appropriate, since her hands would now be cupping my ass. Behind her is Stout Meetinghouse, where I went to Sunday meeting from birth through college.  I find the building quite beautiful (though that isn't supposed to matter to Quakers), with its white-washed walls, long dark wooden benches and windows looking out on grass and trees in three directions.  I check the holly bush on the east side.  I don't remember the actual superstition, but I have a vague recollection of it being beneficial to bring holly into the home on the Winter Solstice, so I've brought clippers and a plastic bag for the purpose.  This bush has no berries though, so I check out the one behind Stout to the south.  Much better in the berry department, but I'll have to come back; my walk is only just begun, and I'd rather not have to carry a bag of spikes for the next half hour.  

I sit down on Dan Kinsey's Bench, a granite monument to a former teacher and coach.  I still feel the lack of the old honey locust tree behind it, gone now for ten years.  It always kept this bench cool in the Summer, and I would spend hours lying here, looking up through the leaves.  

I had an epiphany once, sitting on this bench.  As a kid I was as dismissive of my hometown and its boring terrain as anyone; I only saw beauty in mountains, lakes, the ocean, at least some dramatic hills.  This flat land had nothing to recommend it, as far as I was concerned.  Then when I was fourteen, my family spent three months living in London, and traveling all around the UK and Ireland.  I wasn't all that fond of London (it made me feel claustrophobic), but I drank in the scenery of the Lake District, and the west coast of Ireland.  It felt like I got into a new habit of seeing, and when I got home this habit stayed with me.  I sat down on this bench soon after we got back, looked over the playing fields, the far side of the bowl that held the football field, the horse pasture and farmland off in the distance, the big, clear blue sky... and suddenly it was breath-taking to me.  It was as if I was seeing this view for the first time.  I still crave mountains, lakes, rivers, oceans, big hills, but since that day I feel an expansive sense of well-being whenever I'm in a Midwestern landscape.  Here in New York, I have to make sure I go someplace with a wide vista at least once a week, to regain a sense of calm.  

Moving on, I walk across the two playing fields (where Fang runs her joyous figure-eights), heading towards the old stables where I took horse-riding lessons as a teenager.  This was another of the perks of being a faculty brat.  This is my archetypal image of a horse stable.  It's low, painted red, with Dutch doors at the entrance.  Inside there is a row of stalls and two boxes for horses that needed more space or sequestering.  An open area once stored hay, and housed a dynasty of barn cats that helped keep the rat population down.  At the other end is the tack room.  I have vivid memories of being in there, cleaning my saddle and bridle along with my teacher and classmates, all of us glad to be huddled in the one warm room in the place.  In my memory it's alway snowy, rainy or dark when I'm here, which doesn't make any sense, since we took classes on Saturday mornings in the Fall and Spring... but the memory is still cozy, friendly, and for some reason makes me think of John Steinbeck.  

Having been replaced at a new location, these stables are no longer in use,  and are looking pretty decrepit, so I'm just as happy not to see inside.  Besides, I've arrived at the entrance to the real magic of this walk.  

The stables sit on the edge of a deep gorge that contains a small creek.  These are MY woods.  A set of beams carved out steps down into the magical place.  Walking here today, I'm struck for the first time by how perfect it was to have this path be so tucked away and hidden, flanked by the stables on one side, and the tree fence of the grave-yard on the other.  It couldn't look more like a secret entrance.  It makes perfect sense I turned this place into Narnia, Middle-Earth, Mowgli's jungle, and the hunting grounds of the Fianna.  

The steps have fallen out of use, so they're overgrown with brambles. The main path down now is the one that used to be only for the horses when we went on trail-rides.  For the sake of tradition though I force my way through the first bush, and realize the rest of the steps are still fairly clear.  At the foot of the steps, the path forks.  I take the right-hand path heading west.  I pass the old log where I could often find a six foot bull snake sunning itself on warm days.  I find it noteworthy that the log still seems to look the same, since it must have been decomposing for at least 30 years.  Looking at the trees on either side of me, I realize for the first time that they're mostly slender, and surrounded by undergrowth.  There are some grand old trees with massive trunks, but they are few and far between.  At an unconscious level, I think I always thought of this as the forest primeval, but recognize now that it must be less than 200 years old, perhaps much less.  I wonder how I'll be able to find out more about its history.  Europeans were settling and farming here in the early 1800s and would have farmed every inch of land they could clear.  This area was probably last choice, since it's so steep, rocky, and uneven, but it's unlikely it was left untouched.

When I was a kid, though, this was the great wilderness; the old memories take me over, and once again I am Finn MacCool, Cuchulain, Mowgli, Legolas and a Miami Indian Chief.  One of my great-grandfathers was American Indian, and as I kid I was absolutely fascinated by this.  We never learned what tribe or nation he belonged to, since one day he simply walked out on my great-grandmother; Dad says she was a bitch with oak cluster, which may have had something to do with it.  Like a lot of kids (and no few adults) I romanticized this man, desperately wishing at times that I could be ALL Indian -or at least look a little bit like one.  In my woods I would try to walk without being seen or heard by my animal quarry or any white men.   I occasionally found some arrowheads, which helped the fantasy.  I still have one of them sitting on my dresser.  I'm not sure we ever even knew this man's name, I'll have to ask Dad.  Maybe someday we'll learn something about him.  Dad's side of the family consists mostly of questions.  

The path forks again, and I take the upper one, which brings me out to a ledge overlooking the creek.  In front of me is a huge black pipe that stretches across the shallow water about twenty feet in the air.  This, and two other pipes in the woods, used to annoy me.  I'd be desperately trying to create the illusion of being far from civilization when boom, here'd be one of these damn reminders that I was still surrounded by it.  After I saw Planet of the Apes though, I'd pretend that these pipes were all that was left of an ancient culture that had destroyed itself, leaving the world to return to a state of wild beauty.  That helped.  It wasn't unusual to find grocery carts abandoned here, which was all the more mystifying since the closest store was a good half-hour's walk away, at least half the walk over grass and mud. I could never figure out why someone would work that hard to make something look so ugly, not yet being familiar with the concept of under-age drinking.   That's still the only explanation I'm able to come up with.  

The black pipe was also where I was more likely to run into other kids, not always friends, because crossing on it was a popular test of daring-do.  One kid broke his arm falling off it, but that's the only accident I can remember hearing about.  Some graffiti on the pipe lets me know it's still a fairly popular destination with someone.  Off to the southeast lies the white pipe, which is both wider and lower to the ground, so crossing it was less daunting.    

Standing on my ledge, I can survey pretty far.  I ignore the grave yard looming behind me, and look up and down Clear Creek.  When I was a kid, the name of this stream was distressingly ironic, since a local chemical company was dumping waste in it further upstream.  Along with giant pipes and grocery carts, I had to ignore dirty foam build-up and algae in the water.  That is one thing that has improved in recent years though, due partly to stricter enforcement but probably mostly from the company going out of business.  I still wouldn't drink this water, but I think it's doing less damage to the local fauna now.  A few years ago I saw a great blue heron here, winging its way silently when I startled it.  That was encouraging.  

I walk down the hill to the creek's edge, and head downstream.  The bed has changed a little since I was a kid, at least one ox-bow now being a straight channel, but over all it looks more or less the same to me.  In past winters I've been able to walk along the frozen creek itself, rejoicing in the musical burbling up from the air holes, but today is too warm for that.  What was a clear path when I was a kid is almost gone now.  At times I'm not sure if I'm following the old track or the previous bed of the creek.  I wonder why no one seems to wander down here any longer.  When my mom was a student at Earlham, she said no one ever came down here.  I was playing here unsupervised by the time I was six, if memory serves.  I'm at least a 30 minute walk from my parents' house, and out of sight of any other building or area where there are likely to be crowds.  As a kid this was one of the biggest draws of the place, but I wonder if people would see it as too dangerous now.  Or maybe fewer kids these days want to go bushwacking, preferring to stay glued to their computers and video games.  That just doesn't seem likely though.  Kids don't change that much; they still want to have secret hide-outs don't they?  Well, if they do, maybe they're finding them elsewhere.  

I come out at a fairly wide path.  This part of the woods is where the college biology department has been conducting a number of experiments.  When I was a kid, I could stand here and look across a fairly large space that had been planted with saplings.  Now I can only see about two feet in front of me, the saplings having become a tall forest.  Thirty some years, yup.  It's almost twenty since I graduated from college.  Yipe.  There are occasional pink ribbons tied to trees as markers for students, but I don't know what they signify.  The study is watching how forests form, seeing what changes and shows up as the place ages.  Though I can't remember when it happened, there was a point when the appearance of this robust forest took me by surprise.  Maybe I hadn't come this far into the woods for a few years, so the jump was more drastic.  That doesn't sit with my memories, but is the only logical explanation.  

Now I take the path that loops around and through this place.  I pass blackberry canes, now bare of leaves and fruit, glowing purply-white against the greys and browns of the rest of the woods.  Fang's immediate predecessor, Sybil, was fond of blackberries, and would even delicately pick them herself, though she found it much easier to beg them from Dad.  

In the spring the whole campus is blanketed with violets, one of my seasonal markers, and down here, just a few weeks after the purple ones come out, fields of white violets show up.  That has always been one of the reasons I found this place magical as a child.  Somehow those flowers felt like secrets, or evidence that unusual forces were at work.  

Up a short steep (for Indiana) incline, and I'm at another biology experiment, the big pond.  This went in my senior year of college, but it so captivated me that it got woven into my childhood fantasy seamlessly.  I've always loved water, have at times wished I were amphibious -when I wasn't wishing I was a wolf, a Miami Indian, or the half-Sidhe hero of Ulster.   This pond is particularly ripe for fantasy-making, since it was constructed with an island in it.  It sits at one end of the long thin pond, near a large gap in the trees that were created so birds like ducks and geese, which need a runway to take off, would be willing to land here.  Almost the minute the pond was finished, a pair of Canada Geese showed up, raised a brood, and took off again.  Each Spring I now wait for my family to tell me the geese have arrived, how many goslings they hatched, then what day they all disappeared.  We try not to think about how many of the goslings probably stayed behind, in the gullets of snapping turtles.   Turtles gotta eat too, I guess.  Today I startle a small creature of some kind as I come up.  I never get a really good look at it, but am pretty certain it's a muskrat.  This feels like an especially nice omen, since I've never seen one here before.  Where do these creatures come from?  

I swing around the pond, and come out between two more biology experiments; on one side is the meadow, on the other is the prairie.  It's astonishing how distinct they are from one another, separated only be a six-foot wide strip.  The prairie side gets burned every few years, so that probably helps.  In the summer this area is swarming with flocks of goldfinches, and butterflies. Tony the entomologist has taught Mary and me how to identify the sex of Monarchs, along with a lot of other fun information.  Who knew we'd all become so interested in bugs someday?  

At the edge of the meadow is the school observatory; Indiana is not a good place for serious star gazing, because it's hazy and rainy so much of the year, but when I took astronomy my first year, I got to see several planets in clear detail through this telescope.  Saturn was the most beautiful.  Across another set of playing fields is Brick City, a whole development of ugly single story red-brick buildings that are used as housing for visiting professors, grad students, and anyone else who chooses to live here.  Because of the observatory, all the streetlights nearest are shielded on this side, to cut down on the light pollution.  

Then I visit the smaller, older pond that went in sometime while I was in high school.  As with the larger one, fish, frogs and other animals simply showed up here almost as soon as the pond filled with water.  I believe their eggs were transported by bird guano, but there is still something magical about the apparent spontaneous generation of life that water causes.   

Now I'm on the paved road, looking at the old horse-pasture, and on the other side of the bowl, the back side of the college campus.  When I was a student here, whenever things seemed particularly overwhelming, I would take a walk out here and look at the school.  Somehow seeing it all from a distance like this helped me regain perspective most of the time.  Years later I found myself doing the same thing as I road the bus home to Jersey, and looked across the Hudson at Manhattan.  Seeing it all contained and distant like that, my blood-pressure would drop immediately.  

The former horse pasture now houses the ropes course and a huge community of voles.  My family calls it the heath, and Fang is fond of vole-hunting (and crunching) when we let her run here.  I cut diagonally through it and arrive at Firefly Lane.  This is the name my family gave this narrow corridor of greenspace that runs behind the backyards of College Avenue, alongside the heath.  It earned this name one summer when the firefly population was particularly huge, and all the trees here looked like they'd been festooned with Christmas lights.  After some attacks, safety required thinning out a lot of the trees to improve visibility, so the Christmas light effect has never been repeated, but the name stuck.  At either end it is blocked off by horizontal wooden beams, to dissuade anyone from driving a car through here.  In the early 80s, some students went joy-riding down this greenway, then back to their residence in Brick City.  I believe drinking may have been involved.  The next morning the head of security followed the black, muddy tracks to their door, and came in for a chat.  After a brief silence he started mildly "You boys lack discretion."  I know all this, having heard the story from the driver, now a good friend and a well-loved, tenured member of the faculty.  

Now I head up the bowl, returning to get my holly.  I make sure to leave some berries, while still getting enough for both Laceyland and Hazelthorne.  After this the walk is more or less complete,
the sites all visited.  I'm struck by how much things have actually changed since my childhood, and how little it bothers me.  Right after I graduated from college, I was more ruffled by such things.  On visits back I'd accompany Mom, Dad, and Sybil on the afternoon walk, and feel disgruntled at any change in the route.  It was like I was some cranky, hide-bound anthropologist telling the natives how they were supposed to observe their traditional rituals.  Now I'm much more pleased by the evidence of change in my school and my family; it shows that life goes on, and no one is getting frozen in place.  My sister is one of the senior faculty on campus now.  Dad is long since retired, and off saving the world in other settings.  Mom and Fange still take their two daily walks, visiting their tree friends and vole-hunting grounds.  Life keeps growing and changing.  It feels good.  I know this terrain is not to everyone's taste, and even if they like it, they don't see what I see.  My place is as much one of imagination as it is grass and trees.  I once showed Brian my walk and he was a very good sport about it, but he couldn't possibly have seen what I was seeing.  His secret havens, most of them in Cape Breton, are by objective standards spectacularly beautiful, so even if I wasn't seeing what he was, I still fell in love with the place.  This place is much more a cultivated taste, I know.  I know too though that this will always be home for me, in some primal, archetypal way.  

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