Showing posts with label dogs. Show all posts
Showing posts with label dogs. Show all posts

Thursday, December 17, 2009

Bits of News



So I fly back to Indiana tomorrow, for Christmas with my family.  We're all going out to our favorite Italian restaurant that evening, assuming the weather accommodates my flight plans.  This restaurant has been the go-to place for our family celebrations for as long as I remember.  This occasion will be the first time we've all gone since James' death.  There will be plenty of such firsts this season, of course, and for the next year.  Goody.  But as Mary says, the only way out is through, and we'll toast him, eat some good food, tell some favorite stories, laugh and cry.  When Dad first mentioned this plan to me, he said "We probably won't be the first guys sobbing in the men's room."  I agreed.  It's an Italian restaurant, after all, even if it's in the stoic Midwest.  I doubt we'll bother hiding in the men's room, frankly.  Why start now?

Huh.  That wasn't what I got online to tell you though.  First off, I did a bit of house-cleaning yesterday on this here bloggerino, adding some fun new links, and updating old ones (finally, Greg, I'll be sending people directly to the Midnight Garden).  If any of my links don't work, please do let me know.

One of the new links is called Queer New York.  The illustrious, intriguing, and ever-productive Father Tony started a new blog focusing on life in New York from a queer perspective (did you pick up on that from the name?), and much to my delight he invited me to be one of the contributers.  Initially I was unsure if I should accept for a few reasons: 1) I haven't exactly been burning up the interwebs here at my present blog, why add another blog to ignore, 2) I rarely managed to go anywhere or do anything even remotely New York City-related AND 3) I didn't seem to know more than, oh, let's say three gay men in New York, and maybe six world-wide.  Starting this blog actually doubled the number of gay men I interacted with on a regular basis, and I haven't even met all the local ones face to face.

(Okay, if I didn't link to you in the paragraph above, don't take it personally, it was just taking all day, and I have other things I need to do.  Did I mention I'm flying to Indiana tomorrow?  I will also admit that if you haven't posted anything on your blog for two or more months, I didn't link to you.  Doesn't mean I don't love you, I just figure you didn't need the pressure.)

Fortunately my natural tendency towards gluttony won out though, and I accepted Tony's invitation.  I only have two modest posts up at this point, but I anticipate this being a fun endeavor to be part of.  There's some wonderful stuff there, and I'm looking forward to seeing what else comes down the pike.  Tony has assembled an eclectic mix of men and women (though he still wants to find more queer bloggers of color, so contact him if you fit the bill, or know someone who does), and has, with only a small number of caveats ("this won't be the place to post pictures of your cat") encouraged us to post anything we like.  Reviews of various kinds are making a big showing at present, but no doubt some of the fun with this venue will be seeing how it shapes itself over time. If there is a mission at this point, I'd say it would be to give out of towners the inside scoop on LGBT life in NYC.  PDQ.  RSVP.  BTW.  LOL. (OMG did I just type LOL?  Seriously?)

Huh.  Don't know why I thought that was necessary.  I do feel like progressive politics tends to involve a LOT of acronyms, not that there's anything wrong with that.  And don't you love the caps button?  I sometimes wish I had one in my daily life, though the fact is city living would probably benefit from fewer caps buttons running around the joint.  Just in general.  Did I mention I'm going to Indiana tomorrow?  Have I mentioned before that I usually spend the first two days of my visits to Indiana sleeping, or wanting to sleep?  Sixteen hours at a stretch is not unheard of.  I call it the Richmond Coma, and I think the sheer dearth of NOISE (caps intended) has a physical effect on me.  My nervous system, which in cities is probably more nervous than is healthy, simply collapses. I usually come out of the coma ready for long walks and some serious dog-romping, though, and conveniently, there is a dog who loves to romp.  I might actually get some video footage of that, if Fang is amenable.  Amenable is her normal state, if not organizing principle, so I'm optimistic.  Whether or not I actually turn that video into something worth seeing, that's the real question here.  I'm less optimistic on that front, but not completely without hope.

Wow.  I DO go on.  I can't believe it's been two weeks since I posted anything here.  I don't know about the rest of you bloggers, but this process has evolved into a fairly useful processing tool for me.  I feel the lack when I don't do it.  Babbling on paper (what Dad calls 'bilge-pumping') is fairly necessary to my mental well-being too, but I think I've been reasonably good about not putting that stuff out on the internet for all and sundry.  Sundry gets really cranky about that kind of thing, and who can blame her?

I'm shutting up now.  But I've missed you, and hope to be writing more regularly, here at at the new house.


Sunday, February 24, 2008

All About Me

This is Megan.
She's a koala.
She's eating eucalyptus leaves.




(We had just been exercising in the Sheep's Meadow under a hot summer sun. I'm sweaty, red-faced, and blotchy the way you're supposed to be. She looks like she just stepped out of the shower. Maybe she's glowing. A bit. God, I hate that bitch.)


This is Jeff.
He's a clown.
He's wearing a rubber nose.
Also a hat.




(It's all right, he's a good clown, he won't hurt you. Seriously, he's really funny. Okay, okay, breathe...No no, the T shirt is a name, not an instruction...yes, I understand but- uh huh... look, he's also a great actor, and he doesn't wear the nose then. Usually. Does that help? ...All right, if you would just come over --look, will you calm down-no... no... Seriously dude, would you CHILL? Jesus Christ on a Bicycle!)




Jeff and Megan have known each other since high school in Northern Virgina (NoVA, to the cool kids, and believe me, these kids are cool), were sweethearts for a while, and managed to maintain a friendship throughout college and the years after. Well, last Tuesday the Koala and the Clown decided that their duo was too good, too right, and should be made a permanent thing. I couldn't agree more.


I've been trying all weekend to explain why this makes me so deleriously happy. The funny thing about trying to explain why you love people is it so hard to do without sounding like a Hallmark card, or just listing their fine qualities. On top of that, the entry about their engagement kept becoming all about me, and why I wanted this to happen. I don't seem to be getting anywhere though, and what the hell, it IS my blog, so here are just a few of the things that make me happy about all this.


I met Jeff doing the original play Significant Circus back in spring of 2001, and he was but one of many precious gifts I took away from that experience. I tend to treat straight men like timid woodland creatures when I first meet them, moving slowly and deliberately so as not to startle them, in the hopes that maybe eventually they'll feel safe enough to eat from my hand. Initially Jeff seemed like a prime candidate for this policy, but I soon found I was selling him short. You have to understand, in this play, while Jeff was playing a human being, I was playing a dog. A talking dog. Nor was this my first time (see, all about me...). We only had a couple of scenes together, and our characters didn't really interact much, we were usually just there as parts of crowd scenes. At one point we had stopped while the director attended to some other problem, me crouched at Jeff's feet, both of us lost in our own thoughts. It took me a few moments to notice that Jeff was petting me absent-mindedly, scritching me behind the ears... Just petting the dog. I doubt he was even conscious of it; like I said, it had been going on for some moments before I was. If that hadn't been enough, I knew we were going to be friends when he, I, and two other (hot!) actors decided to run our extremely physical, acrobatic, full-body-contact fight call in our underwear. Just 'cause. It was that kind of play.


He is one of the most disciplined, hard-working people I know, and at times I feel like he's driven, and too self-flagellating (like life in New York Theatre doesn't beat you enough). I'll tell him to lighten up periodically, yet I'm also awed by how much he gets done. Generally he's juggling roughly 493 projects at once, in three states and two countries (I'm not kidding), but even then, if you ask him to help you move, he's there. I swear, if I suddenly needed to move while he was working in Italy, he would find a way to be there that day, and still miss less than an hour's rehearsal. And you have to understand, we're talking about moving IN NEW YORK CITY. No place to park, five floor walk-ups with no elevators, doors and staircases that are too small for TV sets, let alone actual furniture... nope, he's there, and usually taking charge.


I met Megan a few years later, when she moved to New York as their relationship rekindled. As with Jeff, I initially thought she was sweet, lovely, a bit shy and reserved, a southern gal I might easily scandalize accidentally. I was just as wrong with her. While she and I haven't wrestled in our underwear (yet), I quickly learned she was actually a hot dancer, a rocker-chick with a serious Guns N' Roses fetish and several tattoos. At first I thought it odd someone like this was studying library science, but it just turned out I hadn't met enough librarians. She can drink me under the table, which granted isn't that hard these days, but she IS a lot smaller than me. Of the two of them, she's far more likely to be the one causing trouble in public, and she gets away with it because she can turn on the Bambi eyes, and just look like a sweet young thing. I adore this about her. I also adore the fact that when she's writing papers, she wears bunny ears because "they help me think." When she has her glasses on she looks like she's the librarian at the Playboy Mansion. She and I bonded when we learned each of us has a Muppet Dance (Jeff likes to make us sit on the same side of the booth in restaurants, so he can watch us do them simultaneously). Her sense of humor is often wicked, and I adore this about her too.




Then there are all the things I love about them that they have in common: their writing skill, their empathy, their ability to switch from serious to silly on a dime (and not belittle either one), their love of books, art, dance, theatre, music, good food, red wine -all the things that make for wonderful friendships and amazing conversations, but perhaps not particularly good stories. They've challenged me, supported me, and maybe best of all, helped me make my work better. I feel blessed by my time with them, hearing, being heard, loving, and being loved.



They're also both smokin' hot, and not afraid to give me smooches when I need 'em. (Which, for the record, is CONSTANTLY. Probably half the reason I went into theatre. All about me.)



The road to this point has been a long one, and what with them being human beings and all, not always easy. They were split up for a time, a few years ago. I've had good couple friends break up before (who hasn't) and knew I would have no trouble maintaining a friendship with each of them. So why was I so upset by the break-up? Sure I was sad that they were both hurting, that made sense, but this seemed like something more. Gradually I began to realize that I felt strongly that they were SUPPOSED to be together. Unlike in previous cases, I had an opinion, dare I say, an AGENDA even, in this.



I was good. I behaved. I did not breathe a word of this to either of them, because what the hell did I know, it wasn't my decision, I wasn't involved, I didn't know all the things that had come between them, and besides I know better than to advise people on much of anything but especially romance, yeah, let's look at my track record, and no one wants advice when they're in this much pain anyway, and they DEFINITELY don't need me pursuing my own AGENDA for god's sake, what kind of moron would risk alienating both his friends by meddling in their affairs like this because HE wants them to reconcile...?



(All about me.)



Nope I didn't say a thing (right, guys? I didn't, did I? I was good, right?). And I worked at picturing them with other people, starting new relationships, building different lives. They were mine, I wasn't going to lose them, and since it's all about me, that's what mattered.



BUT... I was thrilled when they reconciled, saw that if anything the bond was stronger and healthier now, maybe in some way the split had been necessary. It was good. So glad you two finally saw sense and did what I wanted, ya pinheads. (Me. All. About.) I'm sure I'm only one of many people saying this to you. Together and separately you have inspired, delighted and supported me. I hope you'll let me return the favor, whenever I can.











Friday, February 01, 2008

Useful Lesson

In yet another wrinkle on the art modeling phenomenon, this past Wednesday I was hired to participate in a body-painting event. This took place at the school where I work most regularly, and was a kick-off event for a campaign focusing on ending coal use as a way to address climate change. It's part of a national drive, and some lucky winner would get $5000 for his or her design.

The first person to paint me was a body-painting expert who had been brought in to offer advice to the competitors. Things were getting off to a slow start, so the organizers asked if she'd do a demo on me. First she painted a tree on my back (she decided my chest was too furry), but once she better understood the theme of the evening, she washed me down (which sounds like a lot more fun than it was), and painted a skull shaped factory belching skull-shaped clouds into the sky, all in black and white. For some reason my camera didn't take that photo. It kept saying "drawing failed" everytime I tried to open up the thumbnail. My learning curve with this digital camera is still climbing. I wish I could show you the design, in part because it's a higher contrast image and thus easier to see, but also because it figures heavily in a learning experience I had.

The artist was finished with the second design by 7:30 or so, which meant I still had two and half hours to go before I could take my 90 minute train-ride home. So I floated around for a bit, waiting for someone else to need a body. Eventually an absolutely adorable sophomore asked me to be his canvas. He was pretty honest about his aim being winning the money, since it might make the difference between him staying in school, or having to go back to Toronto (another adorable Canadian boy; what the hell IS this with me?). He envisioned a sort of christ-figure ("and I'm Jewish, but gotta go with what sells, right?") with a small landscape beneath a big sky. Unlike the first artist, he liked my furry chest, saying it helped the cloud effect he was going for. For the record, having this handsome fellow rub me down with cold wet paint is the most action I've gotten in about two years, and I won't say I didn't enjoy it. I've interacted with this guy previously, since he's one of a small handful of students to take an interest in the models (he told me I was one of the best at the school, the little charmer) and he had even seemed a bit flirty in the past. This situation was all business-like of course, as it should be, but even that involved some hand holding (while he worked on my arms), and a moment when he dabbed dark blue paint on one of my nipples saying "gotta disguise that." He first tried incorporating my tattoo into his design, but eventually decided it had to be covered up as well, which meant some almost massage-like attention to one shoulder.

The design was sort of a diptych; he painted the back of my hands and lower arms a coal-black, so when I hunched over with my arms in front of me, the image was a blighted, burnt, distressed figure. Then when I opened up into the Christ pose, I revealed the landscape, with the sun on my left hand, and stars in a nighttime sky on my right. The photo above was taken once I got home, so the artwork on my hands is gone. I had washed them before leaving, since the school bathrooms could handle that, and I could cover everything else up with clothing.

This brings me to the useful lesson which, in the interests of service, I pass on to you. First of all, the sooner you get the stuff off you, the better. I think it starts to set up after a while. By the time I took the first of several showers, the black and white design had been on me for nearly five hours, the blue for over three. I wonder if the darker colors also set more strongly, though maybe they're just more noticeable on my skin. The real lesson though is this; if you ever decide to let someone paint your back, make sure there is someone in your life you feel comfortable asking to scrub it afterwards. I'm have always been able to reach all parts of my back with the mesh sponge, and this works fine for every day cleaning but this design required some serious scrubbing, and I wasn't able to get the right leverage. Trying to SEE my back was hard enough. After the first shower, when I discovered I had removed barely half the design, I tried using two small hand mirrors to look, but of course then there was the steam factor, and I had to put them down before I could do any serious scrubbing anyway, so I was always working blindly.

This forcibly drove home for me the fact that I am single. My roommate is a great guy, but we do NOT have this kind of relationship. Coltrane might have been willing to help, but he would need to be taller, willing to get over his dislike for getting wet, and have opposible thumbs. Maybe it would have worked if I had covered my back in bacon grease, then lay down for Coltrane to lick me, but that's the best I could come up, I'm dubious as to its effectiveness, and it was all moot now anyway. Perhaps if I'd started OUT the evening with my back covered in bacon grease, it all would have come off more easily anyway. I make a note for future reference. Here it is three days, four showers and a new scrub brush later, and there are still faint skulls on my back, and patches of blue on my chest and arms.

So, maybe after the big wrestling match-up, some nice person would be willing to help me out here. Otherwise I'll simply have to wait for the paint to wear off.

For the record, I look drunk in this picture, but it is actually exhaustion from having been up for eighteen hours, and on my feet for most of it.

Tuesday, January 29, 2008

Who's Training Whom?

One of the many gifts Coltrane has given me is he makes the apartment seem huge. By New York standards this place is pretty spacious; there are two bedrooms, a tiny office (what was probably originally the maid’s room), an eat-in kitchen, and a good-sized, albeit oddly shaped living room. The nine foot ceilings and ample light (we’re on the top floor, so even the courtyard windows get a decent amount) also give a sense of spaciousness. I can’t complain. Well, of course I could, you must know me better than that by now, but I won’t. It’s a good amount of room.

As I said, however, Coltrane makes it seem even bigger. Mainly this results whenever he’s running. If he’s back in Tommy’s room -as far as one can get from the front door- when I come home, there will be the bucketa bucketa bucketa bucketa bucketa bucketa bucketa bucketa bucketa bucketa bucket bucketa bucketa sound of his paws on the wood floor, which of course ends in the bouncing, springing, ear-flapping dance of joy at my triumphant return. Sometimes if he’s really excited, he has to run down the hall again, then come racing back to me. Occasionally he gets SO excited that he immediately runs in the opposite direction of the door, then remembers why he was so excited, and comes racing back to see me. Walking in to the sight of him tearing hell-bent for leather in the other direction cracks me up. I always want to greet him the minute I get in, but when I’m laden down with bags it can take a little while to walk down the hall to the kitchen, where I can put things down, since he’ll be dancing and hopping, getting underfoot, trying to trip me so he can lick my face... it’s a production. It's much easier when I'm empty handed, and can crouch to say hi right away.

This is the best, but not the only example of his expansion skills. When I’m sitting at the dining table in my favorite spot, I can see every door and window in the room, with the one to the hallway directly across from me. The hallway runs the long side of the L of the apartment, so it's the longest straight line one can walk in the apartment. At one end is the fire-escape window in my bedroom, at the other end is the front door. Sometimes when I’m sitting there, Coltrane, who had been sleeping in my room (see above) will suddenly have an urgent appointment at the front door. Then the sounds starts with the KaCHUNG of him jumping off my bed followed by bucketa bucketa bucketa bucketa bucketa bucketa bucketa bucketa bucketa bucketa bucketa. The loudest bucketas are him passing the kitchen doorway, and just that snapshot of him leaping by will kill me, so full of vigor, purpose and enthusiasm it is.

I’m less enamored of his running when it’s in response to the door buzzer, or the door bell, because that will of course involve a barrage of barks to let everyone for a three block radius know that our take-out delivery has arrived. I think I may be more sensitive than most to certain noises and the door buzzer (for the front door of the building) and Coltrane’s bark both tend to startle me and hurt my ears. The door bell for our apartment isn’t so bad, but it’s rare that anyone who uses it is someone I was expecting or want to talk to, so I’ve developed a strong antipathy for it as well. The combination, therefore of head-splitting barking with either of these sounds does not let me be my best. I finally realized that if I pick him up, the dog will shut up, if only because he’s not entirely sure what I’m going to do to him. Now that I think about it, his barking tends to make the place sound smaller, since it’s almost as ear-splitting for me even when we’re at opposite ends of the L (office and living room couch), or maybe I’m just conditioned (dare I say, a Pavlovian response) to dislike the sound so much that it bugs me even when he’s not directly under my feet, causing me to have to dig my fingernails out of the nine foot ceiling.

Last night Tommy announced a the implementation of a new procedure to stop Coltrane from his obsessive wall licking. A few days ago Tommy really looked at the hallway wall and realized C was actually bubbling and removing paint. I don’t think this is the sturdiest paint, but even so, that’s some serious erosion going on and it can't be good for him. Soon after they moved in, Tommy suggested we use the aversion technique of spraying C with water whenever he did it, but T was so haphazard in observing it himself, that I started feeling like an asshole being the only one doing it. It was especially weird when C would be licking away vigorously outside the open bathroom door while Tommy shaved (water, mirrored cupboard doors opening, light bouncing all over the place), five minutes would pass and Tommy wouldn’t respond. He admitted last night that he often barely notices, it’s become such a part of his life. The paint thing was something of a wake-up call, I guess. Anyway, the new technique involves telling Coltrane to stop the licking, and if he does, giving him a treat. I am a bit dubious of this approach for two reasons. One: when it’s time for Coltrane to go outside, if he’s not all that into it (it's raining, or too cold or something), he’ll go hide, or simply fail to respond. Tommy therefore will rattle the treats jar lid, and this naturally brings the dog running. (I like this approach better than the earlier one, which was to ring the front door bell, though that too was quite effective.) Two: I frequently go to bed before Tommy, and often Coltrane will join me. (I usually sleep with my door open, to keep the room cooler.) Tommy likes to have Coltrane sleep with him though, and frankly so do I. Coltrane hogs the bed more than something the size of a throw pillow should (yes I can move him, but I have to wake up enough to realize I need to), and in the morning he wants to know why I’m not giving him his breakfast. So, yes, sleeping with Tommy, better for all concerned. To avoid coming into my room himself, Tommy will, again, rattle the treats jar, and the dog will come running.

The thing is, see, both Tommy and I are beginning to think Coltrane has figured all this out, and is now using it to get more treats. Most mornings now, when Coltrane sees Tommy putting on his coat, he'll walk under the dining table and look expectant. This had gone on for a while before we noticed it, so now he usually gets scooped out from under the table, but he had a good thing going there for a while. It’s harder to prove with the evening routine, but we do suspect that has figured out if he starts the night in my room, good things tend to happen. Okay, maybe I should put that another way. We think Coltrane has become conditioned to expect a treat if he starts the night in my room.

That said, after each of us had firmly stopped him, then rewarded him, there did seem to be less wall licking last night. Maybe it will work. I hope it does before the warm weather comes. I’d like to be able to walk around barefoot in my apartment without periodically hitting enormous oil slicks.

Friday, January 04, 2008

Fun with Toys: Christmas 2007









Solstice Walk


On the solstice this year, I decided to take my old walk.   I wanted to visit some important personal sites, and do so in the order I always did as a kid. After reading Bruce Chatwin's The Songlines I wondered if this served a similar purpose in my life, but I think the concept of dinnesanchas comes much closer.  The term comes from Irish, and means something like 'the naming of place'; the idea as I understand it is that when a place has been inhabited for a long time by people with an unbroken narrative tradition, every rock, hummock, hill, stream, or creek has a name and a story.  Describing my little walk with this grand term is pompous, hanging far too much weight on it, but there is still something in the concept that resonates with me.  

I break with tradition almost immediately by starting from my sister's and brother-in-law's place, rather than my parents' home, but I realized that the distance between them never really had much of import for me.  The special places and the stories start later.  

First stop is the kicking post.  This was a gift to the college from the class of 1940, and is a simply a small menhir about my height, sitting right next to the main entrance to the campus.  I had always thought it was meant to be a way for Quaker students to vent their unseemly anger, but this time I actually read the sign posted on it, and realize that you are supposed to make a wish and kick it for good luck.  I'm somewhat surprised the class of 1940 would have been willing to offer such a superstitious, verging on pagan, monument, but I make a wish and kick the post, being something of a pagan myself.  Besides, I never turn down a chance to make a wish.      

The next stop is actually a recent addition, since my adulthood.  Boy for a trip down memory lane, I've already screwed it up.  If this were my Songlines, I'd be subject to the death penalty by now.  Okay, this stop is an enormous catalpa tree, with a trunk so wide that with our arms out-stretched my mom, dad, and I can only just barely touch fingers.  This is the tree friend my mom visits -and hugs-  each morning with the dog.  She has done so for at least twenty years, I believe.  Something about its presence calls to her, and feels welcoming.  An enormous pin oak has recently entered her life as well, but I think this catalpa is the only tree she visits every day.
Today I notice that one of its huge limbs has a bee hive in it.  It almost looks like the bulge in the branch has been created by the hive, since their entrance is right in the center of it.  It's worrisome that the bees are out and about, since it is December 23rd, but since it is almost 60 degrees F, I assume they knew what they're doing.  

I then walk along the west edge of the campus, which has a tall fence separating it from the cemetery next door.  The fence didn't completely separate the two places when I was a kid and college student; lots of students used to go study in the beautiful surroundings.  There was a gentle hazing tradition, maybe still is, where upper- class students would tell first-years to go find the Glass Tomb.  There really is one, once you figure out the joke.  

The cemetery never played heavily in my childhood fantasies though, so I don't mind the new fence (Mom does).  On this side, I'm walking through a windbreak of evergreens that are so tall and dense you can almost stay dry in a rain storm here.  An owl had a nest here for many years, but I can't tell if she's still here.  I stop to visit the tiny grave of Morton Bisp.  For reasons unknown to me, this little tombstone for a child who died before his sixth birthday (in 1953), is separated from the cemetery, one lone stone that didn't make it onto the other side of the fence.  I assume he was buried on college property on purpose.  

Now I'm at the top of the sledding hill, the place we always came as kids.  If you could see this shallow little valley with its two modest peaks, you'd realize just how midwestern my upbringing was.  I remember the rides down being quite satisfying, right up until I was thirteen or so, but when I look at it now, I laugh.  I know it's still used that way by faculty kids.  The family dog before I was born, the first Fang, loved riding on sleds.  We tried to get Lilly, the dog I grew up with, to try it but it never appealed to her; she liked running along side barking better.  This was also a good rolling hill in the Summer, and you could get some pretty good speed up for that.  Once after seeing me do it, Lilly gave it a try, but her legs kept getting in the way.  She learned that she liked the feeling however, so from then on her walks usually included rolling blissfully in very clean grass.  Dew-covered grass was her favorite, so we think she may have been bathing.  She always kept herself very clean.   

At the top of the other hill there is a bronze statue honoring Mary Dyer, a Quaker hanged on Boston Common for preaching in defiance of the Puritan authorities.  She's seated, looking at her hands.  As a kid, I would climb up to sit in her lap, but that no longer seems appropriate, since her hands would now be cupping my ass. Behind her is Stout Meetinghouse, where I went to Sunday meeting from birth through college.  I find the building quite beautiful (though that isn't supposed to matter to Quakers), with its white-washed walls, long dark wooden benches and windows looking out on grass and trees in three directions.  I check the holly bush on the east side.  I don't remember the actual superstition, but I have a vague recollection of it being beneficial to bring holly into the home on the Winter Solstice, so I've brought clippers and a plastic bag for the purpose.  This bush has no berries though, so I check out the one behind Stout to the south.  Much better in the berry department, but I'll have to come back; my walk is only just begun, and I'd rather not have to carry a bag of spikes for the next half hour.  

I sit down on Dan Kinsey's Bench, a granite monument to a former teacher and coach.  I still feel the lack of the old honey locust tree behind it, gone now for ten years.  It always kept this bench cool in the Summer, and I would spend hours lying here, looking up through the leaves.  

I had an epiphany once, sitting on this bench.  As a kid I was as dismissive of my hometown and its boring terrain as anyone; I only saw beauty in mountains, lakes, the ocean, at least some dramatic hills.  This flat land had nothing to recommend it, as far as I was concerned.  Then when I was fourteen, my family spent three months living in London, and traveling all around the UK and Ireland.  I wasn't all that fond of London (it made me feel claustrophobic), but I drank in the scenery of the Lake District, and the west coast of Ireland.  It felt like I got into a new habit of seeing, and when I got home this habit stayed with me.  I sat down on this bench soon after we got back, looked over the playing fields, the far side of the bowl that held the football field, the horse pasture and farmland off in the distance, the big, clear blue sky... and suddenly it was breath-taking to me.  It was as if I was seeing this view for the first time.  I still crave mountains, lakes, rivers, oceans, big hills, but since that day I feel an expansive sense of well-being whenever I'm in a Midwestern landscape.  Here in New York, I have to make sure I go someplace with a wide vista at least once a week, to regain a sense of calm.  

Moving on, I walk across the two playing fields (where Fang runs her joyous figure-eights), heading towards the old stables where I took horse-riding lessons as a teenager.  This was another of the perks of being a faculty brat.  This is my archetypal image of a horse stable.  It's low, painted red, with Dutch doors at the entrance.  Inside there is a row of stalls and two boxes for horses that needed more space or sequestering.  An open area once stored hay, and housed a dynasty of barn cats that helped keep the rat population down.  At the other end is the tack room.  I have vivid memories of being in there, cleaning my saddle and bridle along with my teacher and classmates, all of us glad to be huddled in the one warm room in the place.  In my memory it's alway snowy, rainy or dark when I'm here, which doesn't make any sense, since we took classes on Saturday mornings in the Fall and Spring... but the memory is still cozy, friendly, and for some reason makes me think of John Steinbeck.  

Having been replaced at a new location, these stables are no longer in use,  and are looking pretty decrepit, so I'm just as happy not to see inside.  Besides, I've arrived at the entrance to the real magic of this walk.  

The stables sit on the edge of a deep gorge that contains a small creek.  These are MY woods.  A set of beams carved out steps down into the magical place.  Walking here today, I'm struck for the first time by how perfect it was to have this path be so tucked away and hidden, flanked by the stables on one side, and the tree fence of the grave-yard on the other.  It couldn't look more like a secret entrance.  It makes perfect sense I turned this place into Narnia, Middle-Earth, Mowgli's jungle, and the hunting grounds of the Fianna.  

The steps have fallen out of use, so they're overgrown with brambles. The main path down now is the one that used to be only for the horses when we went on trail-rides.  For the sake of tradition though I force my way through the first bush, and realize the rest of the steps are still fairly clear.  At the foot of the steps, the path forks.  I take the right-hand path heading west.  I pass the old log where I could often find a six foot bull snake sunning itself on warm days.  I find it noteworthy that the log still seems to look the same, since it must have been decomposing for at least 30 years.  Looking at the trees on either side of me, I realize for the first time that they're mostly slender, and surrounded by undergrowth.  There are some grand old trees with massive trunks, but they are few and far between.  At an unconscious level, I think I always thought of this as the forest primeval, but recognize now that it must be less than 200 years old, perhaps much less.  I wonder how I'll be able to find out more about its history.  Europeans were settling and farming here in the early 1800s and would have farmed every inch of land they could clear.  This area was probably last choice, since it's so steep, rocky, and uneven, but it's unlikely it was left untouched.

When I was a kid, though, this was the great wilderness; the old memories take me over, and once again I am Finn MacCool, Cuchulain, Mowgli, Legolas and a Miami Indian Chief.  One of my great-grandfathers was American Indian, and as I kid I was absolutely fascinated by this.  We never learned what tribe or nation he belonged to, since one day he simply walked out on my great-grandmother; Dad says she was a bitch with oak cluster, which may have had something to do with it.  Like a lot of kids (and no few adults) I romanticized this man, desperately wishing at times that I could be ALL Indian -or at least look a little bit like one.  In my woods I would try to walk without being seen or heard by my animal quarry or any white men.   I occasionally found some arrowheads, which helped the fantasy.  I still have one of them sitting on my dresser.  I'm not sure we ever even knew this man's name, I'll have to ask Dad.  Maybe someday we'll learn something about him.  Dad's side of the family consists mostly of questions.  

The path forks again, and I take the upper one, which brings me out to a ledge overlooking the creek.  In front of me is a huge black pipe that stretches across the shallow water about twenty feet in the air.  This, and two other pipes in the woods, used to annoy me.  I'd be desperately trying to create the illusion of being far from civilization when boom, here'd be one of these damn reminders that I was still surrounded by it.  After I saw Planet of the Apes though, I'd pretend that these pipes were all that was left of an ancient culture that had destroyed itself, leaving the world to return to a state of wild beauty.  That helped.  It wasn't unusual to find grocery carts abandoned here, which was all the more mystifying since the closest store was a good half-hour's walk away, at least half the walk over grass and mud. I could never figure out why someone would work that hard to make something look so ugly, not yet being familiar with the concept of under-age drinking.   That's still the only explanation I'm able to come up with.  

The black pipe was also where I was more likely to run into other kids, not always friends, because crossing on it was a popular test of daring-do.  One kid broke his arm falling off it, but that's the only accident I can remember hearing about.  Some graffiti on the pipe lets me know it's still a fairly popular destination with someone.  Off to the southeast lies the white pipe, which is both wider and lower to the ground, so crossing it was less daunting.    

Standing on my ledge, I can survey pretty far.  I ignore the grave yard looming behind me, and look up and down Clear Creek.  When I was a kid, the name of this stream was distressingly ironic, since a local chemical company was dumping waste in it further upstream.  Along with giant pipes and grocery carts, I had to ignore dirty foam build-up and algae in the water.  That is one thing that has improved in recent years though, due partly to stricter enforcement but probably mostly from the company going out of business.  I still wouldn't drink this water, but I think it's doing less damage to the local fauna now.  A few years ago I saw a great blue heron here, winging its way silently when I startled it.  That was encouraging.  

I walk down the hill to the creek's edge, and head downstream.  The bed has changed a little since I was a kid, at least one ox-bow now being a straight channel, but over all it looks more or less the same to me.  In past winters I've been able to walk along the frozen creek itself, rejoicing in the musical burbling up from the air holes, but today is too warm for that.  What was a clear path when I was a kid is almost gone now.  At times I'm not sure if I'm following the old track or the previous bed of the creek.  I wonder why no one seems to wander down here any longer.  When my mom was a student at Earlham, she said no one ever came down here.  I was playing here unsupervised by the time I was six, if memory serves.  I'm at least a 30 minute walk from my parents' house, and out of sight of any other building or area where there are likely to be crowds.  As a kid this was one of the biggest draws of the place, but I wonder if people would see it as too dangerous now.  Or maybe fewer kids these days want to go bushwacking, preferring to stay glued to their computers and video games.  That just doesn't seem likely though.  Kids don't change that much; they still want to have secret hide-outs don't they?  Well, if they do, maybe they're finding them elsewhere.  

I come out at a fairly wide path.  This part of the woods is where the college biology department has been conducting a number of experiments.  When I was a kid, I could stand here and look across a fairly large space that had been planted with saplings.  Now I can only see about two feet in front of me, the saplings having become a tall forest.  Thirty some years, yup.  It's almost twenty since I graduated from college.  Yipe.  There are occasional pink ribbons tied to trees as markers for students, but I don't know what they signify.  The study is watching how forests form, seeing what changes and shows up as the place ages.  Though I can't remember when it happened, there was a point when the appearance of this robust forest took me by surprise.  Maybe I hadn't come this far into the woods for a few years, so the jump was more drastic.  That doesn't sit with my memories, but is the only logical explanation.  

Now I take the path that loops around and through this place.  I pass blackberry canes, now bare of leaves and fruit, glowing purply-white against the greys and browns of the rest of the woods.  Fang's immediate predecessor, Sybil, was fond of blackberries, and would even delicately pick them herself, though she found it much easier to beg them from Dad.  

In the spring the whole campus is blanketed with violets, one of my seasonal markers, and down here, just a few weeks after the purple ones come out, fields of white violets show up.  That has always been one of the reasons I found this place magical as a child.  Somehow those flowers felt like secrets, or evidence that unusual forces were at work.  

Up a short steep (for Indiana) incline, and I'm at another biology experiment, the big pond.  This went in my senior year of college, but it so captivated me that it got woven into my childhood fantasy seamlessly.  I've always loved water, have at times wished I were amphibious -when I wasn't wishing I was a wolf, a Miami Indian, or the half-Sidhe hero of Ulster.   This pond is particularly ripe for fantasy-making, since it was constructed with an island in it.  It sits at one end of the long thin pond, near a large gap in the trees that were created so birds like ducks and geese, which need a runway to take off, would be willing to land here.  Almost the minute the pond was finished, a pair of Canada Geese showed up, raised a brood, and took off again.  Each Spring I now wait for my family to tell me the geese have arrived, how many goslings they hatched, then what day they all disappeared.  We try not to think about how many of the goslings probably stayed behind, in the gullets of snapping turtles.   Turtles gotta eat too, I guess.  Today I startle a small creature of some kind as I come up.  I never get a really good look at it, but am pretty certain it's a muskrat.  This feels like an especially nice omen, since I've never seen one here before.  Where do these creatures come from?  

I swing around the pond, and come out between two more biology experiments; on one side is the meadow, on the other is the prairie.  It's astonishing how distinct they are from one another, separated only be a six-foot wide strip.  The prairie side gets burned every few years, so that probably helps.  In the summer this area is swarming with flocks of goldfinches, and butterflies. Tony the entomologist has taught Mary and me how to identify the sex of Monarchs, along with a lot of other fun information.  Who knew we'd all become so interested in bugs someday?  

At the edge of the meadow is the school observatory; Indiana is not a good place for serious star gazing, because it's hazy and rainy so much of the year, but when I took astronomy my first year, I got to see several planets in clear detail through this telescope.  Saturn was the most beautiful.  Across another set of playing fields is Brick City, a whole development of ugly single story red-brick buildings that are used as housing for visiting professors, grad students, and anyone else who chooses to live here.  Because of the observatory, all the streetlights nearest are shielded on this side, to cut down on the light pollution.  

Then I visit the smaller, older pond that went in sometime while I was in high school.  As with the larger one, fish, frogs and other animals simply showed up here almost as soon as the pond filled with water.  I believe their eggs were transported by bird guano, but there is still something magical about the apparent spontaneous generation of life that water causes.   

Now I'm on the paved road, looking at the old horse-pasture, and on the other side of the bowl, the back side of the college campus.  When I was a student here, whenever things seemed particularly overwhelming, I would take a walk out here and look at the school.  Somehow seeing it all from a distance like this helped me regain perspective most of the time.  Years later I found myself doing the same thing as I road the bus home to Jersey, and looked across the Hudson at Manhattan.  Seeing it all contained and distant like that, my blood-pressure would drop immediately.  

The former horse pasture now houses the ropes course and a huge community of voles.  My family calls it the heath, and Fang is fond of vole-hunting (and crunching) when we let her run here.  I cut diagonally through it and arrive at Firefly Lane.  This is the name my family gave this narrow corridor of greenspace that runs behind the backyards of College Avenue, alongside the heath.  It earned this name one summer when the firefly population was particularly huge, and all the trees here looked like they'd been festooned with Christmas lights.  After some attacks, safety required thinning out a lot of the trees to improve visibility, so the Christmas light effect has never been repeated, but the name stuck.  At either end it is blocked off by horizontal wooden beams, to dissuade anyone from driving a car through here.  In the early 80s, some students went joy-riding down this greenway, then back to their residence in Brick City.  I believe drinking may have been involved.  The next morning the head of security followed the black, muddy tracks to their door, and came in for a chat.  After a brief silence he started mildly "You boys lack discretion."  I know all this, having heard the story from the driver, now a good friend and a well-loved, tenured member of the faculty.  

Now I head up the bowl, returning to get my holly.  I make sure to leave some berries, while still getting enough for both Laceyland and Hazelthorne.  After this the walk is more or less complete,
the sites all visited.  I'm struck by how much things have actually changed since my childhood, and how little it bothers me.  Right after I graduated from college, I was more ruffled by such things.  On visits back I'd accompany Mom, Dad, and Sybil on the afternoon walk, and feel disgruntled at any change in the route.  It was like I was some cranky, hide-bound anthropologist telling the natives how they were supposed to observe their traditional rituals.  Now I'm much more pleased by the evidence of change in my school and my family; it shows that life goes on, and no one is getting frozen in place.  My sister is one of the senior faculty on campus now.  Dad is long since retired, and off saving the world in other settings.  Mom and Fange still take their two daily walks, visiting their tree friends and vole-hunting grounds.  Life keeps growing and changing.  It feels good.  I know this terrain is not to everyone's taste, and even if they like it, they don't see what I see.  My place is as much one of imagination as it is grass and trees.  I once showed Brian my walk and he was a very good sport about it, but he couldn't possibly have seen what I was seeing.  His secret havens, most of them in Cape Breton, are by objective standards spectacularly beautiful, so even if I wasn't seeing what he was, I still fell in love with the place.  This place is much more a cultivated taste, I know.  I know too though that this will always be home for me, in some primal, archetypal way.  

Thursday, December 20, 2007

Peanuts and Prayer


I thought at first that writing yet another entry about Fang would be weird; I'm so pathetic I can only talk about dogs, and not even ones I own.

But I got over it.

When we gather for meals, we hold hands briefly at the start for a few minutes of grace (Quaker version). Early on in her arrival, Fang identified this as something she needed to be a part of, so when we do it, she comes to the circle, usually between my seat and Mom's and agitates until we each put a hand on her. Often we'll each take an ear. She'll sit quietly until we all say amen, then is back to her active campaign for attention and or scraps. I don't know what she thinks this ritual is for, but she seems clear on two aspects at least in her own world; 1) everyone is supposed to be touching, and 2) everyone is still and quiet for the duration.

Unless it's peanut butter day. Then all bets are off. Today was peanut butter day. Some time ago, when Mom and Dad had dinner guests, they tried a dog training trick by filling up a rubber dog toy, called a kong, (it looks like a red rubber ziggurat, I don't know how else to explain it; well, I do, but I'm not going to) with peanut butter which the dog then happily licked out, her focus laser-like, her attention unwavering, thus staying shut away from less dog-enamoured guests without moaning and complaining.

This procedure proved to be very effective, but they didn't know just how much she was going to fall in love with the taste. The next time they had peanut butter for lunch, Fang was singing, dancing about, generally being more importunate than she usually is. James was the one who figured it out. When he picked up the kong, she went into conniptions ("finally the stupid bi-peds are catching on!"), and a weekly ritual was born.

It starts as soon as she smells the peanut butter on the table. We all try to get her to bring the kong to the table, but she just runs back and forth between the two, showing us where it is, and where she'd like it to go, until Mom gives up and gets the damn thing. She has us very well trained, does Fang. Once it's filled she happily works away at it, holding it with her paws in such a way that it looks like she's trying to develop opposable thumbs. She almost always gets seconds, because then she WILL bring the kong to the table but usually not until she's tossed it about exuberantly a few times. For those unfamiliar with this toy, it's main point for being is the fact that when you throw it, it's hard to anticipate how it's going to bounce, so it's a great way to exercise dogs who like to fetch. Fang seems to find this feature entertaining, or she's aware of how hysterical we find it, especially Dad. Lots of joyful tossing of the head, juggling the kong in her mouth, throwing it randomly around the room, she often looks like she's performing. Dad calls it the floor show. When he came out of the hospital after a double by-pass, this was his first meal of non-hospital food, and it was just what he needed, meal and floor show.

Since she eventually does bring it to the table, and we're trying to get her to do that more regularly, she gets rewarded with seconds. This is one of the many little routines of family life I look forward to when I come to visit.

The weather is oddly warm today, and is going to hit 50 degrees tomorrow, so all the snow will be gone. Then I'll just have the greys and browns I love so much about Winter here. I love this land the way I love sparrows and chickadees. They're little birds, not particularly brightly colored, easily over-looked, but I love them. I love the flashier birds too, just as I adore mountains, lakes, forests and rivers, but this flat land, the distant horizons, the quiet browns, blacks and greys have charms all their own.

Wednesday, December 19, 2007

First Few Days of Vacation

So I am grabbing a slow time in my college library; it stays open during most of the break, even though only a handful of international students are still on campus. This still my favorite library in the world, the one against which all others are measured... and today I got the 'visitors' computer with the good keyboard... After all the worry about getting out of my apartment, let alone to Newark, the trip from door to door was as painless as any I've experienced. It's always nice flying out, because the complicated part of the trip (take a subway, take a train or bus, carry all the luggage) happens at the beginning of the trip. At the other end someone is waiting to pick me up in the car, and I get to start the visit with 40 minutes of private time with one member of my family. This time it was Mom, and we drove back by way of National Rd (US 40), so as to avoid all the enormous trucks on 70. It meant we also had to deal with drifting snow and a two lane highway, but it worked 0ut well, and I got to see stars almost immediately, and the open farmland studded with copses of trees. It's this austere beauty I look forward to when I'm here. Lots of my friends have trouble understanding why I love it so. I wonder if one has to be born here to appreciate it fully.

My brother James was picking up Dad at the Cincinnati airport at the same time. Dad was on his way home from Rome, the show-off. After he retired from teaching, Dad became the clerk of the American Friends Service Committee, a peace and social action organization. In the 50's the AFSC won a Nobel Peace Prize, which means it is now allowed to send a representative to a conference of Nobel Peace Prize winners that meets this time every year. Gorbachov is the founder. This trip, highlights for Dad was getting a bear hug from Gorby, and helping Christy Brinkley find the ladies room. Gives you an idea of how much ground this conference tries to cover, no? He said George Clooney spoke, and was actually pretty impressive, no grand-standing or melodrama, just clear, sensible talk about Africa. Nice to hear, I like Clooney. At another session, one of the panelists was the Dalai Llama; in response to one question he said "nothing to say," then proceeded to speak for a long time. It was fun though, Dad said, he was funny and charming, but at one point he said "look, we all know we only have one life to live," and Dad thought, wait a minute; the Dalai Llama thinks he only has one life to live? Doesn't that present him with some problems? Dad never got to clarify this, but that's probably for the best.

I could feel pressure due to the fact that my increasingly frail 73 year old father does more globe trotting and activism than I do, but I guess I should appreciate having him set the bar high. I'm proud of him, as you can tell from my bragging no doubt, and feel lucky that everyone in the family is on the same page when it comes to politics. That helps cut down on holiday drama, I'm sure.

The family insists Fang never makes as much of a fuss over others as she does over me; they're convinced she counts me as part of the pack. Maybe I have the right scent. They claim she always spends a few days after I leave wandering around the house looking for me. Whether any of it is true or not, she definitely makes me feel very welcomed. Dogs are good for the soul. She cracks me up. When we let her off the leash she run joyfully, when it's time to get back on she races up to us joyfully, then she chews her treat with such gusto one just feels all is right with the world, as long as one is lucky enough to have a dog biscuit. I think she is often the best leaven for my mom's sometime somber moods.

The quiet, nurturing pace of life here is wonderful, but doesn't make for good stories just yet, and I'm supposed to be getting off the computer now anyway. I think I may have a blogging addiction... going this long without writing, and even less time without catching up on all of you (which I did yesterday) makes me wonder if I have a bit of an addiction.... but I DON'T CARE. I miss more regular (and unpressured) time checking in with everyone... hope you're all easing into a festive, fun time.

Saturday, December 15, 2007


That's Fang, Christmas 2004, once again being encouraged in some bad behavior.  Everyone in my family is  pretty lax when it comes to dog discipline.  I like big dogs that are willing to wrassle.  One could take that sentence so many ways (yeah, tell me you didn't).  

It is looking like I will be flying out of Newark today after all, heading back to Indiana for two weeks with my family.  Two weeks of noisy talks and laughter over amazing food, often having just a little bit too much wine, accompanying Mom and Fang on their walks (Dad when he can) as we go by to visit my mom's tree friend (she hugs a catalpa every day, and I believe she's going to introduce me to a new tree this trip), watching Fang incarnate joy as she runs and runs, all long lines and ground-eating bounds, bowling with my baby brother (who is 39 years old, 6'1" to my 5'8", but I CAN STILL KICK HIS ASS), who loves Tweety-bird so much he has him on his bowling ball, watching bird TV (ie. the bird feeders outside the dining rooms) with cats Cleo (at the parents) and Eddie (at Mary's and Tony's), staying up too late and laughing till we weep with my sister, visiting  'my' woods, where maybe I'll see deer, and great blue herons, among other less startling fauna, touching base with some old friends, meeting my friend Rebecca's 
BABY GIRL, falling into a coma the first 36 hours I'm there because my body can't believe how quiet it is, seeing stars at night.... oh joy joy joy....  I may be able to check my email periodically, but I don't know if I'll be able to blog again before the 30th... I wanted to say thank you to my new blogging community.  Your humor, sympathy, insight and appreciation has leavened my odd little Autumn.  Special thanks for the joy that is Cooper for introducing me to so many of you,  and an early Christmas goose for him and fellow Elf Joe (have you heard his sonnet reading?  Now a sexy voice to go with the face), hope this season is a time of blessing and renewal in whatever way you're hoping and needing.  

Love,


Patrick
(Written in about 90 seconds with no proofreading so forgive me if I don't make any sense.)

Thursday, December 13, 2007

A Room of One's Own


Whenever my mom leads writing workshops, she often has the participants do an exercise called A Room of One's Own.  (The title is from Virginia Woolf, though she has no other influence on the exercise as far as I know.)  The guidelines are simple; describe a room that would be yours alone, and perfectly suited to whatever need you wanted addressed.  If you're lucky enough to already have this room, describe it.  If not, describe the ideal in as much detail as you want.  Then to finish up, tell who would be the first person you invited in to the room.  (I don't know if Mom created this, or borrowed it from someone else, but I'm sure she gives credit where credit is due.)  Thinking about this question has actually been helping me clarify some other, deeper issues, funnily enough.  So, here is my thoughts on the subject as they stand today.  


My room is a free-standing structure actually, possibly a renovated barn or boat-house, and lies a short yet beautiful walk away from the cozy cottage I share with my hypothetical partner, family, dog, cat, and possibly horse.  Maybe also chickens.  But we're not talking about that, we're talking my room. One fantasy at a time, 'kay?  This is my work room, which is to say it's where I go to play, but I mean play in a very serious, artistic, concentrated way, plumbing emotional depths...oh, screw that.  I have a whole different room for "but this is TOO work" which doubles as my "you're wasting your life" room, so I don't need to do that here.  This is my play room.  


The mental preparation starts with the walk that takes me through a forest, alongside a small
creek,  noticing whatever has changed since the day before, because something always has. I enter through the door in the northwest corner. The single room is large, with very high ceilings (in case I want to hang a trapeze) and a nicely sprung floor made from some renewable source, like bamboo wood. Stored against the north wall are several matts for tumbling and more acrobatic work, but most of the time the floor is left free for dance.  There is a CD player, with small storage for music.  I can't tell you yet what the building is made of, though chances are it's also wood.  I like wood.  I also loved the cottages in the west of Ireland, which are usually cement block covered in stucco,  and they're quite cozy, so that would be all right, as long as the floor is nice to move on.


Close to the door, on the east wall, is a window that looks out onto the forest.  Next to it is a
full length mirror for mask-work, but when it's not in use, it's covered by a cloth.  I get distracted if there's somebody else is constantly moving out of the corner of my eye.  The south wall is all glass sliding doors, with a bank of windows above, tilted back at a slight angle.  The doors open out to a grassy open glen that in May is carpeted with violets.  Some deciduous trees stand close enough to the building to shade it in the summer, but when their leaves are gone, the light pours into the space.  Leafless, they also reveal the lake and the mountains on the other side.  There are a scattering of houses along the opposite shore, but no one's presence intrudes here.  


Three quarters of the room is left empty to allow for movement, but the final quarter, along the west wall there is a work table and chair for making masks, a built-in bookcase for supplies, and two comfy easy chairs on a soft rug, one chair for when I am writing or reading, the other for guests.  There is also a small sink, and a counter with the supplies to make tea or coffee. The window in this wall has a deep window seat,  and it shows the forest, a glimpse of the lake and mountains, and a small chuckling brook whose sound fills the space whenever it's not frozen.  In the winter, I see amazing sunsets through this window as well, and that's how I know it's time to go home for dinner.   The east window probably gets great sunrises too, but I'm rarely there to see it, since I'm enjoying it in the bedroom with the hypothetical boyfriend, or as we sit in our breakfast nook in the kitchen, drinking our coffee.


Right, other fantasy.  


I can't decide what color the walls are.  At first I thought they were just a warmish cream, to keep the space neutral, airy, and unimposing.  I've been living for nine years in a apartment with all white walls, however (quite common in NYC, for light issues), and I think I'd like some color in this room.  So the walls are possibly washed with a warm Tuscan yellow, or perhaps a shade of  amber or apricot.  With all the serenity and quiet beauty I have surrounding the space, I probably could handle a little bit of energy inside.  I think one of those colors would energize me.  


Describing this room shows me some things of interest.  First, it's obviously in a rural setting of great beauty, possibly Maine, the Pacific Northwest, Ireland, Scotland, or Cape Breton.  I would love to live in the country.  News Flash.  But there are other things to notice.  I seem to want to keep my options open for the kinds of work, which isn't always a virtue, I think.  Sometimes I wonder if my interests are too scattered, rather than varied.  I also note there are no books, or computer in the room.  I have trouble picturing a room without books, so that might change, but I would keep the computer elsewhere.  It's a necessity for the business side of the job more and more, and is obviously a great research tool, but those things require a different energy from me, so I'd like the computer to be in a different space.  One energy is not better or more creative than the other, they just have different vibrations.  Even after more than seven years of fairly regular keyboard use, I still find that when I write, I have to do it longhand in a notebook if I need to go deep or move quickly.  I've gotten slightly better at composing on the keyboard, but still not as well as when  I write by hand.  Editing and re-writing I can do on a keyboard, but that is also a different energy.  So, no computer in this room.  


The biggest thing I notice from this exercise is, I've created a room for generating my own work. Sure an actor would enjoy this space, and be able to use it well, but the focus really is on creating new work, especially physical theatre, mask pieces, and other non-naturalistic performances.  That is what I've done for the last fifteen years or so.  Recently though, I've wanted to shift my focus back to more mainstream forms; plays that are time-tested or at least promising, film and TV projects with decent budgets behind them, that sort of thing.  I had a whole host of reasons for making that decision, and I think it's still the direction I'm heading for now.  I'd like not to be the main or only force behind a project for a while, and I'd like to make more money, pure and simple.  But I've also realized something else with all this.  Somewhere along the line I equated self-generated work with solo work.  


There are understandable reasons for this.  I started doing it as a way to give myself work when nothing else was happening, and to have more autonomy and control over my career.  It also made it easy to rehearse ('hey, I've got a free hour'), change things, or even improvise in performance if necessary.  I'd been doing lots of experimental dance/circus/theatre shows created by someone else, and way too often I found myself working for months with assholes or flakes, for little or no money, and the work ended up being crap.  Or it turned out well, but everyone was so bitter and angry it didn't matter.  Or it turned out well and no one came to see it.  So having a little more say in my work was nice, and even if the work turned out badly, at least I'd spent the time working on something I cared about.


I've been missing the joy of working with ensembles though.  That is one of the main reason I became an actor, and I haven't done it since 2005, really.  It's simply easier to work with others if someone else, preferably a well-established arts organization, is producing and supporting you. One drawback to solo work is -stick with me here- you're by yourself a lot.  You're the one pushing to make it happen, you're the only one at rehearsal (unless you've talked a willing friend into directing you, or at least watching it once), you're the one seeking out venues, you're the only one who notices or cares if nothing happens.  It can be lonely, and New York is lonely enough as it is.  (There's also that sneaky little voice that says "you're working on your own to side-step the fact that no one wants to work with you because you SUCK."  I keep that voice locked in the "You're Wasting Your Life" room most of the time.)  


So, I'm mulling this over.  These aren't really new thoughts, most of them, but they've fallen
into a new pattern, and that's useful.  I keep reminding myself too that since this is a fantasy, I don't have to justify my using it.  Funny how my inner Puritan starts running the show any chance he gets.  


Oh, who would be the first person I invited into the space? Barring the hypothetical boyfriend, I guess I'd show it to my sister first.  She and I are psychic twins.  She would only be the first in a long line of friends and loved ones who would appreciate this space though, and some of them might end up collaborating with me on a something.  I'd resist the temptation to use this as a social or party space, but that would be easy with the cozy cottage up the road.  That is such a good space for a party, and the boyfriend puts on a mean spread.    


One fantasy at time, Patrick.   


So, I'm not turning this into a meme or an obligation, but if anyone is inspired by this exercise to describe his or her own room, I'd love to read it.  Will over at Designer Blog is way ahead of the game due to the fact that he designed an entire house which is nearing completion.  If you don't have a blog of your own, we can figure out a way to have you guest blog here, if you want.  I'd love to see what people come up with, I bet I'd learn a lot about you.  Annie laMott does a variation on this exercise, where instead of a room, you have an acre of land.  It's yours, you can do whatever you want with it.  If that is more inspiring, then do that one.  

Tuesday, December 11, 2007

What I Learned in the Big City: A Tornwordo Homage

Shifting gears now just a bit... in reading Tornwordo's blog entry this morning, I found myself remembering oh so many stories related to his topic.  Apparently Torn is fond of all things scatological, though this is my first experience reading his thoughts on the subject.  I was about to start sharing my memories in his comments section, when I realized I was going to go ON for a while.  Apparently he'd struck a nerve.  I tried to let it go, but it just wouldn't leave my brain.  So I figured I'd write it down here.  I justify having this entry because it's about dogs, but I still credit (ie. blame) Tornwordo  for its other theme.  

My parents' previous dog, Sybil (yes, Sybil) was wonderful company, and I'll undoubtedly write about her many charms at some point, but what I'm thinking of today was one of her less endearing habits.  Like many dogs, she has a great penchant for horseshit; apparently that stuff just rocks if you're a dog.  If that wasn't bad enough, she particularly liked it if it was frozen solid, in what my Mom took to calling a 'shit-cicle'.  There seemed to be many pleasures involved in this.  For one thing she didn't have to wolf it down quickly, because we came to realize that struggling to take it away from her was both disgusting and fruitless.  If you were lucky, you got  to throw a froze horse turd.  If you weren't lucky you got thawing horseshit, dog spit and perhaps an accidental bite on your hands,  while she held on with jaws like an alligator's.  Eventually we just let her keep the foul thing.  She trot along cheerfully (maybe even a bit mischievously) letting it thaw slowly in her mouth.  If she was really careful, she sometimes made it all the way home where she got to savor it in the back yard.  

I had thought that was as bad as it got.  Then I moved to New York and became a dog-walker.  I soon learned that the dog who doesn't enjoy a good horse doot is by far the rarity.  One of my dogs, Aggie, was a chocolate lab.  Before I met her she had twice been rushed to the hospital for surgery to remove sticks from her stomach, so we're not talking a rocket scientist, though she was very sweet.  She was always ravenous, and part of my duties involved making sure she didn't get anything she wasn't supposed to.  Which was anything.  We got to a point where if I told her to drop a stick she would, but if she saw a left-over bagel or some foodstuff before I did, there was no stopping her.  

And of course she too was fond of the horse feces.  We walked in Central Park every day, so horse shit was an occasional hazard.  One day she found some before I did, and swallowed it whole.  I got down on my knees to look her in the eye and began scolding her.  She grinned affectionately at me then --LaLOP- she licked me across the face in one masterful stroke, from my lower left chin right up to my right eye.  Now I had the scent of horseshit-infused dog-spit coating my face, with special emphasis around my nose.  We were twenty minutes away from any source of water.  I swear to god Aggie was laughing at me.  As we marched back briskly, I started laughing.  Who the hell has this sort of thing happen to him?  What kind of weird-ass job do I have?  

But that's still not the worst story.  See, if you think dogs like horseshit, that is nothing compared to how they feel about HUMAN shit.  That stuff is BON-BONS for dogs. I had never been in a position before to learn this, but this was  New York City, and sometimes homeless folks would camp out in the park.  

Let me introduce Yen.  He was an enormous Akita, uncharacteristically large for the breed.  On all fours his head went past my waist.  He looked to me like a cross between a Shetland pony and a Kodiak bear.  He also had one of the sweetest temperaments I had ever encountered, and remember, I loves me some dogs.  He gave of an air of nobility, seeming to be a larger presence than most dogs, even big dogs.  I don't think I believe in reincarnation, but that said I have met at least three people where we each looked at the other and said essentially "Oh, there you are.  I was wondering when you were going to show up."  Well Yen was the first dog I experienced that with.  He began to show up quite regularly in my dreams, sometimes as himself, sometimes as a bear, sometimes switching from one to the other, but still him.  If he wasn't some reincarnated friend, I wondered if maybe he was my spirit guide. If I ran into him out walking with one of his owners while I was walking another dog, Yen would make a huge fuss over me before he'd start playing with the other dog.  Lots of dogs kiss, but Yen was the first dog who I met who hugged.  He'd sit on his haunches and raise his front legs.  Kneeling I was only slightly taller than him.  He'd throw his paws over my shoulders and pull me close, resting his forehead on mine. He did this every day before our walk.  If I started to break the embrace before he was ready, he'd snuffle and pull me close again.  I seriously loved this dog a lot.  I usually started or ended the embrace by kissing him on the muzzle or the top of his head.  

You see where I'm going with this, don't you.  

Because however amazing Yen was, however noble a spirit and however deep and mystical our connection, he was still a dog.  One day I came in to walk him, kissed him on the snout, then we began our extended hug.  It wasn't until then that I smelled something... unfortunate.  On the table was a note telling me that on his morning walk, Yen had gotten into some human feces, the owners had to go to work, and hadn't had time to clean him up.  

GACH BLEAH GLURG BLAH BLECH PUTOOIE BLAH BLECH BLEAH.    

Okay at least this time I was someplace with a ready supply of water and he hadn't LICKED me (org, bleah blech), really all I got was just the stench, but somehow just the idea that it was HUMAN made it all worse.   Though this too was not an issue I had ever had to address before, I instantly learned I had a VERY specific ranking.  

Of the worst things for a dog to have eaten right before kissing me, in descending order of ugh, is:

Human shit.   
Tied for a close second are cat shit (something else I didn't know about until coming to the big city) and the dog's own personal shit (I mean come ON, really?  What the HELL?)  

Compared to these three horseshit starts to seem positively benign, wouldn't you say? Hell it's just cut grass and some digestive juices, what's there to get all worked up about?  Okay I'm not seeking OUT horseshit-infused dog kisses, but I just can't see ever getting very worked up about an accidental one again.  If Sybil were still with us, I wouldn't even bat an eye at a shit-cicle.  Life is too short.  

Monday, December 03, 2007

Pleasures of the Season

It snowed in NYC yesterday, actually accumulating a bit, unusual for this time of year. It was almost completely gone by the afternoon, but it still delighted me. I love this season. Crass commercialism, Christmas decorations going up the day after Halloween, insipid holiday songs playing in every public venue, none of it bugs me, even if I don't exactly rejoice in all of it either. Okay, I LOVE the decorations, especially the lights that go up on everything here. I'm attracted to bright shiny things. But then you knew that.


A recent addition to my list of Winter pleasures though is the sight of Coltrane in his booties. Coltrane, for those who haven't yet met him, is my roommate's miniature long-haired, brindled dachshund. When I worked as a dog-walker I learned to expand my affections to small dogs, but Coltrane is the first one I've actually come to love. As a side note, I recommend having a roommate who has a pet. It gives you all the fun and none of the responsibility or expense of living with an animal. This is the third time I've had it happen.



Coltrane and I do have our problems. He's pretty barky, like all his tribe of course, and I find the sound particularly ear-splitting. Soon after he moved in, I was painting a mask, deep in the flow, having forgotten there was a dog in the apartment, let alone nestled at my feet, when Coltrane suddenly felt the need to comment on something. My blue sweat shirt now has a white smear on one shoulder as a record of this event, one that was to be repeated on many occasions, in a variety of ways.


Frequent causes for commentary are our buzzer and doorbell. When we are actually expecting someone, it's not so bad; he gets to run out the door to the top of the stairs with his tail going like a propeller, where he will wait quietly to greet the arrival. More of a problem is when the buzzer is clearly not for us. I'm sure this is familiar to most city apartment dwellers; frequently strangers will buzz all the apartments at once hoping someone will let them in without requiring them to identify themselves. It's pretty easy to tell when this is happening, so Tommy and I will ignore it. Coltrane, however, does understand this distinction, and without his race to the door and expectant wait on the landing, never gets closure. So he'll bark ecstatically, stop briefly when we ask him to, start up again, eventually subsiding into single barks for a while, like a smoke alarm with a dying battery.


Anytime he's been away from this apartment for a few days, Coltrane has to reacquaint himself with all the regular sounds of our building. This means that for at least a day he'll find it necessary to keep me informed of ALL buzzers in the building, other dogs barking in the vicinity, people whistling on the street, random molecules colliding in the downstairs neighbor's kitchen, people inhaling deeply on the first floor, everything. If anyone in the building has a visitor, a package, or food delivery, I hear about it.



"I don't care if they're having visitors!" I explain. "I don't need to know they got Chinese food!" He looks sorrowfully at me, emitting a few more barks until he winds down. He knows I hate the barking; sometimes I'll watch him bark, then get an expression like he's thinking "dammit, dammit, dammit," but he's battling god only knows how many generations of breeding. I try to keep that in mind too, once I've recovered from the infarct. He usually calms down after a day or two.




Except for the wall and floor licking. Did I mention the licking? No? Well, when Coltrane is anxious or excited, he licks the walls and floors. And he gets anxious or excited a lot. It all started when he was a puppy, and Tommy would use a laser pointer to create a spot of light that Coltrane would chase frantically, yipping and squealing, and the way he 'caught' it would be to lick where it had been. Now it's become something more. If Tommy does anything that could be mistaken for packing, Coltrane freaks out, wondering if Tommy is about to leave, and if he's going to get along, and 'if so, will there be other dogs there, or maybe some cats, I like cats, dogs are cool too, and will they like to play or am I going to have to tip-toe around them because they're cranky and territorial.'.. so he licks. Another occasion that can prompt the licking is TV sports. He and Tommy are big sports fans, the Colts and Mets in particular; they both have sweatshirts in their honor. They show their passion differently though. When Tommy cheers, Coltrane yips and runs to the hallway, his location of choice for the licking, and starts the waterworks. We regularly have to wash the hallway walls at dachshund height, to get rid of a thick line of grunge plastered there. Then there are the puddles on the floor; you'd think that since we both let him lick our faces, encountering some saliva on the floor wouldn't be so bad, and if it were just a bit, I suppose it wouldn't be. Coltrane really applies himself when he gets going though, so it's more like hitting an oil slick.


Don't let me give you the wrong impression, however. I do love Coltrane, he's really great company, especially when it comes to taking naps or watching TV. More than once I've allowed my legs to go numb because moving them would have disturbed him sleeping like a button in my lap. It's a problem when he hears Tommy coming home though, because then Coltrane launches himself off my crotch to race to the door. Most of the time I'm willing to pay that price, though, since he makes the same fuss over me when I come home. Whether I've been gone for a month, or ten minutes, he makes me feel like a rock star. I gotta say, that's nice to come home to. Sure he greets almost everyone who walks in the door this way, but that doesn't make it any less sincere.




He's also got some of the greatest ears, and they're surprisingly versatile. He is fond of tossing one of them insouciantly over his head, turned inside out, in what I've come to think of as his Cyndi Lauper look, circa Girls Just Wanna Have Fun. This led me to explore some other ear-styles as well; two of my favorites are the Bunny Rabbit (or the Really Surprised Dachshund) and Gary Oldman as Dracula. I'll get photos one of these days. I'm not sure Coltrane cares all that much for the ear-styling, but since he's the roughly the size and weight of a loaf of wonder bread, he's long since come to terms with the fact that he doesn't have a lot of say in the matter. He may not respond to it with much enthusiasm, but he accepts the primping with resignation.


But I still haven't gotten to the booties. When it snows, all the supers on this block salt the hell out of the sidewalks, and that stuff burns dogs' paws. Tommy has tried a number of protective methods, but the most effective has proven to be these bright red rubber booties that slip over Trane's paws.



The dog loves them just as much as you would expect. When he first gets them on, he'll stand with one paw off the ground, clearly wishing he could figure out a way to do the same with all four. Yesterday Tommy got him suited up, then called him to the front door. Trane looked mournful and refused to move from his pose, right front paw lifted, like a tiny little pointer. Calling and coaxing got us nowhere, so naturally Tommy turned to the usual motivator, a treat. This had the desired effect; Coltrane did move.



I thought Tommy was going to have to sedate me. Coltrane looked like a Lipizzaner Stallion. A stumpy-legged, short-necked Lipizzaner Stallion. With long ears, which naturally were held at the "why yes, I'd LOVE a treat" angle. Prance prance prance, only two paws touching the floor at any one moment, the ones in the air pulled as high as he could get them, and since the booties are bright red, the whole situation had a jaunty, festive air. I felt like I was watching one of the weirdest circus acts ever. Just about killed me.



Yes, I know Coltrane hates the damn things. It's not nice to laugh at the suffering of others. I'm a terrible, horrible person. But dear god, the prancing. I didn't know anything with legs that short could prance. I'm tempted to get video of it, but something tells me it has to be seen live to be truly appreciated. Maybe no one besides sick fucks like me and Tommy would find it funny, but it's given me a whole new reason to love snow in the city.

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