Bits of News

So I fly back to Indiana tomorrow, for Christmas with my family.  We're all going out to our favorite Italian restaurant that evening, assuming the weather accommodates my flight plans.  This restaurant has been the go-to place for our family celebrations for as long as I remember.  This occasion will be the first time we've all gone since James' death.  There will be plenty of such firsts this season, of course, and for the next year.  Goody.  But as Mary says, the only way out is through, and we'll toast him, eat some good food, tell some favorite stories, laugh and cry.  When Dad first mentioned this plan to me, he said "We probably won't be the first guys sobbing in the men's room."  I agreed.  It's an Italian restaurant, after all, even if it's in the stoic Midwest.  I doubt we'll bother hiding in the men's room, frankly.  Why start now?

Huh.  That wasn't what I got online to tell you though.  First off, I did a bit of house-cleaning yesterday on this here bloggerino, adding some fun new links, and updating old ones (finally, Greg, I'll be sending people directly to the Midnight Garden).  If any of my links don't work, please do let me know.

One of the new links is called Queer New York.  The illustrious, intriguing, and ever-productive Father Tony started a new blog focusing on life in New York from a queer perspective (did you pick up on that from the name?), and much to my delight he invited me to be one of the contributers.  Initially I was unsure if I should accept for a few reasons: 1) I haven't exactly been burning up the interwebs here at my present blog, why add another blog to ignore, 2) I rarely managed to go anywhere or do anything even remotely New York City-related AND 3) I didn't seem to know more than, oh, let's say three gay men in New York, and maybe six world-wide.  Starting this blog actually doubled the number of gay men I interacted with on a regular basis, and I haven't even met all the local ones face to face.

(Okay, if I didn't link to you in the paragraph above, don't take it personally, it was just taking all day, and I have other things I need to do.  Did I mention I'm flying to Indiana tomorrow?  I will also admit that if you haven't posted anything on your blog for two or more months, I didn't link to you.  Doesn't mean I don't love you, I just figure you didn't need the pressure.)

Fortunately my natural tendency towards gluttony won out though, and I accepted Tony's invitation.  I only have two modest posts up at this point, but I anticipate this being a fun endeavor to be part of.  There's some wonderful stuff there, and I'm looking forward to seeing what else comes down the pike.  Tony has assembled an eclectic mix of men and women (though he still wants to find more queer bloggers of color, so contact him if you fit the bill, or know someone who does), and has, with only a small number of caveats ("this won't be the place to post pictures of your cat") encouraged us to post anything we like.  Reviews of various kinds are making a big showing at present, but no doubt some of the fun with this venue will be seeing how it shapes itself over time. If there is a mission at this point, I'd say it would be to give out of towners the inside scoop on LGBT life in NYC.  PDQ.  RSVP.  BTW.  LOL. (OMG did I just type LOL?  Seriously?)

Huh.  Don't know why I thought that was necessary.  I do feel like progressive politics tends to involve a LOT of acronyms, not that there's anything wrong with that.  And don't you love the caps button?  I sometimes wish I had one in my daily life, though the fact is city living would probably benefit from fewer caps buttons running around the joint.  Just in general.  Did I mention I'm going to Indiana tomorrow?  Have I mentioned before that I usually spend the first two days of my visits to Indiana sleeping, or wanting to sleep?  Sixteen hours at a stretch is not unheard of.  I call it the Richmond Coma, and I think the sheer dearth of NOISE (caps intended) has a physical effect on me.  My nervous system, which in cities is probably more nervous than is healthy, simply collapses. I usually come out of the coma ready for long walks and some serious dog-romping, though, and conveniently, there is a dog who loves to romp.  I might actually get some video footage of that, if Fang is amenable.  Amenable is her normal state, if not organizing principle, so I'm optimistic.  Whether or not I actually turn that video into something worth seeing, that's the real question here.  I'm less optimistic on that front, but not completely without hope.

Wow.  I DO go on.  I can't believe it's been two weeks since I posted anything here.  I don't know about the rest of you bloggers, but this process has evolved into a fairly useful processing tool for me.  I feel the lack when I don't do it.  Babbling on paper (what Dad calls 'bilge-pumping') is fairly necessary to my mental well-being too, but I think I've been reasonably good about not putting that stuff out on the internet for all and sundry.  Sundry gets really cranky about that kind of thing, and who can blame her?

I'm shutting up now.  But I've missed you, and hope to be writing more regularly, here at at the new house.

Tending the Soil, Trusting the Season

Fragments I don't see relating, but want to put together anyway:



Sometime today there will be a procession through my mostly Dominican neighborhood, honoring Good Friday. There will be a priest on a megaphone, calling out lines in a musical chant, the congregants responding likewise. Actual songs will be interspersed through all this. To my no doubt unsophisticated ear, I always hear an echo of the Muslim call to prayer in all this, especially the priest's amplified chanting, but also in some of the hymns. I imagine the rituals of prayer coming down through the ages, starting in Moorish Spain, changing from Arabic to Spanish, Muslim to Christian, emigrating to the Caribbean, and ending up outside my doorstep in New York City, still retaining a bit of all those flavors. I may be completely off about the influences... but even so, I like the feeling it gives me that at the heart of true blessing, reverance and thanksgiving, we are more alike than not. At least that's how I see it today.



To answer a question from new friend Butch, the mask accompanying the post below is not the River Liffy, but the Green Man. This link is by no means the only place you can find information on him, he's an old fellow with lots of meanings. Put loosely, I understand him as the male energy of life, specifically a Celtic manifestation, a sort of Father Nature, and with particular ties to Pan, Dionysus, Herne the Hunter, and all the other male gods of Springtime. As such maybe he'd be a better accompaniment to today's post, but he seemed like the right image for my St. Paddy's Day post. Yeats, Ó Searcaigh, and I all connect with Pagan impulses in our own ways, I would say, and the idea of 'going back to sources' explored in both poems made me think of this guy. My sister and brother-in-law gave him to me a few years ago, and he hangs on my wall, across from my bed (one of the few guardian masks I didn't make myself), smiling down on me each morning as I wake up in my gritty urban fifth-floor walk-up.

I don't think St. Patrick would have minded.



By a funny coincidence though, I do have a small River Liffy mask, a gift from my mother a few years ago. Liffy hangs on the edge of the wall dividing the living room from the hallway. She's one of the first things I see when I walk through my front door, shrouded behind my exuberant golden pothos, twining itself around three of the walls. My sense of who she is to me is much more unformed (okay, just so Java's heart will go pitter-pat, I'll say 'inchoate'. Happy Easter, Dear). I'm always glad to see her though. And I do love Dublin. If you enlarge the lower photo, you'll also see that behind her hangs a beautifully calligraphed print of the Yeats poem that I copied out in the previous post, so while I didn't post her with the poem, she is close to it in my world. I don't know what all the lovely coincidences in Butch's question mean, if anything, but I liked them.



Years ago I heard a fantastic joke on TV, from Art Buchwald (yes, that takes you to Wikipedia, it was the most concise biography I could find; feel free to do your own search). I won't do justice to Buchwald's telling of it (it really loses something if you don't hear it told in his New York accent), but here it is.



A man decides that he wants to win the lottery, so he begins praying to God for this, every day. Years go by with the man making this prayer daily, all to know avail. After ten years of this increasingly frantic supplication one day he loses all patience and screams, "God, I've been a good man all these years, why won't you let me win the lottery?"



Suddenly, a voice booms from the heavens.



"Do me a favor! Buy a ticket!"



I fear I have spent a lot of my life being that man. One of the lessons I seem to have to relearn repeatedly is how to find the balance between taking action, and -for lack of a better description- going with the flow. The wellspring of joy and creativity in my life, particularly as it relates to performing, has felt very blocked for years now, and I haven't done much recently to address that (unless we include periodically moping about it on my blog). Spring is one of my favorite times of year, in part because of its reminder that life is reborn, growth occurs, rejuvenation does happen, it just happens according to its own time-table, not mine.



And yet... this doesn't mean I can just sit back. I still need to plant the seeds. For long stretches of time that may be all I do. I'm learning to trust fallow periods more as I age, trusting that just because I can't see it or measure it doesn't mean important growth is going on underground. But that doesn't let me off the hook for doing some work.



Sometimes the soil is sour, depleted or just unsuitable. Sometimes there hasn't been enough water. Sometimes the shoots come up, and it's my job to protect them from late frost and snow, careless feet, or hungry rabbits. Nature will take care of itself just fine without my help, but if I am hoping for specific results, flowers or vegetables say, rather than happy rodents or a rocky front yard, then I have to do some work. Yes, a balance is to be sought. Respect for the forces involved must be maintained. But I mustn't fall into the comfortable laziness (probably really a form of fear), of passivity.



Then there's the other side. Various people in my life are dealing with difficult issues right now, and various caretakers are watching them deal with those issues, trying to help, but often struggling with the recognition, and accompanying guilt, that there is nothing they can do. I feel badly for both people in the equation; both experience a feeling of helplessness, of being at the mercy of forces they can't control, even when they believe they should be able to. While I am reminding myself that I must do the things I can, THEN trust in other forces, many many of my loved ones might want to remind themselves that some things are beyond our power, and even when we do all the 'right' stuff, sometimes things still go wrong. Then we find what to do next. Feeling guilty for failing to protect a loved one is a burden many people subject themselves to understandably, but needlessly.

("Easy for you to say," mutters the chorus... I know, I know. I do it too, sometimes.)

So I hope each of you, in your own way, finds this season a time of rejuvenation, healing or just plain old joyous growth, in whatever way is best for you. Some of us may need to get our asses out there to plant seeds and pull weeds... but some of us may just need to trust that we've done all we can. Do you know which one you are? Are you sure?

A Day Late

March 15th is my dad's birthday. Sadly I wasn't able to be there for the festivities, I wasn't even able to call during dinner as is my usual habit (fortunately everyone will be gathering at Mary's and Tony's tonight for Irish stew and twice-baked potatoes).

I can be reasonably certain how the party happened though. Dad, Mom, James, Mary and Tony all gathered in the dining room of Laceyland, joined by both the dog and the cat. Everyone held hands for silent grace, with Fang insisting she be a part of it too, so people on either side of her each took an ear. (The cat is largely uninterested in grace.)

The smells of Dad's chosen birthday meal -this year it was roast beef, mashed potatoes, and salad- wafted in from the kitchen, making mouths water (probably all seven of them; even I, who don't really eat beef any longer, would revel in the aroma.) Mom brought it out, James opened the first bottle of red wine, and everyone set to. In amongst talk of everyone's day were memories of trips taken, other occasions celebrated, a lot of wonderful meals remembered. We talk about food a lot, my family. A second bottle was probably opened, though none of them would drink much more than two glasses. We like being nicely oiled, or as my sister puts it "goofed up," but not more than that.

The volume and speed of the conversation probably rose a bit, but not to a mind-splitting degree. The lights were turned off, and Mom fetched the birthday cake. White cake, chocolate frosting, sliced bananas and frosting in between the two layers, this is Dad's favorite cake, the one fond memory he has of his mother's cooking. That wasn't really her thing. He blew out the candles (with the baby of the family turning 40 in June, any attempt to put the 'right' number of candles on the cake ceased decades ago), and Mom immediately took them off and dunked them in cold water, to save for the next birthday. Some frugal, Quaker farm-girl habits never die, but she takes the ribbing ('run! run! Get them to the sink! Aiee!') with a good nature.

The cake was sliced, tea poured, tonight the rule about seconds on dessert was relaxed, then it was time for presents. Dad has always been hard to find presents for. From what I hear, this is a condition common to dads. Not sure what the hell that is about. It's gotten worse as he and Mom have gotten older, because they need nothing now, and don't have much in the way of wants either. Even books, the fool-proof present in the past, now are chosen with greater discrimination, though the absolutely perfect ones are not by-passed. Mostly he got nice wine, cheeses, other fine comestibles, since those are always appreciated. Second cups of tea were poured, the news watched on TV, then everyone went off to his or her respective homes and evening chores. Part of what made this evening so special is the fact that it isn't that rare. Mary and Tony may not join them for dinner every night, but family meals still happen a few times a week, even if they're not always this fancy. I feel some envy at not being able to participate, but mostly I feel delighted knowing this quiet family ritual is observed so often.

I've said in other entries that trying to describe why you love a person is hard to do without sounding insipid and trite, or resorting to lists of fine qualities. I think that problem is only worsened when you're talking about a parent. I can talk about all the good I've seen Dad do in the world, as a teacher, counselor to students and colleagues, and now as clerk for The American Friends Service Committee, which has him gallivanting all over the world in his seventies, doing things we would have never imagined like going up the sides of mountains in Columbian war zones in trucks with benches bolted in the back... but this wouldn't tell you about his goofy side. I could mention that in hearing the news about Eliot Spitzer he speculated about what one would get for $4300 an hour, and decided he wouldn't settle for anything less than a trampoline and an off-stage accordian player (and comments like these from my parents have long since ceased to traumatize me, if they ever did), but that wouldn't tell you about his ferocity... I could talk about when I was a student at Dad's college, he and I frequently found ourselves going after the same administrators, so my 'teen rebellion' years got to be spent with my dad in the same trenches...but that still wouldn't give you a full picture of him. I might mention his special bond with babies and dogs, his desire to have a pet penguin and baby elephant that he would take for walks, the way he taught us to that literature and art matter in the world, but didn't let us get precious about it (In a copy of The Joy of Cooking he gave me, he quoted Bertolt Brecht, writing "First food, then rights!"), his love of Benny Goodman, Beethoven, the Beatles, Yeats, Keats, Levertov, Austen, Eliot, of dancing... okay, so I'm making that list I said I wouldn't. And I've barely scratched the surface.

Suffice it to say, I think he's been a force of love, vision, humor, and celebration in the world and he's just been a hell of a lot of fun to be around. We have had our problems, of course. Human beings will, after all, and fathers and sons may almost be required to... but in all the ways that mattered, he has always been behind me.

Below is a poem of his that I'm particularly fond of, and perhaps does a better job of showing his character than my scatter-shot approach above. If you're not familiar with the Dickinson poem he's responding to, it's included at the bottom of the entry.

Happy birthday, Dad. I love thee.






Another Slant of light


This afternoon’s sun is not yet at the horizon,
and it has bathed the unmarked snow fields
a mellow pink. The sun has set a joyful scene, dear Emily,
not like that New England winter light you praised
and mourned, a century ago.


Now more gold has
entered the light, and the snow invites us to urge
the dog’s happy leaps in and out of the drifts. Were
I not too old and stiff, too self-conscious
at looking foolish, I would make snow angels
in the trackless field or roll down the hill
below the meetinghouse. Like the dog, I would bathe
in this light, the brisk cold, the soft-tinged snow.


I hear a different heft of music, Emily,
this winter afternoon: the perfect cathedral tune,
Bach’s Toccata and Fugue in D Minor,and the triumphant last movement of St. Saens’
organ symphony. Listen to the opening bars:
dah dah dah dah / da da da da DAH! /
Da da da da, /da da da dah Dahh!
Oh hum along, Emily, wave your hands.


I always want to dance to that tune,
Emily, all around the room, though it
also makes me look foolish beyond my years.


But I don’t just hear organ music. The light
makes me imagine the dancing harpsichord
driving Artie Shaw’s Gramercy Five
on "Summit Ridge Drive" and "Back Bay Shuffle."
(A couple of Boston tunes, Emily.)


The day will darken toward more somber hues
and tones when the sun dips below the horizon,
but for now there is no heavenly hurt, no gouging
into the heart to find the meanings. It is cold, it will
grow dark, yes, as always, but now the light
is soft, golden, pink; the snow receives it as decoration,
as barrel-organ honky tonk, splashy
show-off tunes, as the body’s pleasure
in the triumphal, long-shadowed winter light...

Paul Lacey.



(258)
There's a certain Slant of light,
Winter Afternoons -
That oppresses, like the Heft
Of Cathedral Tunes

Heavenly Hurt, it gives us -
We can find no scar,
But internal difference,
Where the Meanings, are-

None may teach it -Any -
'Tis the Seal Despair -
An imperial affliction
Sent us on the Air -

When it comes, the Landscape listens
Shadows - hold their breath -
When it goes, 'tis like the Distance
On the look of Death -

Emily Dickinson 1890.

Tying Knots

From time to time I’ll feel a vague, inchoate desire to make something. Sometimes it finds expression in baking bread, making red sauce, or having friends to dinner. Sometimes (all too rarely) it results in me emptying my mending bag, sewing on buttons, closing up seams. I can remember a time when it took expression in sketching on pretty much a daily basis, but sadly I’ve fallen out of the habit, and the ability has atrophied. I still make masks, but they are more often motivated by specific projects or commissions these days; less often do I turn to it as pure impulse. Sometimes the house gets cleaned, lemon and lavender scents clearing my head and my mood, clean, uncluttered surfaces letting my eye come to rest.

And once every great while, the desire to make will find expression in making friendship bracelets. You know what I’m talking about, right? Well, maybe if you didn’t go to a pinko-commie-Quaker-pacifist-hippy-dippy-crunchy-granola college, you didn’t come across them. They’re those colorful little ribbons of macrame, made with embroidery thread. They're given as gifts to someone special (not exclusively romantic partners), tied on the wrist, or in some cases, ankle, then worn until time, sweat, and showers causes them to break off. Almost everyone in my school wore one or two at some point.

From the very start they satisfied some deep needs in me. First of all was the need to play with color in a very basic way. I love rich, deep, super-saturated colors, more jewel-tones than neon. I don’t usually care much for pastels; I like colors with the courage of their convictions, and usually pastels just look watery and wimpy to me (as in all things, there are exceptions). I’m generally disappointed in the colors of men’s clothing. Maybe there will be an ultramarine blue, a tomato red, a green once in a while, less often a lavender – and even then they are shades I find boring or unappealing – but most of what one sees is black, grey, khaki, white, the least interesting browns one can imagine, and of course, navy blue; this is what real men, at least in the United States, are allowed to wear. Anything else runs the risk of making one look frivolous, if not downright faggy.

I like blue. I wear blue. I wear a lot of blue. But the colors that really get my juices flowing run more towards pine green, deep violet, Tuscany yellows, and copper reds just to name a few. In recent years I’ve come to appreciate fire colors like never before, reds, oranges, yellows, (I think coinciding with a lifting in spirit, and greater willingness to be seen) but even then I don’t want them to look like they came from a Crayola box. A SMALL Crayola box. Primary colors in general bore me, especially the most basic blue and red that exist out there (often even in the plaids). I think I would like them well enough, if they weren’t so damn ubiquitous.

So anything made with embroidery thread is a good antidote to all this. They were meant to be used purely for decoration, so there is no need to bow to utility. Every possible color and shade, is available. Just browsing at the store is a delight to the eye. What’s more, the bracelets allow you to explore colors in combination. How will this teal look next to this magenta? How about if a lavender is placed between them? Can a yellow be added, or will it just spend the whole time screaming at the lavender? And what about pattern? The repertoire of the friendship bracelet is limited to angled rows, chevrons, diamonds, and something I call alphas (basically diamonds with an inverted V attached), but that still opens up an array of possible color and pattern combos.

Maybe this need for color would be equally satisfied by finger-painting, but that’s not the only need it fills. I also find a great satisfaction in making knots. In the simple act of joining threads, the image of healing is never far off for me. Then there’s the pleasure in watching the pattern take shape, rows of knots slowly accruing, like weaving but with much quicker results and fewer equipment needs. Also like weaving, the process of tying knots becomes a great gateway to a trance-state, what Abraham Maslow called ‘flow’. At the very beginning of the process I may need to focus on the task so the threads get put in the order I want, but once I’ve made it through the first complete sequence, my hands can take over with only minimal attention paid by my eye and conscious mind. This is when things often rise to the surface, questions I’m grappling with, confusions I’m feeling, all the clutter in my brain that needs shaping, organizing, purging. Occasionally when I’m aware of feeling this way, I’ll choose to make a bracelet. More often than not though, the impulse to make one, even to some extent the choice of colors, will come first, and only after I’ve started do I begin to see what is lurking in the depths.

I used to have this joyful, timeless experience in a lot of different ways; like I said above, drawing used to provide it; so did putting the layers of paper mache on the mold of a mask. In 1992 though, when I had just ended my first serious relationship, I was asked to make some masks for a production, and realized that while I was working, instead of my welcome trance-state, I was tapping into a whole lot of anger. Fights were replayed, irritations relived, I wrote new scenes where I explained why his ‘let’s be friends’ approach was unwelcome and insulting... not the peaceful meditative state I was used to having during this task. I no longer envision my poor ex-boyfriend’s head on a platter when I make masks, but neither have I regained the sense of flow I once had. Someday, I hope it will return.

I never lost it with these silly little bracelets though. And that’s another part of their appeal, I think. They’re completely pointless. Wearing them until they rot off, that's the closest they get to having a purpose. Occasionally I will tie one around a gift bottle of wine, or a vase, but attempts to use them like actual ribbon, i.e. for tying up packages, rarely works. I’ve sometimes offered them as bookmarks, but they’re ill-suited to that purpose as well, for all but the biggest, thickest hardbacks. I made a big one once, just for the hell of it, and ended up sewing it into the bag I made to carry my tin whistles. It does the job okay I suppose, but something else would have probably been better. I rarely give them away these days because people feel obligated to put them on, then they worry I’ll notice it missing the next time I see them. I explain that unless they’re surfers, skate-boarders, or under the age of 20, I don’t expect them to wear it, but they don’t believe me. There was a time when I had a plethora of them, and left them tied randomly to poles and fences in Greenwich Village. I figured I’d recognize my own patterns and color choices well enough that if I ever saw someone with one later, I’d recognize it and strike up a conversation, but so far that has never happened. Chances are good most of them got thrown in the trash by disgruntled supers.

No, they’re utterly pointless, and frankly, I don’t make them for the finished object, but for the process. Sometimes life fills me too full of experience, and I need the clarifying, organizing energies the making of these things gives me.

Last night I found myself needing to stay home. I thought it was simply wanting to take advantage of having the apartment to myself, but soon I realized that I was feeling the desire to make a friendship bracelet. It’s probably been years since the last time. I think I’d been feeling the desire for a few days, so my unconscious finally just made me sit at home, declining all invitations.

Right off the bat my color choices indicated new thoughts. Black, white, sunny yellow, a dark, not-quite-wine-colored red were my choices. I got two strands of each, for a V pattern. These are not colors I would typically combine. Normally I would have seen them as the the easiest choices in graphic design, striking yes, but maybe dull from over-use, in newspapers, logos and posters all over the place. I went with it though, and soon into the pattern realized I liked it, perhaps needed the message each color had to give me.

The white thread warned me of my perfectionism, rigid thinking, my fear of looking foolish, my need for there to be absolutes. The yellow reminded me to notice the simple, quiet, daily pleasures, especially the ones I think I don’t deserve. The red spoke, yes, of passion, love, committing deeply and fully, taking risks, but also of seeing the bigger picture, and committing fully to that as well. The black spoke of mystery and nighttime (when I often feel my creativity is at its most free), of the seed planted deep, committed to its own secret growth. It reminded me to be patient, truly patient, not just pay lip-service, to the secrets working underground, according to their own rhythms.

I felt for a number of years that I was spinning my wheels professionally and artistically; in recent years I felt like I wasn’t even doing that much. This black thread told me to have faith, to trust that things have to work at their own pace. I must tend the soil, water and feed the seed, but mostly I need to leave it alone, and trust I will know what to do when the next step presents itself.

The knots spoke to me as well. They tied me to so many people in my life; to my family and college friends of course; to the new friends I’m getting to know on and off-line; to the old friends who show up out of the blue - even from out of town - with an uncanny sense for when I need them; to the cautious optimism a treatment plan is providing a loved one; to the celebration of a deep bond being made deeper, where I drank too much and kissed too much and gave straight guys noogies that they took with admirable forbearance; to the new friends and gracious hosts who once again opened their home and lives to me, revealing themselves a bit more through older friendships; to the death of a wonderful old man who had helped liberate Bergen-Belsen, and let the horrors of what he saw there move him to connect, to befriend, and to nurture; to another celebration of another impending marriage and the joy I felt in being included; to the cooling words of a good friend reading my first draft of an enraged letter, less than a week after I had done the same for her; to shared meals and late night talks that nourished me more than the missed sleep; all these bonds, all these connections were recorded and celebrated in the tying of knots.

A sense of gratitude has been growing in my life in recent months. You can see it in my blog, I think. I’m sensible enough to know that it isn’t enough however. If the only thing my gratitude leads to is bits of macrame and cheerful mooning about in my apartment, then it hasn’t done me much good. I am ready to take action, but I know I haven’t yet. It’s odd too, because the fact is I like working. At least I think I remember feeling that way. I agree with G.B. Shaw when he says "I want to be thoroughly used up when I die, for the harder I work the more I live. I rejoice in life for its own sake." I dance with Rumi as he sings "everyone has been made for some particular work, and the desire for that work has been put in every heart." I nod with recognition – and cringe at the unwitting accusation -- when Thoreau says "be not simply good – be good for something." I say this with no self-pity, and with no need for loving denials (Seriously, I’m not fishing), but in recent years I don't think I've been good for much. I’m wary of the ego’s need for adulation being the secret motive for my work (a constant bugaboo for actors), just as I watch his tendency to insist that not doing things at all is better than doing them badly. But the need for work, the need to do, to make, that isn’t ego. It’s recognizing responsibility to life.

Goodness. What a lot to hang on a tiny piece of ribbon. By the end of the evening though, I felt like something important had been rediscovered. There was a sense of grounding: of coming home even. I don’t know what the next step is. But I think I will when I see it.

Frolic in the Meadow

So, it seems I'm not as good with this digital camera as I may have thought. If I'm trying to capture scenery on a day with brilliant light and diamond-sharp shadows, apparently I can manage not to fuck things up too much. If I'm trying to photograph people, or pets, however, I turn into a drooling moron. The camera insists on flashing, regardless of light or setting, and I don't know how to turn that off (if it's even possible; it must be, right?). It often doesn't really understand what I want to be focusing on, so when faced with this problem it focuses at random on an object of its own choosing. We're working on our communication, though I'll admit I don't always behave like a grown-up and will sometimes remove its batteries in a fit of pique. That doesn't seem to accomplish much, but it makes me feel better. Yes, I'm just that petty. I hate being defeated by inanimate objects.

What is my evidence for all this? See that picture above? Out of all the photos I took of Jess, Marc, the dogs (none of whom have blogs yet), the house, the train-ride, that photo there is the best one I got out of my visit to East Meadow. I mean, you can actually see who it is I'm photographing. The others, all of them, don't know what the hell happened there. Yes, I know you can look at the little screen after taking a shot, see if it came out, then try again if necessary, bite me okay? Yeah, I didn't do that. Like, ever. I blame Marc really. He made this amazing blackberry (yes blackberry) cosmo that is without a doubt the most delicious mixed drink I've ever had. Not too sweet, beautiful color, it went down like water, so I really can't be held responsible.

So, lacking the extensive photo journal I was hoping to share with you, I'll just have to tell you about my lovely day. Oh, that above is Mandy. She is of the devil, apparently. In my own defense, Jess says that effect always happens with her eyes, so again, it's not my fault. She was coming over to smooch me, by the way, not chew off my face, as it might appear. I get those looks confused a lot.

After a relaxing train-ride out (I love trains), Jess was there to pick me up at the station. The conversation started up without any awkwardness, as between familiar friends, as I guess we were by that point. At the house I was greeted by the dogs first. Bernice and Mandy were effusive and affectionate from the start, competing a bit with one another for my attention. Dodger was courtly and gracious, but made clear he was reserving judgement pending further evidence. I can respect that.

Finally I got to meet Marc as well. Both gentlemen were every bit as charming, funny and welcoming as their blogs, comments and emails had led me to expect. What I hadn't gotten to experience directly was the loving banter between them, which started up immediately. They seemed as amazed, amused and delighted with each other as if they had just met, and it was lovely to bask in.

First order of business, I requested a tour of the house. Marc had before pictures to give me a sense of how extensive their renovations had been. Jess grew up in this house, so the renovations helped to shape the house more to their tastes and needs, while also perhaps banishing a ghost or two. The home they've created is both elegant and cozy, taking advantage of some wonderful original features (black walnut trim!), and antiques from their families, combining them with beautiful new marble or granite in the kitchen and bathrooms, wonderful light fixtures, and a variety of rich, soothing colors. Throughout there were several large beautiful photographs hanging and only later did I learn that Jess had taken them. The house throughout sang of the two of them, and of their relationship. After turning to smaller bedrooms into one large one, they decided to make it the new master bedroom. Jess felt he was never going to be able to see the original as anything but his parents' room. Talk about a recipe for chastity. I would have made the same choice. Periodically one of them would point to what I thought was a small, tastefully arrayed collection, and say "sorry about the mess."

They are never, ever coming to my house.

So much of the furniture or collections (there were actual ones too) came with family stories, so one sensed the history of these two men in a way that I have rarely found with Americans. I got to hear about some of their relatives -Jess's mom and grandmother, Marc's mom- triggered perhaps by a collection of silver pieces, a surprisingly valuable couch (that narrowly missed being left on the curb) or a great old cabinet.

Jess and Marc then began preparations for dinner in the kitchen, while I sat in the living room, peeking through the large window there, sipping my cosmo, and petting any dog who stopped by to say hi. Dodger seemed to be warming up a bit. All five of them had been in Vermont over the weekend with friends, so Iwas informed the dogs were a bit more sedate than usual, due to being tired. I was comforted to hear this, since I was starting to wonder if I should be offended by the fact that Mandy had not yet lived up to her nickname -Moose- by trying to climb into my lap.

Just so you know, if you say to these gentlemen "please don't go to any trouble" what they hear is "please order gulf shrimp from a company in Texas that provides next day delivery." Jess tried to make it seem like that was all Marc's doing, but I didn't detect any evidence he had tried to stop him.

Not that I'm complaining, mind you. Jess made a delicious scampi, while Marc sauteed asparagus, and buttered garlic bread, periodically checking on the state of his cheesecake. He then topped up my drink, discreetly provided me with a tarp the size of a circus tent to deal with my drooling, and the six of us sat down to eat in the sunroom. The meal was every bit as wonderful as you're thinking it was, topped only by the company and the conversation. I learned more about Jess's parents, and regretted that I would never get to meet them. The love they shared for over forty years had clearly shaped Jess, his siblings, and the home in ways too many to count; one felt it radiating out of the walls, surrounding us with a warm, gentle glow.

Once the humans had eaten our fill, Bernice and Mandy intensified their campaign for scraps, and were rewarded with some pieces of garlic bread. Dodger has to be invited to partake, such a gentleman he is, but he didn't require too much coaxing.

Jess and I continued talking while Marc disappeared for quite a while in the kitchen, until I began to feel like we had abandoned him. "Don't worry," Jess assured me, "he would much rather we stay out here for the moment." Far be it from me to disturb an artist in process.

Eventually we retired to the living room with our cheesecake with strawberries (heaven!) and our coffee. This is the one room in the house where the dogs are not allowed. Bernice and Mandy accept this without complaint (or at least they did that night). Dodger, on the other hand, utilizes the debate of legal minutiae so popular with dogs and teenagers. He'd lie just outside the door, only his snout crossing the border into the living room, testing to see if the judges felt this honored the spirit of the law. That having gone well, he tried the reverse, placing his entire body in the living room, except for his snout, which also helped his case, since he was facing out of the room. When this began to look like he'd push too far, he also stretched both forepaws to the safe side of the border. Eventually Jess told him to leave, and he did, with no evident disgruntlement.

Perusing some of the Adonises (Adonisae?) hot guys in Jess's high school yearbook -he was the editor, so had a certain amount of say in who got multiple shots- led to a discussion of opportunities missed because we were too young, timid and closeted. This led somehow into a discussion of whether there is life after death. Trust me, in the context that jump made sense. Actually you probably can come up with your own links without much trouble, can't you. I learned about the trip they took with Marc's mom to Europe, getting her out of the country for the first time in her seventies, for what was clearly a wonderful time for all three of them. Jess says they have a 'don't ask, don't tell' policy for her sake, but occasionally she forgets, and calls him 'son'.

A phone call from a friend led us to the TV room (Oh, I neglected to mention the Bose surround sound system throughout the house!) so said friend could get Jess's expert opinion on some guns being evaluated on the Antiques Road Show. Marc suddenly thought it had been cruel to keep me in the living room, no dogs allowed, when I had come out in part to see them, but he needn't have worried. The company in both rooms had been a delight, I didn't feel deprived in the slightest. This did however give Dodger a chance to deliver his final judgement, which he did by playfully wrassling with me, biting ever so gently. Jess informed me this meant I was in.

We were all looking at early starts the next day, so I elected to get on the 9:30 train back to Penn Station. The three of us drove to the station, which meant I got to save my hugs until the very last moment with both of them. As they drove off I appreciated the fact that three rough looking guys were standing next to three fabulous young gay boys (one of them in a sequin-covered vest, a fedora, and just a touch of eye-liner) without any evident animosity. Even the 'burbs of New York tend to have a live and let live attitude most of the time.

The train arrived right on time, and after I had been riding for a bit, I thought to turn my phone back on. There was a text message and a voice message from Jess. The voice message said "Marc wanted to know if you'd made your train all right--OW. I just got hit. Okay I was worried you might have missed your train, it's the Jewish mother in me..." I called back immediately to reassure Mama, and thanked them again for a lovely day.

I was home before eleven, which gave me time to make a full report to Nicky, and to learn that my photos were for shit. I guess that just means I'm going to have to go back for another visit, after I've beaten the camera into submission-I mean learned all its fine nuances and needs. It's rough, but for you, my readers, I'm willing to make that sacrifice. No need to thank me. Its just the kind of guy I am. I'm a giver.

Thanks again, Guys, it was wonderful. It's my turn to host next, which I'll find some way to do without letting you see the state of squalor I generally live in.

Just Friends II

She: Happy Valentine's Day!

He: Happy Valentine's Day, Sweetie!

She: What are you doing today?

He: Oh, I've got a meeting with a gallery owner! She's thinking about representing me!

She: That's great!

He: Yeah... but it sucks I have to be here on Valentine's Day.

She: Yeah. I miss you.

He: No kisses for me today.

She: Maybe you should kiss the gallery owner. She might like that.

He: I don't think that would be very professional.

She: You never know. It might close the deal.

He: Mm-hm. What are you doing tonight?

She: Oh, Patrick is making me dinner.

He: That's nice.

She: Yes. I'm bringing dessert.

He: So there might be some kisses for you tonight, huh?

She: Probably.

He: ......Patrick is gay, right?

(Me: That's right, Sparky.

At least that's what I want you to think.)




(Mmm, kiwi-scented lip balm...)

The Instruments

by Rumi

Who is the luckiest in this whole orchestra? The reed.

Its mouth touches your lips to learn music.

All reeds, sugarcane especially, think only

of this chance. They sway in the canebrakes,

free in the many ways they dance.

Without you the instruments would die.

One sits close beside you. Another takes a long kiss.

The tambourine begs, Touch my skin so I can be myself.

Let me feel you enter each limb bone by bone,

that what died last night can be whole today.

Why live some soberer way, and feel you ebbing out?

I won't do it.

Either give me enough wine or leave me alone,

now that I know how it is

to be with you in constant conversation.

translated by Coleman Barks.

Thank you, my friends, virtual and not, for entering into conversation with me. Why live some soberer way...

I won't do it.

Happy Valentine's Day.

Another Good Excuse for Spinach Dip

Last night I joined Jeff and Genna at their apartment in Astoria along with several other nice folks, to celebrate Jeff's 27th birthday. Genna and I became friends in the Winter of 2001 while working on a play, and we've been friends ever since. Jeff entered the picture a few years later, but the connection was as easy and comfortable with him as it had been with her from the get-go (at least for me, I should let them speak for themselves).

Every year Genna tops her previous year's cake, and this was no exception. Made only with chocolate and eggs, it was a slice of mousse-like, fudgy goodness, garnished with red raspberries; she was heart-broken later when she realized she'd forgotten the fresh whipped cream, but frankly I think what we had was perfection itself. The cake of course followed a mountain of other goodies, including Genna's spinach dip. I'm not the only one who looks forward to this dip; late comers to the party sighed with relief when they arrived to find it had not yet run out. The dip reminded me, if I hadn't noticed it already, that Jeff and Genna have been part of every important celebration in my life for a few years now. Just in the past six months we've celebrated Thanksgiving, New Year's and now Jeff's birthday together, each time with good food, red wine, a nice mix of friends, conversations ranging widely in topic and tone, and yes, some spinach dip. We also have no qualms about creating a celebration whenever we feel the need. Having these two as part of my New York family has been a blessing, helping to root me in a place where I so often feel rootless. We may go months without seeing one another, life here being on the frantic side a lot, but when we reconnect, it's as if no time has passed. We weigh down another groaning table with goodies (even when it's just the three of us, we cook for an army), crack open another bottle of wine, and pick up where we left off with the conversation.

Happy Birthday, Pal. Thanks for sharing your celebrations, thoughts, questions, confusions, frustrations, silliness and cooking with me. My life is the richer for it.