The Return of the Light

 Mom liked to call herself a Grinch, or occasionally a Scrooge. She found Christmas difficult, for various reasons common and not so. That was the narrative she shared each year, and we all accepted it. 

This year though, the first one without her, Mary and I are surprised to find ourselves questioning that story. I, in particular, surrounded as I am at present by the things she accrued over a lifetime, in a home she built for more than fifty years, am finding evidence that she felt more joy in the season than she usually acknowledged. I've been trying to articulate those thoughts for a few weeks now, with only modest success. Over the next few days I hope to break them down into smaller, more manageable bits, to make better sense of them. If they seem like something worth sharing, I'll post them here. I'm putting this little note up in the hopes it will keep me rigorous and honest. 

Even when she was bemoaning the degradation of this season, one thing she always celebrated was the winter solstice. She suffered from Seasonal Affective Disorder (SAD) all her life. But even just the thought that today would mark the return of the sun, the lengthening of days, the increase of light gave her a sense of hope. So in memory of Margaret Smith Lacey, I wish you all a Happy Solstice, and return of the light. 

Forging Her Own Path

 

In 1982, in honor of her parents’ 50^th wedding anniversary, Mom wrote an essay titled Emro Farm, named for the property that had been in her mother’s family for over 100 years, and which her parents had spent their working lives taking care of. She typed up the text on her electric typewriter, aligned horizontally and double-sided so it could be run off easily on a copier. Light blue cardstock adorned with a neighbor’s line drawing of the farm comprised the cover. A couple of other line drawings, one of the house, one of the local Quaker Meetinghouse, augmented the text. I have it in my head that she did all the copying herself, standing at the college library Xerox machine with a bagful of quarters; this isn’t entirely out of the realm of the possible; the only thing making it unlikely would be Mom’s unwillingness to monopolize the machine that long. When I look at the pamphlets now, I realize they’re too uniform to have been made by hand. I’m pretty sure the library was involved though; they probably had a machine for making small pamphlets like this. It probably cost a pittance to run off a few dozen copies; it’s even possible Dad would have had a faculty discount. The document was meant to be shared only with family members, maybe some of her parents’ close friends. Mom’s insistence on a shoestring budget just made sense when one considered the deep-seated frugality of both the creator and the intended audience. In 1991, following the deaths of both her parents, Mom revisited the document, adding essays and poems that examined their respective legacies, and their influence on her.

Celebrating Mom

(A version of this text ran in the Palladium Item, the local newspaper, on October 25th) 

 Margaret Ann Smith Lacey died on October 14^th, 2020 at Friends Fellowship Community, from complications associated with dementia. She was born on July 9^th, 1936, on a farm outside What Cheer, Iowa. Her family was active in Iowa Yearly Meeting (Conservative) Society of Friends. She graduated from Scattergood Friends School in 1954, and Earlham College in 1958, where she received a Bachelor’s Degree in English. In August of that same year, she married Paul Lacey, beginning a loving, dynamic— and frequently noisy—partnership that would last more than fifty-eight years.

Their first two years of married life were spent in Cambridge, MA, where Paul completed his doctorate in English literature at Harvard, and Margaret worked as a librarian. In 1960, Paul accepted a teaching position at Earlham and they moved to Richmond, Indiana. Excepting stays in London, Cape Cod, Maine and Ireland, Richmond would be their home for the rest of their lives. They raised three children: Mary, Patrick, and James.

Once all the kids were in school, Margaret began writing, eventually publishing short stories, essays, and poems in The Christian Science Monitor, Ellery Queen’s Mystery, The Boston Globe, Iowa Woman, The Mississippi Valley Review and others. In 1992 Stormline Press published her novel Silent Friends: A Quaker Quilt, a collection of stories following three generations of a Quaker family living on an Iowa farm.

Throughout her life, Margie made things: stories, bookcases, quilts, delicious and nourishing meals. She reveled in using her DIY skills, especially if the task required devising a solution with bits and pieces she could find lying around, or using one of her beloved hand tools, salvaged from the family farm. In 1963 she and Paul bought the old house that would be their home for the next fifty-two years, and Margie’s skill set quickly established her as the primary caretaker. Of her many creations, the home she made, with and for her loved ones, was one of her finest. She and Paul filled the house with an eclectic mix of art, music and literature, encouraging their children to explore their own interests and ignore the snobbery of others. Three daily newspapers and the nightly news helped the kids to emulate their parents’ curiosity and political engagement. Margie and Paul also introduced their kids to a variety of cuisines, encouraging them to become adventurous cooks and eaters. Shared meals, around the world and at the home table, were one the central joys of family life. This vibrant home became a haven to their children, extended family, friends, and generations of college students.

Margie and Paul remained active in civil rights, peace and other social justice causes throughout their lives. Though her Quaker roots remained a rich source of inspiration to her, in her later years Margie became a self-described agnostic/Nature-worshipper. Her daily walks with the dog included visits to favorite trees, which she would greet with hugs.

She was, above all else, excellent company: a witty, well-read, thoughtful conversationalist, and an empathetic listener. We will miss her terribly.

Walking Home with Mom

When home was gone from our mother’s head, except as fragments of childhood memory, she set out walking to find it. She went at 3 am, in her nightie, past our sleeping father, through three doors, across the grass, and onto a North Carolina highway. Two kind young men managed not to hit her with their car and brought her home to a place she didn’t recognize, the retirement home where she had lived for five years.

Strapped in a chair, she angled her eighty pounds, slithered free and started home, was caught at the outside door and re-confined. She flew over the bars of her bed in the nursing center and headed for the outdoors. They imprisoned her broken wrist in a cast and tied her down.

These are the first two paragraphs of an essay my mother wrote in 1995 called “Walking Home.” She wrote it during an annual writing retreat she had with her two sisters. She says it came out in one sitting, essentially in a single draft.  

Mom was still in her private apartment in assisted living when she decided late one night that she had to walk a few miles to a local park, a place she hadn’t visited in years, to retrieve a book she was sure she had left there that day. She was discovered on the highway near the facility and brought back. About a year later she once again left the facility in the middle of the night. When the staff found her, at the top of a hill behind the building—with her walker for once—she had no idea where she was, nor why she had left. At that point, it was clear Mom needed to go to the dementia wing of her retirement facility, known as the Courtyards.

Whether because of better information, or simply better funding, the Courtyards handle dementia patients better than was the case in my grandmother’s facility. Mom has never needed to be strapped into a chair, or tied to a bed, to keep her safe. The rooms are reached through a pair of double doors, accessed by a keypad code; it’s understood people lacking short-term memory will not be able to memorize a code, assuming they ever learn it at all.  The semi-private rooms all branch off a large space drenched with light from windows and a skylight. An aviary of brightly colored, chipper birds sits at one end of the room. A resident cat and dachshund wander the space, accepting affection and surreptitious treats, visiting and napping with the residents. An outdoor space with raised beds is accessible to the clients at any time; all the doors lead back into the main room. Soft music from the 40s and 50s plays any time a classic movie musical isn’t on the TV. Every effort has been made to create an environment that is soothing, welcoming and bright. My mother loves the staff and many of the clients she lives with. Nonetheless, Mom still regularly announces her intention to go home. 

Before her condition confined her to a wheel chair, she would circle the communal space, looking for a way out. This behavior is so common among people with dementia they have a term for it: ‘exiting.’ But Mom always walked, long before the dementia began robbing her of herself. Her essay about her mother continues:

Why did she walk? I believe it was because there is comfort in movement, whether or not you have a destination in mind. The Catholic faithful walk the Stations of the Cross, climb the holy mountain and end where they began. The Australian Aborigines sing and walk their circular journey all their lives, for hundreds and hundreds of miles, singing their souls into being. Their paintings reveal ancestral maps, family maps, of the earth and of the soul: each tuft of grass, each animal, a totem or way-station. There are no shortcuts; you must walk and sing all of the lines, to find your way home. Pilgrimage sends you away and brings you back. I like to think that my mother, far gone in Alzheimer’s, was on pilgrimage as well, though she didn’t know her ending place.

My mother also found comfort in movement. She walked twice a day with the dog, traversing a large circle around the college campus near her home. It was exercise, therapy for chronic depression and anxiety, and a way of anchoring herself to place. Ever since reading Bruce Chatwin’s The Songlines, she had loved the concept of singing and walking existence into health. It suggested a  way to shape her own spiritual practice around the tasks of daily life, deepening them into ritual. She writes,

I know it nourishes me to walk and work and touch the house totems: dishwater, broom, bread dough, black dirt, seedlings, weeds. Sometimes I only pace in tight circles, but it is better to be on my way, along the songlines, totem by totem.

Mom was the person who first showed me that home is as much a set of routines and habits as it is a location. She, often in the face of derision, firmly claimed her status as both feminist and homemaker. Even when her writing began to get some of the attention it deserved, she always insisted writer take second billing to homemaker on her resume.  She built a haven for her family through daily actions. She prepared tasty, nutritious meals, washed laundry, built book cases, performed basic carpentry and plumbing. She shared favorite books, music, television and radio shows, and in various ways kept us and the house in good health. Though we all loved that house, and did our part to make it a home, there’s no question Mom was the central animating spirit of the place, and that walking was vital to her work.

Walking is prayer. Walking, life flows up the leash from the dog to me. Here are my morning totems: the molefield, where eruptions of black dirt and mushroom circles make a mockery of lawnkeepers’ cosmetic hopes; a great catalpa with tree-sized branches and leaves as big as dinner plates; a many-mooded face in profile, carved by nature out of a cedar tree’s long-ago wound; beside the Quaker Meeting House: bronze Mary Dyer, hanged on Boston Common for walking her faith, now sitting eternally at worship; a field shared by killdeer and those benign monsters, the horses; the houses of friends and fellow-walkers; a continuity of school children waiting for the bus. At last I see the outside of home and then feel its embrace.

Until college brought a new routine, the morning dog walk was my responsibility and pleasure. The path I evolved overlapped with this one at many points, and gave my day an anchor I valued even as a teenager. It has been my good fortune to be able to return regularly to the home where I grew up, still inhabited by parents who loved the place, the rituals, and one another. Tagging along on the afternoon walk, as I did most afternoons when visiting, let me touch base with our shared totems and reconnected me to that anchor. I no longer thought of that house or walk as home, really, but returning to them always rejuvenated me.

Or at least it did, until my parents began to deteriorate. For both Mom and Dad, failing health began to erode their ability to do the work they had loved. Dad’s arthritis and failing eyesight eventually made reading, writing and traveling impossible. Mom’s failing memory and physical frailties attacked every aspect of her day; reading, writing, walking the dog, cooking, carpentry, gardening, all of it became impossible or dangerous. An unexpected consequence of this was the beloved home became a death trap. Stairs transformed into rickety ladders, sharp corners, pill bottles and dirty dishes sprouted like weeds, even the gas stove turned treacherous, waiting for a forgotten pot or Styrofoam container to wreak havoc.  In the past, I had wondered how I would feel when Mom and Dad no longer needed that house. I assumed its loss would be wrenching, no matter how necessary. But without my mother’s animating spirit and tireless efforts, the house turned malevolent. Even now, when it no longer threatens my parents’ well-being, the house has ceased being the beloved haven; it mostly sits as a warehouse for possessions that have lost their purpose, and whose demand for attention will, I know, become increasingly shrill.

Again to my surprise, a similar process seems to have occurred with the daily walk.  Over the last four years, Mom’s difficulties with moving slowed and shortened the walks until she was forced to abandon them all together. Fang, the last dog, designated herself Mom’s guardian at the first sign of trouble, and would leave her side only under duress. She was the first to decide that without Margie, the walk was simply not quite right, maybe not even worth doing. She’d drag along for the first half of the increasingly truncated trip, looking over her shoulder at the house. The return would be an Iditarod, one’s arm wrenched from the shoulder from her need to get back to her charge. Fang survived Mom’s move into assisted living only by nine months. She was thirteen, a good age for a big dog, and deeply devoted to the kind man who move into the house to care for her, but I wonder if she also felt that her life’s purpose was gone.

On my visits back to see family, I still make time walk the beloved old route, though not every day. I visit the giant catalpa Mom considered a friend, and continue her tradition of hugging it. I greet Mary Dyer in her old spot, and the horses in their new one. I pass familiar houses, filled with unfamiliar residents. It’s pleasant enough, but not the same. Maybe a dog would help, but I think what’s really missing is Mom. If I returned to live there, and took this walk every day again, I’m sure I would enjoy it. But I’d be building a new tradition, if I were lucky. The old song is gone.

I’ve come to realize that part of my trouble is, while the old places and paths are no longer home, I haven’t created new ones yet to replace them. My apartment of almost twenty years is a residence, and a pleasant one, but not home. Likewise, the many walks I take throughout the city are merely utilitarian or exercise. None of them have developed deeper resonance, and after more than twenty years, I don’t expect they will. Maybe the cause is my move away from any spiritual belief; maybe adulthood can never compete with childhood, especially one as nurturing and myth-making as mine; maybe it’s the simple fact that I don’t enjoy living in cities. (I’d say that what rituals I’ve developed here have more to do with the abundance of take-out food. Nice enough, to be sure, but not the same.)

My craving for home is strong, but vague. I don’t know how to build it, or where to seek it yet. Maybe it will form in some way independent of place. But I suspect walking will play a leading role. My mother’s example, in this and other ways, will continue to shape my approach to home. Her essay concludes:

But it isn’t enough to be home; one should always be going there. My mother is seven years dead, but sometimes I dream of attaching myself to her by an invisible line, unconfining but unbreakable, so I can keep her safe and follow her on pilgrimage. We’ll greet our totems, sing the journey, and rest at need, till we get home. 

You Can Feel It All Over

When my brother died, my grief was volcanic. Returning from his memorial in Indiana, I found myself enraged at the world going about its business as if nothing had happened. People seemed unaware that the very rules of existence had changed. My brother was dead, dammit! For at least a year I regularly experienced what I called emotional landmines; I’d be chugging along reasonably well, functioning with something resembling equanimity when BOOM! Something would remind me of James, and his death. I was, it’s fair to say, a bit of a mess.

So far, my grief at the death of my father has been much quieter. I suppose this makes sense. He died at age eighty-two, after a rich and fulfilling life. He’d had satisfying work, a loving family, great friendships, many adventures and achievements.  He’d also had at least four years of declining health that weighed heavily on him, and wasn't any fun to watch. He lost the ability to walk, to read, to write, even, I fear, to enjoy food. So much of what made him, him was slowly stripped away. He’d been ready to die for a while. Maybe my worst grief occurred in his final years, as he faded away. 

But while I haven’t (yet) experienced any emotional landmines, this is not to say Dad hasn’t popped up now and then. Most of the visits have been triggered by music. I hear "The Hucklebuck," and suddenly Dad’s voice is singing the lyrics (I remember them effortlessly), while he shows me how to Charleston and do that move where you appear to switch your kneecaps. I hear a nineties pop anthem to girl power, and I remember a story Mary told me. Dad was visiting a married couple with a young daughter. As was his habit with kids, Dad wanted to include her in the conversation, so, he asked her what kind of music she liked. Immediately she launched into a passionate speech praising the Spice Girls. 

“Paul doesn’t want to hear about the Spice Girls!” her (perhaps projecting) parents said. 

Without missing a beat, Dad said, “I’ll tell you want I want, what I really, really want!” 

I bet he made sure the young lady said her piece.  I bet he had follow-up questions. He might even have sung with her.

The strongest memory, though, was a few weeks ago, when I stumbled across Stevie Wonder singing "Sir Duke." This song has made me think of my dad since the first hearing. It was in regular rotation on the radio when I was ten, and we were living in London for Dad’s sabbatical. On our spring break, we rented a car and drove through the Scottish Highlands, usually with the radio playing top forty. "Sir Duke" quickly became a family favorite. Every time it came on, we cheered, no one louder than Dad. We’d sing along vigorously, Dad always kicking things off with the joyous ‘OW’ at the beginning. To this day that song puts me in the back seat of a rental car, blue-grey mountains, silver lochs, and 

God’s own plenty of sheep streaming by the windows, Dad wearing white driving gloves due to a case of sun poisoning on his hands, bouncing in his seat, yelping ‘OW' along with Stevie. That song is one bright thread in a wonderful week.

While I hadn’t predicted it, it’s not that surprising that songs are triggering visits from Dad. He and Mom naturally formed the first and deepest roots of my musical tastes, introducing me to the Beatles, Bach, Count Basie, Louis Armstrong, Mozart, Duke Ellington, Willie Nelson, Kris Kristofferson, Joan Baez, Johnny Cash, Judy Collins, the Chieftains, Handel, and Bartok, just to name a few. Dad taught us Sibelius’ "Karelia Suite" is best played loud, he sang about a girl in Kalamazoo ('K.A.L.A.M.A.Z.O.ooh what a gal/a real pipparoo'), he and Mom taught us rounds and folk songs that shortened many a car trip. We learned to love a wide range of musical genres, never allowing snobbery to dampen our joy in a song, whether silly or grand. And it wasn't just music; they did the same thing for us with books, film, food and art. 

It's reasonable to say that Dad was a great man in the way the world measures these things. It’s good and right that people are celebrating those aspects of him right now. I’m proud of the things he accomplished, and the causes he supported. But there's a comforting intimacy in the fact that so far, his surprise visits have all reminded me of his goofiness, his exuberance, his unabashed joy. 

There’s another song tied to that Scotland trip, and Dad: Bernard Cribbins’ "Right Said Fred." I don’t know if the song ever made it to this side of the pond. It’s more of a novelty song like "The Hucklebuck," or "Kalamazoo," not a work of genius like "Sir Duke." It's from the nineteen sixties too, so its connection to that week in Scotland is a complete fluke, triggered perhaps by some DJ's nostalgia. I hear it play, mountains, lochs and sheep streaming by, and I delight in Dad’s roar of laughter at the surprising turn taken in the closing line. If you’ve never heard it, it’s worth a listen.

The Medium & the Cat

T

I'm frontloading this video with an eye to editing it, and possibly compiling a video reel. My valiant little samsung camera sure tried hard, didn't it. This was recorded February 10th, 2010, as part of the Spectacular Scrantonian Spectacular, at the Electric City Theater. Billy Rogan provided the music, Jeff Wills produced the event, and stepped in the play with me here. 

Studying Sunflowers

While most of last year's crop of sunflower seeds were fed to the birds, I saved some for planting this year. On two or three different occasions I put some in places I thought would make a sunflower happy, but to be honest,  didn't keep good track of where they were. I left the weather in charge of watering them, and was pretty lucky on that front; it was a wet spring, but not overly so, from what I could tell.