I can't remember the date, unfortunately, but just before Thanksgiving, twenty-two years ago (sweet merciful cats), I began coming out. Every year for the past three or four, I will suddenly remember that fact right about now. I think the change in weather, and the looking inward that this season triggers in me is what bring the memory to the surface.
I was a sophomore in college, and actually the whole semester I had been considering coming out, working myself up to do it. I had, up until that year, thought that I would just be single and celibate all my life. That just seemed the easiest and most sensible course of action. I talk about my misanthropy in an earlier entry, so I won't go into it here. I'm thinking about other things right now.
I think that Autumn I was coming to accept that I had a secret that, yes, did matter, and I was withholding it from people whom I loved, and who loved me. I was lying, at least by omission, to important people in my life. The 'Live like a Monk for the Rest of Your Life' plan only worked if I stuck to my original policy to keep everyone at arm's length. I had been rethinking that policy all semester; this secret, I could no longer deny, just stood in the way of relationships I now wanted. Oddly enough I came out first to a guy I barely knew, pretty much in the spur of the moment. Once I said the words, I had a moment of panic where I felt like I could never take it back, that something was about to take off that I couldn't control. Fortunately this new friend turned out to be a good choice. I sat down four of my closest friends the following evening, and told them. So far, I was five for five in the positive response category.
Then came the big hurdle. I was attending the college where my Dad taught, so I realized I would have to tell my family, before they found out through other channels if I didn't want to hurt them all terribly. That gave me a six week vacation to get it done. Just as I was beginning to chicken out, Mom asked ME, on Christmas Day, then I sat Dad, Mary and James down the next day. I was now nine for nine in the supportive category.
You have to understand, I KNEW they would be supportive. Sure, Dad had been fond of the occasional fag joke when in the bosom of his family (and whether he sensed something, or I was just more sensitive, there seemed to be more of them that vacation), but he and Mom had gay and lesbian friends. I knew that during the year my Dad was acting president, students had formed a gay people's union, and causing an uproar on the school board. Dad went into the next board meeting with a letter or resignation in his pocket, ready to submit it if they ordered him to disband the group. My sister had written a letter to the editor when she was in college, denouncing a homophobic article that had appeared in the paper. I was less certain how my baby brother would react, but I was used to bossing him around, knew he loved me, and would listen to all of us. As far as my friends were concerned, I knew they would be supportive too; consciously or not I had probably weeded out the homophobes from my close friends long ago. Everyone reacted as I expected. I had nothing but supportive experiences each time I came out.
What is my point? My point is, I knew the people who mattered in my life would not disown or drop me and I still found it absolutely terrifying to take the plunge. I had worked up to it for at least a year before I could do it. What had been holding me back, if it wasn't family or friends? Hell if I can say for sure now. Part of the problem was I had known I was different for as long as I could remember, and even before I had a name for it, I knew it was shameful thing, to be kept secret. So even when I had intellectually concluded that there was nothing wrong with (other) people being gay, my deep dark secret was too deeply ingrained. The habits of a lifetime simply wouldn't allow me to come out, and we're talking a lifetime that was only nineteen years long. It just wasn't an option for me. Just 'cause.
I keep all this in mind anytime I talk to someone who is just starting the coming out process. He or she may be facing much more daunting prospects than I ever did. Friends, or worse, family could turn ugly. People might lose jobs, homes, or important relationships. I never had to face any of that, and I was still terrified. Coming out for me, not counting the initial moment of "oh shit I can't take it back" was a series of one relief after the other, but this may not be every one's experience.
Right after the big hurdles were behind me, I became furious with myself for all the wasted time. Forgotten was the very real risk of violence I could have faced at junior high or high school. Forgotten was the likelihood that I would have been the only openly gay kid in my school system, hell, town. Forgotten was all the internal rubble I had cleared before I could do it. Forgotten was the nameless terror. Nope, once I was on the other side, it all seemed so easy. Ridiculously easy. Seven whole years I could have been living life, I told myself, and I had been too chicken to.
I would imagine the temptation to think this way gets worse the older one is when one comes out, but I don't think it helps. We just have to accept that we go at the pace we have to. We may need a little push now and then, to inch out of a comfort zone grown unnecessarily constricting, but for the most part, we take the steps when we're ready. I should never think I can tell someone else how he or she should do it. I can just be there along the way to say, "yes, good for you, congratulations, I know it's scary, I'm sorry they said that, yes of course you can call me, hang in there." Secretly I may want to say "it gets better, it gets easier, you'll be glad you did this, really, keep it up, trust me," but I refrain (most of the time). I can't promise that.
So for anyone who is in this process, and may be entering the holidays (family!) with extra butterflies, let me just say yes, I know it's scary. Take it easy, take it slow, hang in there, make sure you have support, be kind to yourself.
And congratulations.
Sunday, November 25, 2007
Friday, November 23, 2007
Remembering, Regretting, Releasing
For a number of reasons -some of which are no doubt obvious- I've been thinking about gratitude a lot for the past three days. I've also been thinking about my strange reluctance to accept gifts. Steven at Sooo-this-is-Me has me thinking about regret, self-recrimination, time and opportunity lost -and the dangers of losing myself in them. He also has me noticing how easily I still step out of life sometimes, in the mistaken belief that it will make things easier, if not better. Somewhere Joe and Cooper have me thinking about the ways in which remembered blessings can trigger present gratitude.
As these thoughts roil around in my head, I find myself looking again at a piece I wrote and performed a number of years ago. I performed it several times, sometimes by itself, sometimes as part of a larger piece. For at least four years however, I've felt no connection to it, or the character who performed it. Sometimes that just means the piece has served its purpose, and needs to be put aside. That certainly may be true with this piece. I think though that my lack of connection with the piece reflects a deep disconnection from simple yet significant truths in my life. So I'm re-examining the piece today. Maybe I'll find my way back to it, and the character, maybe not. I don't really know where any of these ideas are taking me. I'm not worried about that right now. Today I'm just remembering.
I'd like to propose a toast...For lilac and roses, and fresh brewed coffee, for the air near a waterfall, or after a storm, for cedar, and cinnamon, and the first cut of a lemon, for these scents and more, praise, all praise.
I'd like to propose a toast...
For the wind through pine trees, and the crashing of water, for thunder and hailstorms and the silence that follows, for crickets and cellos, and the purring of cats, for cheering and birdsong and really hot dance music, for a lover’s moans and sigh of contentment, for these sounds and more, praise, all praise.
I'd like to propose a toast...
For violets and fireflies and windblown pasture, for horses and dogs and all creatures who dance, for lightening and ice storms and Spring-thaw rivers, for the light of a candle reflected in eyes, for the sprawl of a body sleeping tangled in sheets, for these sights and more, praise, all praise.
I'd like to propose a toast...
For the caress of silk and soft summer breezes, for dry towels after a hot bath or cold rain, for strong hands cradling your head and pulling your hair, for the crash of a wave that makes you gasp with cold, for the lover who knows where, when and just how hard to bite, for these touches and more, praise, all praise.
I'd like to propose a toast... For hard work and dancing and the good sleep that follows, for solitude and companionship and the shoulders of friends, for new sights and old homes, and the travel between them, for being surprised still, every once in a while, for growing old gracefully - or kicking and screaming every step of the way, for all of you here, each of you luscious as grapes, I give you praise, all praise.
As these thoughts roil around in my head, I find myself looking again at a piece I wrote and performed a number of years ago. I performed it several times, sometimes by itself, sometimes as part of a larger piece. For at least four years however, I've felt no connection to it, or the character who performed it. Sometimes that just means the piece has served its purpose, and needs to be put aside. That certainly may be true with this piece. I think though that my lack of connection with the piece reflects a deep disconnection from simple yet significant truths in my life. So I'm re-examining the piece today. Maybe I'll find my way back to it, and the character, maybe not. I don't really know where any of these ideas are taking me. I'm not worried about that right now. Today I'm just remembering.
The Toasts of Bromios
I'd like to propose a toast... For cheese and chocolate, and good red wine, for fresh hot bread and garlic in olive oil, for sour apples and sweet grapes and the salt of a lover’s skin, for these tastes and more, praise, all praise.I'd like to propose a toast...For lilac and roses, and fresh brewed coffee, for the air near a waterfall, or after a storm, for cedar, and cinnamon, and the first cut of a lemon, for these scents and more, praise, all praise.
I'd like to propose a toast...
For the wind through pine trees, and the crashing of water, for thunder and hailstorms and the silence that follows, for crickets and cellos, and the purring of cats, for cheering and birdsong and really hot dance music, for a lover’s moans and sigh of contentment, for these sounds and more, praise, all praise.
I'd like to propose a toast...
For violets and fireflies and windblown pasture, for horses and dogs and all creatures who dance, for lightening and ice storms and Spring-thaw rivers, for the light of a candle reflected in eyes, for the sprawl of a body sleeping tangled in sheets, for these sights and more, praise, all praise.
I'd like to propose a toast...
For the caress of silk and soft summer breezes, for dry towels after a hot bath or cold rain, for strong hands cradling your head and pulling your hair, for the crash of a wave that makes you gasp with cold, for the lover who knows where, when and just how hard to bite, for these touches and more, praise, all praise.
I'd like to propose a toast... For hard work and dancing and the good sleep that follows, for solitude and companionship and the shoulders of friends, for new sights and old homes, and the travel between them, for being surprised still, every once in a while, for growing old gracefully - or kicking and screaming every step of the way, for all of you here, each of you luscious as grapes, I give you praise, all praise.
Labels:
acting,
food,
internalized homophobia,
paganism,
queer stuff,
romance,
the good life,
theatre
Wednesday, November 21, 2007
Early Thanksgiving
I'm in my local grocery store picking up stuff for Thanksgiving dinner tomorrow. I have a bag of potatoes, broccoli, two lemons, butter, milk, some sage, a large onion, and a frozen turkey. The place (surprise) is packed. Even on normal days it is often filled with lots of people buying what looks to be a month's supply of food; it's not uncommon to see people with two carts overflowing with three ten-pound bags of rice, hundreds of canned goods, whole cartons of juice boxes, toilet paper or ramen. The cashiers at this place are also some of the slowest on the planet, though I don't think it's always their fault.
As I'm navigating along getting my milk and butter, a lovely older woman with silver hair and surprisingly blue eyes calls me over.
"Let me tell you sonethin'," she says, in heavily accented but fluent English, "if you buy $125 of food, then your turkey is free."
Thinking she is making sure I didn't think the turkeys were just free (as the sign did seem suggest, to be honest) I assure her I know about the store's deal but am all right with buying the bird.
She gestures to the younger man with her, who I assume her son. "But we are buying more than enough, and we don't want the turkey. So why don't we get that one for you?"
First I'm confused. Then I'm floored. I sputter, and demur, I couldn't possibly, it's just too much. I really feel overwhelmed, but she insists, her son insists. I ask if there is something I can do for them, but they refuse. Finally I accept the offer, but am unable to say more in either English or Spanish than simply 'thank you, this so kind, thank you.' In my Dominican neighborhood men are not big on emotional displays, except maybe when it comes to baseball. Generally when I'm on the street here I avoid facial expressions, let alone expressivity, though (this may come as a shock) this is not my natural tendency. Sure the homo thing may be a part of it, but in all honesty I think a much bigger influence is my Irish temperment, as inherited from and modeled by my very affectionate, demonstrative, and easily-moved-to-tears father. So right now in the face of this, I am not maintaining my New York cool, I'm feeling a TEENSY bit fragile, perhaps just a bit watery, and I get the sense these nice people are beginning to wonder what exactly they have gotten themselves in for. I move on before anyone gets embarrassed.
I have a long time in line to think about this (remember those slow cashiers). I'm touched by the thoughtfulness of this gesture, but I'm also very uncomfortable with it. It's not really that I feel beholden to these kind people, but I do feel frustrated at my inability to do anything for them by way of thanks. I consider offering them some money so they at least got some dollars off their bill, but that feels crass somehow, and I fear it might even offend them. It also seems to put a monetary value on their act, and there's more to this gesture than $13. I don't know what else I can offer to do for them (carry their groceries home? Pack up their car? Wash their car? Get their address so I can send them flowers, bake them bread, at least send a card?). If I run into them at a later date, will I be quick-thinking enough then to come up with a thoughtful gesture then?
I'm mulling over all this as I move closer to check-out. The elderly woman in front of me notices how few things I have and almost unhinges me when she offers to let me go before her. I politely decline. I'm not sure she would understand if I started sobbing and threw myself around her neck.
My benefactors get through check-out just before me, and call me over so the cashier knows who to give the bird to when I leave. I introduce myself to them in the hopes that they'll at least tell me their names, but only the man (Jose) does. "Enjoy" they both say, as I kiss the woman on the cheek.
I keep mulling this over as I head home. I realize my discomfort (only slightly abated) includes a sizeable dose of guilt. All around me people had been buying huge piles of non-perishable food, and paying for it with food stamps (now in handy credit card form). For the price of my $13 turky, you could get 18 cans of black beans, probably a month's supply of rice, or an entire carton of ramen. The bird would feed a family of four for maybe two meals, three if you made soup, but that ramen, rice or beans would go much further, maybe for a month of meals if you budgeted right. How many people there hadn't even bothered to put the bird in their carts, seeing it as a luxury? Finances can be touch and go sometimes for me, but I have rarely gone hungry, and this Autumn has been pretty good work-wise. I do not need a free turkey. I consider heading back to the store, standing outside it and offering the bird to the first old person who comes out the door, but my unwillingness to draw attention to myself wins out. Right now the bird is thawing in my fridge. My friends and I will enjoy it tomorrow, I have no doubt.
(On a side note, I had to go to another part of town to pick up cranberries. Either Dominicans don't care for cranberries, or they store them in a part of the store that didn't make intuitive sense to me. At the second store, this one on the Upper West Side, I was again in line behind an older woman who, when she noticed what I had said "is that all you got? Here, you go next." I assured her it wasn't necessary, I was in no rush, but she insisted LOUDLY, causing the cashier to join in, so I took her/them up on the offer. I did not burst into tears.)
I do not deserve this bird. I remind myself, however, that is the point, really. Gifts like this are most precious and meaningful when they come out of the blue like this, with no thought to justification or merit. I'm still curious what made them pick me, out of everyone in the store. Maybe I was just the first person they saw carrying a turkey. I sort of hope it was that random. Whatever motivated it though, I'm still moved by it. I remember that I'm always uncomfortable receiving gifts, and compliments for that matter. I love getting them, but never know how to respond. I'm not sure how one gets better at this. I realize though that a few years ago I wouldn't have been able to accept this offer at all. So that's progress, I guess.
I'm still mulling over how I might do something nice in response, for my benefactors, in the unlikely chance I run into them again, or barring that, for someone else. Any ideas?
As I'm navigating along getting my milk and butter, a lovely older woman with silver hair and surprisingly blue eyes calls me over.
"Let me tell you sonethin'," she says, in heavily accented but fluent English, "if you buy $125 of food, then your turkey is free."
Thinking she is making sure I didn't think the turkeys were just free (as the sign did seem suggest, to be honest) I assure her I know about the store's deal but am all right with buying the bird.
She gestures to the younger man with her, who I assume her son. "But we are buying more than enough, and we don't want the turkey. So why don't we get that one for you?"
First I'm confused. Then I'm floored. I sputter, and demur, I couldn't possibly, it's just too much. I really feel overwhelmed, but she insists, her son insists. I ask if there is something I can do for them, but they refuse. Finally I accept the offer, but am unable to say more in either English or Spanish than simply 'thank you, this so kind, thank you.' In my Dominican neighborhood men are not big on emotional displays, except maybe when it comes to baseball. Generally when I'm on the street here I avoid facial expressions, let alone expressivity, though (this may come as a shock) this is not my natural tendency. Sure the homo thing may be a part of it, but in all honesty I think a much bigger influence is my Irish temperment, as inherited from and modeled by my very affectionate, demonstrative, and easily-moved-to-tears father. So right now in the face of this, I am not maintaining my New York cool, I'm feeling a TEENSY bit fragile, perhaps just a bit watery, and I get the sense these nice people are beginning to wonder what exactly they have gotten themselves in for. I move on before anyone gets embarrassed.
I have a long time in line to think about this (remember those slow cashiers). I'm touched by the thoughtfulness of this gesture, but I'm also very uncomfortable with it. It's not really that I feel beholden to these kind people, but I do feel frustrated at my inability to do anything for them by way of thanks. I consider offering them some money so they at least got some dollars off their bill, but that feels crass somehow, and I fear it might even offend them. It also seems to put a monetary value on their act, and there's more to this gesture than $13. I don't know what else I can offer to do for them (carry their groceries home? Pack up their car? Wash their car? Get their address so I can send them flowers, bake them bread, at least send a card?). If I run into them at a later date, will I be quick-thinking enough then to come up with a thoughtful gesture then?
I'm mulling over all this as I move closer to check-out. The elderly woman in front of me notices how few things I have and almost unhinges me when she offers to let me go before her. I politely decline. I'm not sure she would understand if I started sobbing and threw myself around her neck.
My benefactors get through check-out just before me, and call me over so the cashier knows who to give the bird to when I leave. I introduce myself to them in the hopes that they'll at least tell me their names, but only the man (Jose) does. "Enjoy" they both say, as I kiss the woman on the cheek.
I keep mulling this over as I head home. I realize my discomfort (only slightly abated) includes a sizeable dose of guilt. All around me people had been buying huge piles of non-perishable food, and paying for it with food stamps (now in handy credit card form). For the price of my $13 turky, you could get 18 cans of black beans, probably a month's supply of rice, or an entire carton of ramen. The bird would feed a family of four for maybe two meals, three if you made soup, but that ramen, rice or beans would go much further, maybe for a month of meals if you budgeted right. How many people there hadn't even bothered to put the bird in their carts, seeing it as a luxury? Finances can be touch and go sometimes for me, but I have rarely gone hungry, and this Autumn has been pretty good work-wise. I do not need a free turkey. I consider heading back to the store, standing outside it and offering the bird to the first old person who comes out the door, but my unwillingness to draw attention to myself wins out. Right now the bird is thawing in my fridge. My friends and I will enjoy it tomorrow, I have no doubt.
(On a side note, I had to go to another part of town to pick up cranberries. Either Dominicans don't care for cranberries, or they store them in a part of the store that didn't make intuitive sense to me. At the second store, this one on the Upper West Side, I was again in line behind an older woman who, when she noticed what I had said "is that all you got? Here, you go next." I assured her it wasn't necessary, I was in no rush, but she insisted LOUDLY, causing the cashier to join in, so I took her/them up on the offer. I did not burst into tears.)
I do not deserve this bird. I remind myself, however, that is the point, really. Gifts like this are most precious and meaningful when they come out of the blue like this, with no thought to justification or merit. I'm still curious what made them pick me, out of everyone in the store. Maybe I was just the first person they saw carrying a turkey. I sort of hope it was that random. Whatever motivated it though, I'm still moved by it. I remember that I'm always uncomfortable receiving gifts, and compliments for that matter. I love getting them, but never know how to respond. I'm not sure how one gets better at this. I realize though that a few years ago I wouldn't have been able to accept this offer at all. So that's progress, I guess.
I'm still mulling over how I might do something nice in response, for my benefactors, in the unlikely chance I run into them again, or barring that, for someone else. Any ideas?
Wednesday, November 14, 2007
Living Right
So, I have a confession to make. This may be hard for some of you to hear; but try to remain open to my message. With the help of Jesus Christ, and the support of good, loving people...
I am no longer living the life of a left-handed person.
Let me share a bit of my painful history with you. As a child I started showing signs of my left-handedness almost immediately. My parents tried to ignore it, hoping I'd grow out of it, and maybe I would have. But then my kindergarden teacher turned out to be part of the Gauche Conspiracy. She made the life sound so glamorous, so exciting. She singled me out for attention, giving me my own special pair of scissors. She told me there was nothing wrong with this life, that it was just as beautiful and fulfilling as the life of a right-hander. She failed to mention the increased risk of allergies, insomnia or migraines. She didn't mention that I was three times more likely to become an alcoholic. She left out the fact that the Bible mentions the word 'right' in favorable terms over one hundred times, and the word 'left' unfavorably twenty-five times. She never mentioned that thousands of lefties were burned as witches in the 1600s. She neglected to tell me that the Catholic Church identified lefties as servants of the Devil well into the 1930's. They stopped forcing lefties to switch hands in Catholic schools at that point, and the Church has been in trouble ever since. No, she told me being lefty was natural, and okay with God and society. I wasn't hurting anyone, so what was the problem?
So I wallowed in my deviant lifestyle, spiraling out of control. I celebrated my sinister ways. I became an activist. I was loud, I marched, I lobbied, I made a stink, I challenged the stereotypes. No one told me all the facts. When they'd mention famous lefties, they'd always bring up Albert Einstein, but no one ever mentioned Jack the Ripper. They'd crow about Michelangelo and Da Vinci, but stayed mum about George H.W. Bush and Ross Perot. They'd point out that a higher percentage of geniuses were lefties, but they'd neglect to mention the same was true of the mentally retarded.
Gradually though, I began to see that my life wasn't working. I grew tired of smearing ink on my paper, hand and wrist every time I wrote. I got fed up with scrambling for just the right (pun intended) seat at dinner, so I wouldn't spend the meal bumping elbows with my neighbor. I wearied of putting my arm at risk every time I used a table saw. Hell, I just wanted to be able to use a three ring binder or can opener like everybody else!
It all came to a head one day at a dinner party when I was pouring myself some gravy. Since the ladle had only one spout, I was using a back-hand method I'd developed for this occasion. Suddenly I saw, I mean really saw myself. The snickering and awkward glances from the other guests, it all made sense. They were right, I looked ridiculous. What kind of nightmare was I living in? How could I maintain this was a normal lifestyle?
So I sought help. My lefty and lefty apologist friends all tried to talk me out of it, but I stayed strong. Eventually I found help at The Goats-to-Sheep Ministry. They told me they loved me, that I could change, and live as a sinister-free, dexterous child of God.
I won't pretend it was easy. I spent weeks with my left arm tied to my side. I still have all the left pockets in my pants sewn shut, so I don't accidentally slip up and put my keys in there. I check carefully anytime I come up to a strange door. If the door knob is on the left side, I don't even go in. It's just too risky. I've had to empty one entire medicine cabinet in the bathroom because the door opens on the left, and I'm afraid some morning, still groggy from sleep, I'll reach for my toothbrush with the wrong hand, and the downward spiral will start again. Eventually, as I get stronger, I hope to put up a reminder note ('Think RIGHT'), and start storing just a few things in there. It's a process and we can't be ashamed to take baby steps.
I know some of you may be threatened by my new found righteousness. You may be filled with self-doubt when you hear about my new, healthier ways. I want you to know I don't hate you. I love you. I'm here for you. I can show you the way to leave that life behind. Imagine being able to drive a car, knowing you've cut your risk of a fatal accident by four. Think about the nine extra years of life you are likely to have as a right handed person. Don't listen to the nay-sayers who claim these scientific studies have been discredited. Don't let them tell you that children forced to change hands are more likely to stutter or have dyslexia. No, Satan (who is also a lefty) has many ways of drawing us back in the southpaw life. I'm not going to lie to you; it won't be easy. But all you need to is the love of Jesus and a good stout rope.
I'm here to help.
I am no longer living the life of a left-handed person.
Let me share a bit of my painful history with you. As a child I started showing signs of my left-handedness almost immediately. My parents tried to ignore it, hoping I'd grow out of it, and maybe I would have. But then my kindergarden teacher turned out to be part of the Gauche Conspiracy. She made the life sound so glamorous, so exciting. She singled me out for attention, giving me my own special pair of scissors. She told me there was nothing wrong with this life, that it was just as beautiful and fulfilling as the life of a right-hander. She failed to mention the increased risk of allergies, insomnia or migraines. She didn't mention that I was three times more likely to become an alcoholic. She left out the fact that the Bible mentions the word 'right' in favorable terms over one hundred times, and the word 'left' unfavorably twenty-five times. She never mentioned that thousands of lefties were burned as witches in the 1600s. She neglected to tell me that the Catholic Church identified lefties as servants of the Devil well into the 1930's. They stopped forcing lefties to switch hands in Catholic schools at that point, and the Church has been in trouble ever since. No, she told me being lefty was natural, and okay with God and society. I wasn't hurting anyone, so what was the problem?
So I wallowed in my deviant lifestyle, spiraling out of control. I celebrated my sinister ways. I became an activist. I was loud, I marched, I lobbied, I made a stink, I challenged the stereotypes. No one told me all the facts. When they'd mention famous lefties, they'd always bring up Albert Einstein, but no one ever mentioned Jack the Ripper. They'd crow about Michelangelo and Da Vinci, but stayed mum about George H.W. Bush and Ross Perot. They'd point out that a higher percentage of geniuses were lefties, but they'd neglect to mention the same was true of the mentally retarded.
Gradually though, I began to see that my life wasn't working. I grew tired of smearing ink on my paper, hand and wrist every time I wrote. I got fed up with scrambling for just the right (pun intended) seat at dinner, so I wouldn't spend the meal bumping elbows with my neighbor. I wearied of putting my arm at risk every time I used a table saw. Hell, I just wanted to be able to use a three ring binder or can opener like everybody else!
It all came to a head one day at a dinner party when I was pouring myself some gravy. Since the ladle had only one spout, I was using a back-hand method I'd developed for this occasion. Suddenly I saw, I mean really saw myself. The snickering and awkward glances from the other guests, it all made sense. They were right, I looked ridiculous. What kind of nightmare was I living in? How could I maintain this was a normal lifestyle?
So I sought help. My lefty and lefty apologist friends all tried to talk me out of it, but I stayed strong. Eventually I found help at The Goats-to-Sheep Ministry. They told me they loved me, that I could change, and live as a sinister-free, dexterous child of God.
I won't pretend it was easy. I spent weeks with my left arm tied to my side. I still have all the left pockets in my pants sewn shut, so I don't accidentally slip up and put my keys in there. I check carefully anytime I come up to a strange door. If the door knob is on the left side, I don't even go in. It's just too risky. I've had to empty one entire medicine cabinet in the bathroom because the door opens on the left, and I'm afraid some morning, still groggy from sleep, I'll reach for my toothbrush with the wrong hand, and the downward spiral will start again. Eventually, as I get stronger, I hope to put up a reminder note ('Think RIGHT'), and start storing just a few things in there. It's a process and we can't be ashamed to take baby steps.
I know some of you may be threatened by my new found righteousness. You may be filled with self-doubt when you hear about my new, healthier ways. I want you to know I don't hate you. I love you. I'm here for you. I can show you the way to leave that life behind. Imagine being able to drive a car, knowing you've cut your risk of a fatal accident by four. Think about the nine extra years of life you are likely to have as a right handed person. Don't listen to the nay-sayers who claim these scientific studies have been discredited. Don't let them tell you that children forced to change hands are more likely to stutter or have dyslexia. No, Satan (who is also a lefty) has many ways of drawing us back in the southpaw life. I'm not going to lie to you; it won't be easy. But all you need to is the love of Jesus and a good stout rope.
I'm here to help.
Tuesday, November 13, 2007
Haunted
It was early on a Sunday morning in Spring, and I was wandering around on Houston St near First Ave. As I passed a small playground, a girl ran past me. She was at least fourteen, I'd guess, but her giggle, and the awkwardness of her running immediately told me she was emotionally much younger. She raced over to a bench in the park, and sat down, laughing, like this was the most fun a person could have. An older woman and a young boy came up to join her, and they began to coax her over to sit on a swing. When they did this, she looked flabbergasted, like this was a joy beyond anything she could have imagined. She took some extra coaxing actually, moving in awe, like she simply couldn't believe what was happening, but eventually she sat down on a swing. I never heard her speak, I don't know if she was capable of it, but her laughter was eloquent, her face rapturous.
The boy was probably no more than ten, voice and movement suggesting a rough-and-tumble kid, someone who races about causing a ruckus that is usually cheerful and harmless, but can be self-absorbed in the way of young boys. I imagined that had circumstances been different, he might even have been one of those boys who made fun of girls like that, not in any sustained way, just horsing around with his friends. Yet here he was, being very sweet and tender with her (though still in a playful way), very aware of how much she loved his attention, and this ride. To my eye, he had long ago accepted his role as the older protective brother; it rested easily on him.
I walked away from this scene overwhelmed and confused. I was choked by the love I felt pouring off the woman and boy for this teenage girl, and by the open, guileless look on her face. But there was also something more troubled in my reaction. I had instantly evolved a whole back-story for this family (even the idea they were a family was an assumption, after all). I pictured them coming to this park often for the boy's sake, giving him a chance to run off high spirits and play with other kids. When they came during normal hours though, it was crowded with kids, and the girl had been taught to sit quietly on the bench. The other kids were frightened of her, you see, or fond of ridiculing her, or both, and more than one parent had suggested that the swings weren't meant for a fourteen to sixteen year old, no matter what her emotional age. Maybe they too were a bit uncomfortable around her, and just preferred she not interact with their children. She couldn't be left at home alone, so she sat on the bench with her mother, and that was okay, she loved it; getting to watch other kids run around, slide on slides and swing on swings was one of the highlights of her day. But that morning, either the boy or mother -I like to imagine it was his idea- decided to go to the park when no one else was likely to be around, and give her a surprise.
What I saw in her face was a joy heart-stopping in its purity. She held nothing back, I'm not sure she would have known how to. I immediately thought about how vulnerable that made her. It's not unusual for people to be casually cruel to people like her, but the damage could come from carelessness or neglect as easily as from deliberate cruelty. Yet here she was, having the time of her life on a swing in a little city park.
I witnessed this about eleven years ago. Who knows if my back-story is true? Perhaps I'm slandering an entire neighborhood. Periodically though, the event springs up to haunt me, for reasons that aren't entirely clear. Today is one of those days. She has come to symbolize a specific vulnerability, I think, a total lack of emotional armor. While she might not get to swing every day (and that thought certainly breaks my heart), it looked to me like she always felt free to be the happy child she was. This made me feel such gratitude to that woman and boy. Not only had they made the time to give her an overwhelming treat, they made a safe space for her to be this vulnerably happy, and it was clear they did this all the time. Nor did they seem to think they were doing anything exceptional or arduous. Life with her must have involved difficulties of some kind, financial, emotional, physical, but all I saw that morning was their kindness, their love for her, and they joy they took in making her happy.
The boy was probably no more than ten, voice and movement suggesting a rough-and-tumble kid, someone who races about causing a ruckus that is usually cheerful and harmless, but can be self-absorbed in the way of young boys. I imagined that had circumstances been different, he might even have been one of those boys who made fun of girls like that, not in any sustained way, just horsing around with his friends. Yet here he was, being very sweet and tender with her (though still in a playful way), very aware of how much she loved his attention, and this ride. To my eye, he had long ago accepted his role as the older protective brother; it rested easily on him.
I walked away from this scene overwhelmed and confused. I was choked by the love I felt pouring off the woman and boy for this teenage girl, and by the open, guileless look on her face. But there was also something more troubled in my reaction. I had instantly evolved a whole back-story for this family (even the idea they were a family was an assumption, after all). I pictured them coming to this park often for the boy's sake, giving him a chance to run off high spirits and play with other kids. When they came during normal hours though, it was crowded with kids, and the girl had been taught to sit quietly on the bench. The other kids were frightened of her, you see, or fond of ridiculing her, or both, and more than one parent had suggested that the swings weren't meant for a fourteen to sixteen year old, no matter what her emotional age. Maybe they too were a bit uncomfortable around her, and just preferred she not interact with their children. She couldn't be left at home alone, so she sat on the bench with her mother, and that was okay, she loved it; getting to watch other kids run around, slide on slides and swing on swings was one of the highlights of her day. But that morning, either the boy or mother -I like to imagine it was his idea- decided to go to the park when no one else was likely to be around, and give her a surprise.
What I saw in her face was a joy heart-stopping in its purity. She held nothing back, I'm not sure she would have known how to. I immediately thought about how vulnerable that made her. It's not unusual for people to be casually cruel to people like her, but the damage could come from carelessness or neglect as easily as from deliberate cruelty. Yet here she was, having the time of her life on a swing in a little city park.
I witnessed this about eleven years ago. Who knows if my back-story is true? Perhaps I'm slandering an entire neighborhood. Periodically though, the event springs up to haunt me, for reasons that aren't entirely clear. Today is one of those days. She has come to symbolize a specific vulnerability, I think, a total lack of emotional armor. While she might not get to swing every day (and that thought certainly breaks my heart), it looked to me like she always felt free to be the happy child she was. This made me feel such gratitude to that woman and boy. Not only had they made the time to give her an overwhelming treat, they made a safe space for her to be this vulnerably happy, and it was clear they did this all the time. Nor did they seem to think they were doing anything exceptional or arduous. Life with her must have involved difficulties of some kind, financial, emotional, physical, but all I saw that morning was their kindness, their love for her, and they joy they took in making her happy.
Sunday, November 11, 2007
Self-Indulgence
The handful of folks who read this blog but have never met me will find the following entry excessively in-joke as well as self-advertizing. Friends who have worked with me or seen me perform will just find it self-advertizing. I found the experience to be funny though, so I hope you'll forgive me, all of you, and will come back when I'm not patting myself on the back. My life sure has some strange gauges of success.
I modeled recently for an animation class. I've done it occasionally, and it's not that different from a regular drawing class, except that none of the poses are ever more than five minutes, most of them are much shorter. I guess animators have to get good at capturing images quickly, or they need to show motion all the time, yet understand that models can't hold vigorous poses too long. Anyway, I've worked with this guy before, we don't know each other that well but we have a nice rapport (I'm always on time for his class, see earlier entry). Therefore he feels comfortable asking me if I'd be up for trying an exercise.
"I want the students to learn how to modify images, so they learn how to interprete the information they need for one character from a different source. Would you be willing to imitate some animals?"
Um, you have no idea, Buddy.
"Okay, great. Let's see.... now, don't take offense at this, but... could you be a dog?"
You're kidding me right? I resist the urge to be a smart-ass and ask "what breed?" I give 'em a dog (Springer Spaniel: hunting squirrel).
"Yes! That's great!" Students draw cheerfully.
"Okay, now, how about a monkey?"
Has this guy been reading my resume? Is he going to ask me to be a swan, or maybe a Canada goose next?
"Yes, excellent!"
We did that exercise for the rest of the class. They'd never tried it before, and seemed pretty delighted with the results. I did a passable horse (he gave them the option to make me a centaur), and my spider had them all gasping in admiration. I was particularly proud of the latter, but also really glad I only had to hold it for five minutes. Ouchy.
I may have found a whole new niche market. I never know when my stupid human tricks are going to be useful.
I modeled recently for an animation class. I've done it occasionally, and it's not that different from a regular drawing class, except that none of the poses are ever more than five minutes, most of them are much shorter. I guess animators have to get good at capturing images quickly, or they need to show motion all the time, yet understand that models can't hold vigorous poses too long. Anyway, I've worked with this guy before, we don't know each other that well but we have a nice rapport (I'm always on time for his class, see earlier entry). Therefore he feels comfortable asking me if I'd be up for trying an exercise.
"I want the students to learn how to modify images, so they learn how to interprete the information they need for one character from a different source. Would you be willing to imitate some animals?"
Um, you have no idea, Buddy.
"Okay, great. Let's see.... now, don't take offense at this, but... could you be a dog?"
You're kidding me right? I resist the urge to be a smart-ass and ask "what breed?" I give 'em a dog (Springer Spaniel: hunting squirrel).
"Yes! That's great!" Students draw cheerfully.
"Okay, now, how about a monkey?"
Has this guy been reading my resume? Is he going to ask me to be a swan, or maybe a Canada goose next?
"Yes, excellent!"
We did that exercise for the rest of the class. They'd never tried it before, and seemed pretty delighted with the results. I did a passable horse (he gave them the option to make me a centaur), and my spider had them all gasping in admiration. I was particularly proud of the latter, but also really glad I only had to hold it for five minutes. Ouchy.
I may have found a whole new niche market. I never know when my stupid human tricks are going to be useful.
Tuesday, November 06, 2007
Small Favors
Friend Melissa and I had dinner here recently. As usual we talked about everything under the sun, or at least the stuff that matters, relationships, art, sex, food, and gardens. We also, for reasons I can't recall, discuss bed-bugs.
At three o'clock the next morning I wake from a dead sleep with not one, but two very intense bites, one on my hand, one under my arm. I know 3am is not a time when I'm at my most rational. Frankly at this hour of the night I go to the worst case scenario as easily as inhaling, and worst case becomes a whole lot more epic and elaborate than even my most overblown thoughts at any other time of day. No, let's not assume the worst, I tell myself. Let's not jump to any conclusions. Let's not act precipitously.
I wake myself up enough to be sure this isn't just some sort of powerful dream, but nope, those itches are real, I'm not imagining them. And they feel huge, especially the one under my arm.
Okay, no need to panic, there could be any number of explanations for this, bed-bugs are not the only option, in fact they're pretty unlikely, I haven't brought any new furniture or, I don't know, company into the apartment, let alone my bedroom, as I understand it bed-bugs don't bite in ones and twos like this, if you have them, you're infested, and they start feasting the minute you lie still long enough, all OVER your body, in fact you probably can't get to sleep very easily because of the biting and the itching, and let's acknowledge here, I was fully asleep for nearly four hours, that's a good sign, right? I mean there's no reason to assume the worst here, is there, that I've somehow gotten infested, which probably means the whole damn apartment is infested if for no other reason than the dog sleeps on any flat surface he can find, no, there's no reason to panic, and decide I HAVE TO BURN THE ENTIRE APARTMENT AND POSSIBLY WHOLE FLOOR THEN GO SOAK IN AN ALCOHOL BATH FOR 36 HOURS, RIGHT? RIGHT?
I look at the welts in the bathroom mirror. Yup, the one under my arm especially is really big. I put some anti-itch stuff on the bites, then go back to my room, wondering if I should check to for bed-bugs, even though I don't have the slightest idea how, I don't know what they look like, or how big they are, or where they like to hang out, though I think the underside of the bed is a favorite spot, should I go online first and do some research so I know what I'm looking for and what do I do if I find them, go sleep in the living room, do we have enough plastic bags in the house that I could blanket the place, or at least my room, do I wake Tommy up now, or do I wait to tell him the good news in the morning? My brain flying around like a fruit bat with all this, I walk into the bedroom, flick on the side lamp...
and there, just above my pillow, is a mosquito the size of a humming bird.
I squash her flat, and she leaves a red smear on my wall. Don't ask me what a mosquito is doing if a fifth floor Harlem walk-up at the end of October. I haven't a clue.
But I have never been SO happy to see a mosquito before in my life.
At three o'clock the next morning I wake from a dead sleep with not one, but two very intense bites, one on my hand, one under my arm. I know 3am is not a time when I'm at my most rational. Frankly at this hour of the night I go to the worst case scenario as easily as inhaling, and worst case becomes a whole lot more epic and elaborate than even my most overblown thoughts at any other time of day. No, let's not assume the worst, I tell myself. Let's not jump to any conclusions. Let's not act precipitously.
I wake myself up enough to be sure this isn't just some sort of powerful dream, but nope, those itches are real, I'm not imagining them. And they feel huge, especially the one under my arm.
Okay, no need to panic, there could be any number of explanations for this, bed-bugs are not the only option, in fact they're pretty unlikely, I haven't brought any new furniture or, I don't know, company into the apartment, let alone my bedroom, as I understand it bed-bugs don't bite in ones and twos like this, if you have them, you're infested, and they start feasting the minute you lie still long enough, all OVER your body, in fact you probably can't get to sleep very easily because of the biting and the itching, and let's acknowledge here, I was fully asleep for nearly four hours, that's a good sign, right? I mean there's no reason to assume the worst here, is there, that I've somehow gotten infested, which probably means the whole damn apartment is infested if for no other reason than the dog sleeps on any flat surface he can find, no, there's no reason to panic, and decide I HAVE TO BURN THE ENTIRE APARTMENT AND POSSIBLY WHOLE FLOOR THEN GO SOAK IN AN ALCOHOL BATH FOR 36 HOURS, RIGHT? RIGHT?
I look at the welts in the bathroom mirror. Yup, the one under my arm especially is really big. I put some anti-itch stuff on the bites, then go back to my room, wondering if I should check to for bed-bugs, even though I don't have the slightest idea how, I don't know what they look like, or how big they are, or where they like to hang out, though I think the underside of the bed is a favorite spot, should I go online first and do some research so I know what I'm looking for and what do I do if I find them, go sleep in the living room, do we have enough plastic bags in the house that I could blanket the place, or at least my room, do I wake Tommy up now, or do I wait to tell him the good news in the morning? My brain flying around like a fruit bat with all this, I walk into the bedroom, flick on the side lamp...
and there, just above my pillow, is a mosquito the size of a humming bird.
I squash her flat, and she leaves a red smear on my wall. Don't ask me what a mosquito is doing if a fifth floor Harlem walk-up at the end of October. I haven't a clue.
But I have never been SO happy to see a mosquito before in my life.
Sunday, November 04, 2007
Convenient Skepticism
I think astrology is a crock. I mean, come ON, you've got huge balls of flaming gas that are gazillions of light years away from us and each other. When observed from earth, they mark out a pattern that someone ages ago thought suggested a crab or a goat or something, then that ancient observer decided that when the sun, moon, or one of the planets crossed into those animal outlines, this somehow exerted mysterious yet powerful forces on a newborn, that was, this is key, markedly different from the effect it was having on everyone else on the planet at that moment, and thus ended up shaping that baby's drives, emotions, general characteristics etc. I mean, really. Even if we accept the idea that all bodies in the universe are exerting gravitational pulls on every other body, do we really think that the star Sirius is exerting more force on us in September than it is in June? Nope, this is all nonsense.
That said, I love astrology. I think it's a fun little construct, I love how elaborate it is, and I want to know it better. I have on occasion correctly guessed a new acquaintance's sign, and am always pleased when information I read is accurate about me. Seven years in Seattle generally made me more open to hearing about this sort of thing, and a good friend once even did my entire chart. Sadly, it seems to have gotten lost in one of my dozen moves, and I don't really remember what it said, other than the fact that I am a Cancer sun, Pisces moon, and rising sign Gemini, and the rising sign is supposedly a more accurate representation of my personality than the sun sign, the latter is just easier to figure out. Astrology is fun, I enjoy reading about it, discussing it, learning about it, though I don't buy it for a moment.
I have a similar reaction to Feng Shui. Okay with that one I think there are more elements that have validity, being good sense, or good design. Science has found that different colors affect our moods differently, for example, so why not make use of that in our homes? No, your life won't magicly be filled with serenity and riches if you paint your living room orange, but you might feel more cozy there, and what's wrong with that? Feng Shui also recommends a desk always be positioned so one can see the door to the room when seated at it, and while this had never really occurred to me before, I realized that all those times when I had been sitting with my back to a door, deep in concentration, only to find myself hanging from my fingernails embedded in the ceiling when someone tapped me on the shoulder... all those moments could have been avoided if I had just faced the stupid desk the other way.
Now, once you get into the ba gua, and all the different quandrants of the room, house, neighborhood, where the left-hand corner (as seen when standing in the 'main doorway') affects your family life, but it's different if it's on the south side of the building, and if the room is shaped in such a way that this quadrant is 'missing' then you need to do complicated things with mirrors in order to strengthen that missing part, or weaken the adjacent part which might overwhelming your family quandrant... that's where I check out. I would imagine that's also the stuff some clever-boots hundreds of years ago came up with so he would have be able to make money 'tuning' other people's homes, and teaching them secret knowledge.
Okay, so Feng Shui, also a crock, but again, a fun little construct I enjoy reading about and tinkering with, seeing if my mood changes notably if I put up some metal wind chimes (though not too big as this will 'damage my liver'). One suggestion is to have plants in certain areas, to strengthen that area and give it vibrancy. Naturally there are rules about how to do this; I think if that area already has an excess of wood, then a plant is a really bad idea, and one should instead introduce more metal (which cuts wood, dontcha know) to tone things down, I don't really get any of that, mostly because I can't be bothered.
One source I read said it's a good idea to have a plant in your career quadrant, to keep your professional life healthy and expanding. I liked this idea. I had absolutely no idea which quadrant was my 'career' area, nor did I know if I needed to locate it in each room, or only once in the apartment as a whole, and what would I do if the career area for the whole place was in my roommate's room, evict him? No, I just decided to designate one of my houseplants my 'career plant.' I didn't mean it now had magical powers in my life, I just thought it might be useful to have something I regularly looked at and cared for be a meditative focus for an important element of my life. I liked the idea that a career thrives in the same way a plant does, that you have to take care of it, see to its basic needs for food, light and air, check it for disease or parasites and treat it accordingly, but just as important you had to know when to leave it alone, and let it do its own thing. A career needs many of the same things, daily attention, careful maintenance, trust and patience.
So, I chose my angel wing begonia to be the focus of career meditations. This plant is a scion of my grandmother's begonia; at least two of her children took cuttings from it, my sister, brother and I all have cuttings from my mother's plant, so it felt like this plant was well woven into my family's life. It connected me to my relatives and the Iowa farm that was in my mother's family for over a hundred years. It is also a beautiful plant, with big leaves that can be green to salmon color with metallic silver spots, and it puts out blooms that will go through three distinct shapes, that can be anywhere from white to deep red, depending on how much sunlight they get. My plant in particular had already attained an impressive height and vigor, due to the fact that it spent most of its life in a southern window. At one point it was almost six feet tall, with stalks over an inch in diameter weaving around one another, covered with lush, big leaves. Beautiful, healthy, fertile, it was everything I could hope for in a career.
That was three or four years ago. This summer things took a slight turn for the worst. The plant started dropping leaves more quickly than usual and they often had weird burned edges, soft, pale rotten spots, or both. Still, as a whole the plant seemed fine, and I assumed maybe I was watering it too much, or something. Then when I went to Indiana for the month of August, my roommate was uncharacteristically careless in caring for my plants. In a month he watered them all exactly once. I was lucky only to lose two plants, everything else rallied, but when I walked in the door, the begonia looked very distressed, it proud upright stalks all keeled over limply. The plant's distress couldn't have been clearer or more eloquent (not sure how my roommate managed to miss it).
Okay, so, if there were any lessons to learn here about my career -and I'm not saying there are, mind you, but if there were- then maybe it might be something like I shouldn't expect to leave my career in the hands of others, that it is ultimately my responsibility and even if I do need the help of others, I should make my needs clear and make sure the person I ask is willing and able to fill that need. Okay, that seems like a useful lesson. I wouldn't say it was exactly NEWS to me, but hey, learning is often re-learning, in fact when it comes to acting it's almost ALL re-learning, so okay, got it.
I quickly watered the plant, and hoped it would rally. The limp stalks never regained their strength, though, and that was just the beginning. The leaf drop began to pick up, and the burned edges and soft rotten spots grew and spread. I wondered if the prisms in my window were burning the plants in spots, but if so, I don't know why that would suddenly be a problem now, after nearly eight years without mishap, no, I didn't know what had changed, but clearly something had. I checked one of my houseplant books, and began to suspect my poor begonia had a fungus and due to the month of neglect the fungus had become overpowering.
Okay, less certain how to interprete this in metaphorical terms regarding my career. Sometimes your work gets moldy? Sometimes outside forces make your professional leaves rot and fall off? You always have to be prepared to prune your career and spray it with a good fungicide? I got nothin'.
Per the plant book's instructions, I have cut away all the sickly parts of the plant, which means it now has a whole lot of four foot stumps, and the remains of thick stalks that now hold only a single, tiny leaf aloft. I discovered this morning that the scented geraniums nearest the begonia may have also contracted the fungus, so I've pruned and quarantined the worse of the two.
On a side note, a rosemary plant I bought a few weeks ago somehow managed to contract aphids. In a fifth story walk-up. In Harlem. Hmm, a few years back, before it was designated my career plant, the begonia also contracted aphids. It rallied nicely after treatment, but maybe that should have warned me about something. Getting a fungus is bad enough, but when my plants have aphids, it's hard not to feel like I've come down with parasites myself. Very weird.
I'll be sorry if I have to lose this plant all together. It started out as a six inch cutting I got from my mom's plant soon after I moved into this apartment, so its growth and change has stood as a record of my eight year residency. It has helped me deal with my ambivalence about city living. If I have to get rid of it, it will be too bad, my plants do feel a bit like small green pets to me, but I can always get another cutting from the same plant. My mom's, sister's and brother's plants were all thriving when I saw them in August. It will be not the end of the world by any stretch.
I just want it on record that I really, really, REALLY do not believe in Feng Shui.
That said, I love astrology. I think it's a fun little construct, I love how elaborate it is, and I want to know it better. I have on occasion correctly guessed a new acquaintance's sign, and am always pleased when information I read is accurate about me. Seven years in Seattle generally made me more open to hearing about this sort of thing, and a good friend once even did my entire chart. Sadly, it seems to have gotten lost in one of my dozen moves, and I don't really remember what it said, other than the fact that I am a Cancer sun, Pisces moon, and rising sign Gemini, and the rising sign is supposedly a more accurate representation of my personality than the sun sign, the latter is just easier to figure out. Astrology is fun, I enjoy reading about it, discussing it, learning about it, though I don't buy it for a moment.
I have a similar reaction to Feng Shui. Okay with that one I think there are more elements that have validity, being good sense, or good design. Science has found that different colors affect our moods differently, for example, so why not make use of that in our homes? No, your life won't magicly be filled with serenity and riches if you paint your living room orange, but you might feel more cozy there, and what's wrong with that? Feng Shui also recommends a desk always be positioned so one can see the door to the room when seated at it, and while this had never really occurred to me before, I realized that all those times when I had been sitting with my back to a door, deep in concentration, only to find myself hanging from my fingernails embedded in the ceiling when someone tapped me on the shoulder... all those moments could have been avoided if I had just faced the stupid desk the other way.
Now, once you get into the ba gua, and all the different quandrants of the room, house, neighborhood, where the left-hand corner (as seen when standing in the 'main doorway') affects your family life, but it's different if it's on the south side of the building, and if the room is shaped in such a way that this quadrant is 'missing' then you need to do complicated things with mirrors in order to strengthen that missing part, or weaken the adjacent part which might overwhelming your family quandrant... that's where I check out. I would imagine that's also the stuff some clever-boots hundreds of years ago came up with so he would have be able to make money 'tuning' other people's homes, and teaching them secret knowledge.
Okay, so Feng Shui, also a crock, but again, a fun little construct I enjoy reading about and tinkering with, seeing if my mood changes notably if I put up some metal wind chimes (though not too big as this will 'damage my liver'). One suggestion is to have plants in certain areas, to strengthen that area and give it vibrancy. Naturally there are rules about how to do this; I think if that area already has an excess of wood, then a plant is a really bad idea, and one should instead introduce more metal (which cuts wood, dontcha know) to tone things down, I don't really get any of that, mostly because I can't be bothered.
One source I read said it's a good idea to have a plant in your career quadrant, to keep your professional life healthy and expanding. I liked this idea. I had absolutely no idea which quadrant was my 'career' area, nor did I know if I needed to locate it in each room, or only once in the apartment as a whole, and what would I do if the career area for the whole place was in my roommate's room, evict him? No, I just decided to designate one of my houseplants my 'career plant.' I didn't mean it now had magical powers in my life, I just thought it might be useful to have something I regularly looked at and cared for be a meditative focus for an important element of my life. I liked the idea that a career thrives in the same way a plant does, that you have to take care of it, see to its basic needs for food, light and air, check it for disease or parasites and treat it accordingly, but just as important you had to know when to leave it alone, and let it do its own thing. A career needs many of the same things, daily attention, careful maintenance, trust and patience.
So, I chose my angel wing begonia to be the focus of career meditations. This plant is a scion of my grandmother's begonia; at least two of her children took cuttings from it, my sister, brother and I all have cuttings from my mother's plant, so it felt like this plant was well woven into my family's life. It connected me to my relatives and the Iowa farm that was in my mother's family for over a hundred years. It is also a beautiful plant, with big leaves that can be green to salmon color with metallic silver spots, and it puts out blooms that will go through three distinct shapes, that can be anywhere from white to deep red, depending on how much sunlight they get. My plant in particular had already attained an impressive height and vigor, due to the fact that it spent most of its life in a southern window. At one point it was almost six feet tall, with stalks over an inch in diameter weaving around one another, covered with lush, big leaves. Beautiful, healthy, fertile, it was everything I could hope for in a career.
That was three or four years ago. This summer things took a slight turn for the worst. The plant started dropping leaves more quickly than usual and they often had weird burned edges, soft, pale rotten spots, or both. Still, as a whole the plant seemed fine, and I assumed maybe I was watering it too much, or something. Then when I went to Indiana for the month of August, my roommate was uncharacteristically careless in caring for my plants. In a month he watered them all exactly once. I was lucky only to lose two plants, everything else rallied, but when I walked in the door, the begonia looked very distressed, it proud upright stalks all keeled over limply. The plant's distress couldn't have been clearer or more eloquent (not sure how my roommate managed to miss it).
Okay, so, if there were any lessons to learn here about my career -and I'm not saying there are, mind you, but if there were- then maybe it might be something like I shouldn't expect to leave my career in the hands of others, that it is ultimately my responsibility and even if I do need the help of others, I should make my needs clear and make sure the person I ask is willing and able to fill that need. Okay, that seems like a useful lesson. I wouldn't say it was exactly NEWS to me, but hey, learning is often re-learning, in fact when it comes to acting it's almost ALL re-learning, so okay, got it.
I quickly watered the plant, and hoped it would rally. The limp stalks never regained their strength, though, and that was just the beginning. The leaf drop began to pick up, and the burned edges and soft rotten spots grew and spread. I wondered if the prisms in my window were burning the plants in spots, but if so, I don't know why that would suddenly be a problem now, after nearly eight years without mishap, no, I didn't know what had changed, but clearly something had. I checked one of my houseplant books, and began to suspect my poor begonia had a fungus and due to the month of neglect the fungus had become overpowering.
Okay, less certain how to interprete this in metaphorical terms regarding my career. Sometimes your work gets moldy? Sometimes outside forces make your professional leaves rot and fall off? You always have to be prepared to prune your career and spray it with a good fungicide? I got nothin'.
Per the plant book's instructions, I have cut away all the sickly parts of the plant, which means it now has a whole lot of four foot stumps, and the remains of thick stalks that now hold only a single, tiny leaf aloft. I discovered this morning that the scented geraniums nearest the begonia may have also contracted the fungus, so I've pruned and quarantined the worse of the two.
On a side note, a rosemary plant I bought a few weeks ago somehow managed to contract aphids. In a fifth story walk-up. In Harlem. Hmm, a few years back, before it was designated my career plant, the begonia also contracted aphids. It rallied nicely after treatment, but maybe that should have warned me about something. Getting a fungus is bad enough, but when my plants have aphids, it's hard not to feel like I've come down with parasites myself. Very weird.
I'll be sorry if I have to lose this plant all together. It started out as a six inch cutting I got from my mom's plant soon after I moved into this apartment, so its growth and change has stood as a record of my eight year residency. It has helped me deal with my ambivalence about city living. If I have to get rid of it, it will be too bad, my plants do feel a bit like small green pets to me, but I can always get another cutting from the same plant. My mom's, sister's and brother's plants were all thriving when I saw them in August. It will be not the end of the world by any stretch.
I just want it on record that I really, really, REALLY do not believe in Feng Shui.
Small Victories
I thought you'd all like to know that this week I managed to do my laundry without destroying any expensive equipment. Perhaps you find it a bit pathetic for a man in his forties to congratulate himself for making sure that only actual laundry went into the washing machine, and that if I'm going to start with that, I might as well pat myself on the back for remembering to wear pants when leaving the house everyday this week, but I say we should acknowledge the victories of our lives wherever we find them, no matter how small and private.
And also, bite me.
**************************************************************************************
Doing my laundry, I fell into friendly conversation with an older woman there. She was full of interesting stories from when she and her husband spent a few years homeless. Suddenly she looks at me and asks, "are you Irish?"
"Well, I'm kind of a mongrel, but yeah, mostly Irish."
"I thought so. Most white guys don't have butts, but you... baby got back!"
I had absolutely no idea how to respond to this. But as with victories, I guess we should cherish all the compliments we receive. (She was complimenting me, right?)
And also, bite me.
**************************************************************************************
Doing my laundry, I fell into friendly conversation with an older woman there. She was full of interesting stories from when she and her husband spent a few years homeless. Suddenly she looks at me and asks, "are you Irish?"
"Well, I'm kind of a mongrel, but yeah, mostly Irish."
"I thought so. Most white guys don't have butts, but you... baby got back!"
I had absolutely no idea how to respond to this. But as with victories, I guess we should cherish all the compliments we receive. (She was complimenting me, right?)
Wednesday, October 31, 2007
Tuesday, October 30, 2007
Spreading the Love

Brian over at Peace of Cake has been working for about a year helping to develop a great new play, written by Kevin Podgorski. It's titled F*ck Me, B*at Me, L*ve Me. I saw a staged reading of it a few months back, though 'staged reading' is inaccurate for something as fully realized as this was. I thought the writing, acting, and directing were all fantastic. The play deals with some complex, difficult stuff in gay life and relationships, and I was blown away by it. For one entire scene two really hot guys were in their underwear, and it should tell you something that I was able to concentrate on something besides the sexy dragon tattoo climbing up one guy's thigh. The writing was that compelling.
Brian and Kevin have decided to produce the play themselves. Accordingly, they're in the process of fundraising; over at Brian's blog you can send donations to his paypal account. If you have a little change burning a hole in your pocket, and you'd like to help bring a smart, funny, sexy new play to its just fame, go on over. Every little bit helps, seriously. Hey B, maybe you can post some press photos if/when you get some? (Hope it's okay that I stole your headshot.)
Brian, by the way, has been the source of much good in my life. I have him to thank for introducing me to Joss Whedon, Neil Gaiman, Russell Davies' Dr. Who, John Barrowman, and Cape Breton, Nova Scotia, just for starters. So if you'd like to help a talented artist and a nice guy, drop some moolah over at his blog.
I won't be making these kinds of pleas here often; I just think this one is worth it.
Saturday, October 27, 2007
Thoughts on Art Modeling
So you’d like to try art modeling, eh? I think that’s great. No, seriously, I do. Years ago I realized that as an actor I wasn’t really competing with other actors, so much as competing with myself, and this is even more true when it comes to art modeling. Art schools and studios like to have as many different models and body types as they can, they all complain in particular that there aren’t enough good male models, so there just isn’t any reason to feel competitive. Even if you’re another scrawny white guy in his forties, the differences between us are still likely to stand out more than the similarities. So dive on in, the more the merrier.
That said, however, let’s discuss your motivations, 'kay? Now, I could spend some time dispelling any illusions you have about this being a quick, easy job to break into or make money at, but let's be honest, shall we? There's really only one reason you're intrigued by this job, isn't there. You're dying to find out what it feels like to be naked in a room full of strangers. You’re wondering if it will be scary. You’re wondering if it will be freeing. You’re wondering, if maybe, just maybe it will be charged with the teeniest bit of erotic tension.
Well now, yes, you will learn what it feels like to be naked in front of strangers. I can’t tell you how you’ll react; maybe it will be scary, maybe it will be freeing, maybe you’ll learn all sorts of wonderful, fascinating things about your body image and your psyche and your place in a Judeo-Christian body-hating culture. Will you find it erotic? If exhibitionism alone does it for you, then yes, you might. If it matters who is looking at you, I can say that the vast majority of the time your audience will either be hip, retired grandmothers or pierced, sullen, purple-haired undergraduates. If either of those categories does it for you, then you’re in luck, but even so you’ll want to know one important fact:
They won’t care in the slightest that you are naked.
Figure drawing is a centuries old tradition, and sexuality has largely been removed from the whole proceedings. They will approach drawing you with the same excitement and focus they brought to drawing a bowl of fruit last week. Most of the time it will feel like you might as well be wearing a burkah for all the reaction you will get.
Okay, it’s possible one or more of them will be secretly thinking for about thirty seconds "dear god, that person has no clothes on!" but then habit will take over, and they’ll only be seeing lines, angles, shadows and shapes that they want to put on the page. If individuals do secretly find you sexy, the chances are virtually nil that they will let you know. Schools and studios make it clear that this is crossing a line, and could result in them being banned. I know that sit-coms are fond of the scene where some hunky guy (it’s always a guy, because naked guys are funnier than naked women) disrobes to appreciative gasps and admiring glances, but in the real world that doesn’t happen. Okay, to be fair, it’s never happened to me. Or anyone I’ve ever talked to. Maybe you’d get such a response, but frankly, if you inspire this reaction, I doubt it will be telling you anything you didn’t already know.
This brings me to another tricky topic, the whole body image thang. Perhaps you’re hoping that posing for artists will help you address the poor self-image you’ve struggled with for years. Artists make art, after all, so in using your image to create a thing of beauty, they will see beauty in you that you couldn’t see on your own. See above re: they won’t care that you’re naked. They also won’t care about making you look good. They’re unlikely to care what you think at all. If you don’t like what the mirror is saying to you, you’re unlikely to have a different reaction to someone else’s view of you. If you’re having a day where the mirror tells you that you’re a hippo, say, a chinless hippo with spindly, hairy arms and an unfortunate patch of fur at the base of your spine, well, chances are that’s what you’re going to see in the drawings done that day as well. Even if an experienced artist does make you look beautiful, you’ll dismiss it as mere flattery, a series of little white lies the artist has put on the page that bares minimal resemblance to you. Nope, the chinless hippo will just seem more honest somehow. If you’re looking to this job to provide some sort of emotional healing, I implore you to think again. Having a fat day? Got a boil on your shoulder? Is your hair looking exceptionally stupid? Tough shit, strip and get on the model stand. Occasionally people will say "you must be really confident in your body, to do that." Nah, not so much. I just know they really, really don’t care what I look like.
What's more, while you’re up there, be prepared for the instructors to talk about your body in non-judgmental ways that may still manage to focus on your greatest insecurities. I once had an instructor point out a useful shadow under one of my love handles, and no insult was meant by it ("couldn’t you use some sort of Latin term for them, you know, like quadriceps or glutes or something?" I asked, but apparently Romans didn’t have love handles). That’s just what was there to see, and was useful to note in the drawing. If you’re likely to take such comments personally, this job isn’t for you.
I feel compelled to add that at this exact moment, I don't have love handles. See what I mean? This job has done nothing for my neuroses
Now, for the guys reading this, I have some special advice. First off, if you find modeling is something of a turn-on, make sure to keep it to yourself, if you catch my drift. Getting an erection is considered very bad form, and is likely to get you canned and black-listed pronto. If it’s any comfort, keep in mind that the studios are frequently freezing. I’ve only ever heard of one drawing group that aimed to create an erotic environment, and it should come as no surprise that it was for gay men. I’ve never heard of any lesbian or heterosexual erotic drawing groups, but maybe they exist. I have to say, if I were a woman, I would be very wary of a straight erotic drawing group. If I participated at all, I’d do so only after reading three or more reassuring testimonials from trusted sources.
Guys should also keep in mind that while the nude male might have been the epitome of beauty during 5th century Greece and the Renaissance, those days are long gone. Nowadays most people, regardless of age, gender or sexual orientation are simply more comfortable drawing the female form and would rather be in the room with a nude woman. I have seen some change over the years; it’s been a while since I’ve seen anyone draw me wearing little imaginary swimming trunks (usually, but not always, this was done by college-aged guys), but people are still pretty honest about the fact that they’d just rather look at naked women. If this is going to be a blow to your ego, you’ll want to reconsider this job.
I would also argue that people generally want male poses to be more vigorous and active. The reclining female form is a staple of figure painting, in part because the curves of women’s bodies make such poses beautiful and dynamic, while men’s bodies, lacking those curves, are harder to draw lying down, but I also think our culture just finds the reclining form very feminine. It suggests sexual receptivity, to be frank, and seeing a man that way makes most people very uncomfortable. I was asked once by the (gay male) leader of a painting group to do a four week reclining pose. After the first week, none of the other men in the group came back; for three weeks it was just me, the leader, and the two women in the group. Art modeling is not ‘just lying around’ for either men or women often, but if it happens at all, it’s less likely for the former.
Okay, this entry has already gotten really long, and despite my opening paragraph, I seem to be discouraging people from trying this job. I could explain how a class is typically run, what you should expect to do, how often you should expect breaks, and many other bits of advice to help you with your modeling career, but you know what? Let me tell you the best things you can do. I can say, in all humility, that I am a very popular model, with lots of instructors. I can claim that I bring a lot of skills, training, experience and insight to the job, but here are my secret weapons, the real reasons I think I work so much.
1.If I book a class, I show up for that class.
2.I show up on time.
3.I show up in a good mood, or able to fake it.
I cannot tell you how far ahead of the pack this puts me. Any weird job will draw a fair number of flakes, but art modeling seems to get them in droves. Seriously, showing up on time by itself has earned me reactions of such surprised delight, it almost didn’t matter what I did for the rest of the class. It's not unheard of for models to be over an hour late for a three hour class. One thing about working in a job with a high flake quota, they set the bar nice and low.
So that’s just some of my thoughts about this wacky job I find myself doing. If you’re still interested in giving the job a try, I hope I’ve given you a better sense of what to expect. Later we can discuss necessary equipment (obviously this job has a low overhead), classroom etiquette, and the importance of stretching, but I think this will give you a good start.
That said, however, let’s discuss your motivations, 'kay? Now, I could spend some time dispelling any illusions you have about this being a quick, easy job to break into or make money at, but let's be honest, shall we? There's really only one reason you're intrigued by this job, isn't there. You're dying to find out what it feels like to be naked in a room full of strangers. You’re wondering if it will be scary. You’re wondering if it will be freeing. You’re wondering, if maybe, just maybe it will be charged with the teeniest bit of erotic tension.
Well now, yes, you will learn what it feels like to be naked in front of strangers. I can’t tell you how you’ll react; maybe it will be scary, maybe it will be freeing, maybe you’ll learn all sorts of wonderful, fascinating things about your body image and your psyche and your place in a Judeo-Christian body-hating culture. Will you find it erotic? If exhibitionism alone does it for you, then yes, you might. If it matters who is looking at you, I can say that the vast majority of the time your audience will either be hip, retired grandmothers or pierced, sullen, purple-haired undergraduates. If either of those categories does it for you, then you’re in luck, but even so you’ll want to know one important fact:
They won’t care in the slightest that you are naked.
Figure drawing is a centuries old tradition, and sexuality has largely been removed from the whole proceedings. They will approach drawing you with the same excitement and focus they brought to drawing a bowl of fruit last week. Most of the time it will feel like you might as well be wearing a burkah for all the reaction you will get.
Okay, it’s possible one or more of them will be secretly thinking for about thirty seconds "dear god, that person has no clothes on!" but then habit will take over, and they’ll only be seeing lines, angles, shadows and shapes that they want to put on the page. If individuals do secretly find you sexy, the chances are virtually nil that they will let you know. Schools and studios make it clear that this is crossing a line, and could result in them being banned. I know that sit-coms are fond of the scene where some hunky guy (it’s always a guy, because naked guys are funnier than naked women) disrobes to appreciative gasps and admiring glances, but in the real world that doesn’t happen. Okay, to be fair, it’s never happened to me. Or anyone I’ve ever talked to. Maybe you’d get such a response, but frankly, if you inspire this reaction, I doubt it will be telling you anything you didn’t already know.
This brings me to another tricky topic, the whole body image thang. Perhaps you’re hoping that posing for artists will help you address the poor self-image you’ve struggled with for years. Artists make art, after all, so in using your image to create a thing of beauty, they will see beauty in you that you couldn’t see on your own. See above re: they won’t care that you’re naked. They also won’t care about making you look good. They’re unlikely to care what you think at all. If you don’t like what the mirror is saying to you, you’re unlikely to have a different reaction to someone else’s view of you. If you’re having a day where the mirror tells you that you’re a hippo, say, a chinless hippo with spindly, hairy arms and an unfortunate patch of fur at the base of your spine, well, chances are that’s what you’re going to see in the drawings done that day as well. Even if an experienced artist does make you look beautiful, you’ll dismiss it as mere flattery, a series of little white lies the artist has put on the page that bares minimal resemblance to you. Nope, the chinless hippo will just seem more honest somehow. If you’re looking to this job to provide some sort of emotional healing, I implore you to think again. Having a fat day? Got a boil on your shoulder? Is your hair looking exceptionally stupid? Tough shit, strip and get on the model stand. Occasionally people will say "you must be really confident in your body, to do that." Nah, not so much. I just know they really, really don’t care what I look like.
What's more, while you’re up there, be prepared for the instructors to talk about your body in non-judgmental ways that may still manage to focus on your greatest insecurities. I once had an instructor point out a useful shadow under one of my love handles, and no insult was meant by it ("couldn’t you use some sort of Latin term for them, you know, like quadriceps or glutes or something?" I asked, but apparently Romans didn’t have love handles). That’s just what was there to see, and was useful to note in the drawing. If you’re likely to take such comments personally, this job isn’t for you.
I feel compelled to add that at this exact moment, I don't have love handles. See what I mean? This job has done nothing for my neuroses
Now, for the guys reading this, I have some special advice. First off, if you find modeling is something of a turn-on, make sure to keep it to yourself, if you catch my drift. Getting an erection is considered very bad form, and is likely to get you canned and black-listed pronto. If it’s any comfort, keep in mind that the studios are frequently freezing. I’ve only ever heard of one drawing group that aimed to create an erotic environment, and it should come as no surprise that it was for gay men. I’ve never heard of any lesbian or heterosexual erotic drawing groups, but maybe they exist. I have to say, if I were a woman, I would be very wary of a straight erotic drawing group. If I participated at all, I’d do so only after reading three or more reassuring testimonials from trusted sources.
Guys should also keep in mind that while the nude male might have been the epitome of beauty during 5th century Greece and the Renaissance, those days are long gone. Nowadays most people, regardless of age, gender or sexual orientation are simply more comfortable drawing the female form and would rather be in the room with a nude woman. I have seen some change over the years; it’s been a while since I’ve seen anyone draw me wearing little imaginary swimming trunks (usually, but not always, this was done by college-aged guys), but people are still pretty honest about the fact that they’d just rather look at naked women. If this is going to be a blow to your ego, you’ll want to reconsider this job.
I would also argue that people generally want male poses to be more vigorous and active. The reclining female form is a staple of figure painting, in part because the curves of women’s bodies make such poses beautiful and dynamic, while men’s bodies, lacking those curves, are harder to draw lying down, but I also think our culture just finds the reclining form very feminine. It suggests sexual receptivity, to be frank, and seeing a man that way makes most people very uncomfortable. I was asked once by the (gay male) leader of a painting group to do a four week reclining pose. After the first week, none of the other men in the group came back; for three weeks it was just me, the leader, and the two women in the group. Art modeling is not ‘just lying around’ for either men or women often, but if it happens at all, it’s less likely for the former.
Okay, this entry has already gotten really long, and despite my opening paragraph, I seem to be discouraging people from trying this job. I could explain how a class is typically run, what you should expect to do, how often you should expect breaks, and many other bits of advice to help you with your modeling career, but you know what? Let me tell you the best things you can do. I can say, in all humility, that I am a very popular model, with lots of instructors. I can claim that I bring a lot of skills, training, experience and insight to the job, but here are my secret weapons, the real reasons I think I work so much.
1.If I book a class, I show up for that class.
2.I show up on time.
3.I show up in a good mood, or able to fake it.
I cannot tell you how far ahead of the pack this puts me. Any weird job will draw a fair number of flakes, but art modeling seems to get them in droves. Seriously, showing up on time by itself has earned me reactions of such surprised delight, it almost didn’t matter what I did for the rest of the class. It's not unheard of for models to be over an hour late for a three hour class. One thing about working in a job with a high flake quota, they set the bar nice and low.
So that’s just some of my thoughts about this wacky job I find myself doing. If you’re still interested in giving the job a try, I hope I’ve given you a better sense of what to expect. Later we can discuss necessary equipment (obviously this job has a low overhead), classroom etiquette, and the importance of stretching, but I think this will give you a good start.
Tuesday, October 23, 2007
Finished with the War
A Soldier's Declaration
"I am making this statement as an act of wilful defiance of military authority, because I believe the war is being deliberately prolonged by those who have the power to end it.
I am a soldier, convinced that I am acting on behalf of soldiers. I believe that this war, upon which I entered as a war of defence and liberation, has now become a war of aggression and conquest. I believe that the purposes for which I and my fellow soldiers entered upon this war should have been so clearly stated as to have made it impossible to change them, and that, had this been done, the objects which actuated us would now be attainable by negotiation.
I have seen and endured the suffering of the troops, and I can no longer be a party to prolong these sufferings for ends which I believe to be evil and unjust.
I am not protesting against the conduct of the war, but against the political errors and insincerities for which the fighting men are being sacrificed.
On behalf of those who are suffering now I make this protest against the deception which is being practised on them; also I believe that I may help to destroy the callous complacence with which the majority of those at home regard the continuance of agonies which they do not share, and which they have not sufficient imagination to realize."
Pretty powerful stuff, huh? Seems like an eloquent and succinct response to our present wars by someone in a position to speak with authority, doesn't it? Does it come as a surprise to anyone that this was written in 1917? (Yes, I realize the photo may have tipped you off.) Siegfried Sassoon was an English soldier and poet fighting in WWI, the Great War, the War to End All Wars. This declaration was even read in the House of Commons. WWI has not quite taken on the aura of romance and nobility that WWII has, but its image has gotten a bit rosey over the years. It's good to have records like this from the time.
Maybe there aren't exact corrollaries on every count. Our government, for example, has been quite good at giving clear, even simplistic statements about the purposes of this war, it just has also felt perfectly free to change those purposes whenever it likes. Sassoon's theory that clear goals would make it impossible to change them hasn't proven true in our case. I don't know if that's because it would have never been true, or because we are simply a different culture somehow, more jaded perhaps about the lies of politicians. Nor do I fully understand his statement about not criticizing the conduct of the war, unless what he means is his complaints are directed at the government, not the military. There might be some similarities there to our situation, Abu Graib and Black Water aside.
Lest I appear to be presenting this solely as an earnest yet smug inditement of our leaders, Sassoon's last statement comes as a dash of cold water to my own face. How much am I part of that callous, complacent majority lacking the imagination to understand the agonies overseas? I need to think about my own actions as much or more than anything else.
If you enjoy historical fiction, I can't recommend Pat Barker's WWI Trilogy highly enough; the books are Regeneration, The Eye in the Door, and The Ghost Road. The books follow Dr. William Rivers, a real person who was one of the first British Freudian Psycho-analysts. (On a side note, he was also the older brother of the little girl who inspired the Alice Stories of Lewis Carroll. ) Rivers was enlisted by the British government to treat soldiers suffering from 'neurasthenia', which seems to be a fancy term for shell-shock, and might today be called Post Traumatic Stress Disorder. His orders were to do all he could to return the soldiers to active duty. Sassoon was a decorated soldier with many acts of heroism to his name, so when he made this statement public, the army decided he must of course be suffering from a mental breakdown so they packed him off to Dr. Rivers' hospital.
If you're fearing that reading these books would be one long punishing slide into despair, let me try to reassure you. Yes, many things of a horrific nature are dealt with in the books, as they would have to be, but they are fast moving, eloquent, even funny books full of well-realized characters, believable relationships, and from what I understand, rich historical details. I've read the entire series at least twice, and last night at 3am found myself picking up Regeneration again, which opens with Sassoon's declaration. They're well worth it, if this topic or kind of writing appeals to you at all.
Saturday, October 20, 2007
Bang Rocks, Patrick Angry
This has not been a good week for me and technology. We have a wary relationship at best, I have to say. Even as I inch slowly into the twenty-first, okay, maybe the late twentieth century, embracing email (1998), getting a cell phone (2005) and cable internet (September 21st), I feel like I have still been watching it warily from outside the spaceship, hoping it hasn’t read my lips, and is about to shoot me into the ether.
I’ve had reason to be more wary than usual this summer, because of a number of struggles, though I guess some of them had more to do with bureaucracies than technology. First my wireless company informed me I was eligible for a free new phone, but when I got it, it turned out they had decided that what my high-powered, mover-and-shaker big pants lifestyle really required was a second LINE. I thought I had things quickly corrected with the helpful customer service person I spoke to ("this happens all the time," she said; yeah, I’ll bet, and what does that tell you?), but when I received my bill, there were the new line charges, complete with start-up fees. The second customer service agent was also helpful and accommodating, but next month the fees were still there, plus (naturally) a late fee. Third agent, third assurance that all was now resolved, and this time the bulk of the bill was corrected, and I decided I wasn’t going to contest the remaining annoying but reasonably small amount. To be fair, my bill this month showed that all the charges had been forgiven, meaning I was now ahead in payments, so it may have taken a while and a lot of aggravation, but we got where I wanted to go. More than one agent explained that the problem was due to the fact that charges were simply generated automatically by the computer, and it took a while for corrections to go through. In other words, the computer generally complicated and SLOWED THINGS DOWN.
There was a similar problem with some hospital bills I got this winter. I attended physical therapy twice a week for six weeks, in an (unsuccessful) attempt to alleviate chronic pain I’ve had for fifteen years. I was going to Bellevue because of their sliding scale fees, and was required to pay the bill before each treatment. More than once the cashier warned me to save my all my receipts because the system was archaic, I would probably receive bills for these sessions again, and it would take at least two weeks for the system to catch up with itself. Sure enough, I got several bills, including not one but two warnings that the account was about to be sent to a collection agency. I called the first time to find that they were about to bring out the big guns because they thought I owed $20. When I asked if that was the only outstanding fee, the cashier said yes, but it wasn’t. The second time the threat came while I was out of town for the month, so I had missed the "do it or you’re in big trouble, mister" date. That was this August, nearly five months after my final appointment. Okay, this problem has to do with archaic equipment, and chances are budgetary and scheduling concerns make it virtually impossible for Bellevue to upgrade, but still, I felt like I was caught up in a Terry Gilliam movie, where my credit rating might actually get damaged from a twenty dollar charge I had, in fact, paid.
Then this last month was the cable debacle (say that out loud, s’fun). I signed myself up for cable internet at my roommate’s request, so we could get a router and a home-networking system giving him wireless access on his laptop. So, I go on live chat (oh how I loathe that phrase now), order the whole package, and am told I should hear from my cable provider in three to five business days, but if I don’t, I should call them. Seven business days later I call Time Warner, and we schedule the next available appointment, which is ten days following. I chose not to do the self-installation since I believed I would be getting the whole shebang, router, and all. Nope, that doesn’t happen, so I wait a few more days at the ISP’s recommendation to get my ‘welcome kit’ in the mail with the router, cds, instructions, etc. The date passes, I go on live chat again, to find there is a mysterious hold on my order, which the nice agent claims he releases. Wait five to seven days, no router, no welcome kit, I contact them again, reluctantly going on live chat after learning that they make it virtually impossible to call on the phone, once again I’m told there is a hold, but now there isn’t, I should receive everything in twelve to twenty-four hours. He promises this is the last time I will have to contact them on this matter. Really. I’m chatting (live) the Friday before Columbus Day weekend, so I’m not expecting this timetable to be kept, but still, I feel a promise has been made. The following Tuesday I get a call from Earthlink wondering if I still wanted my cable hooked up because he saw I had placed an order, but it hadn’t yet happened. Back to live chat, since the number left on my answering machine doesn’t actually get me anywhere useful (they really really want you to use the live chat), saying I’ve had the hook-up for two weeks by this point, but I still haven’t received any of the other stuff I’d been promised, not even now, three days past the 24 hour deadline. This agent tells me that, here again, THEIR COMPUTER hasn’t registered the new information yet, as far as it’s concerned I have dial-up still, and more importantly, this information will not change until the 24th when my bill comes due. After that the computer will ‘know’ I am using cable internet, so then, and only then will it allow the router to go out. So, this guy tells me by the end of the month I will have all the equipment. I say I have trouble believing that, since I’ve contacted them four times now, gotten four different answers (though secretly I’m thinking this last one might be true, since it sounds the most plausible, and the least like something a customer would want to hear), and if the problem wasn’t resolved by the end of the month, I would change ISPs.
I get a phone call the next day from a customer service agent. She tells me she’s been reading all my correspondence with the company and ‘gotten frustrated’ on my behalf. She is pretty sure she knows the problem. When the cable signed me up, they signed me up for Road Runner, rather than Earthlink, both of which they handle. That does indeed prove to be the problem, so now, as of last Friday, I am waiting seven to ten business days to see if this equipment I didn’t even want and am unlikely ever to use finally shows up. I ain’t holdin’ my breath.
Then this last Monday I learned my cash card number had been stolen. To my good fortune the monitoring system caught it almost immediately and called me for verification. The thief managed to buy a $25 credit report, which scares me, but when he or she tried to buy a $400 airline ticket, no dice. This poor bastard thought this was a credit card, or he or she thought I had $400 to my name. Man, that kills me. How droll.
I’m relieved it all got resolved so quickly, and yes, that was thanks to technology, I admit, but I’m still freaked out by the theft. I’ve let the card out of my hand exactly once, to pay for a restaurant meal, almost every other time I’ve been swiping it through a machine at a store or paying bills online. Sure, it’s possible the waitress at the sushi place is the culpritt, but the odds really are it happened online. Some sort of worm, or trojan horse, or virus or phisher, or sculquer or cole-myner or theeph or sneeque got past my Norton protection that yes, I’m paying to protect me from such things even though we all acknowledge that it’s an uphill battle staying ahead the hackers, one of these little miters got through and read my number and the safety code. Chances are slim to none that this person will ever be caught, nor will I ever know exactly how it happened, so I don’t know how to avoid the problem in the future, short of not using the card. I feel this kind of defeats the purpose of the card. Granted I think the hologram is cool and all, but I’m not holding onto it for the artwork. I’m wanting to buy things with it, once in a while. At any rate, the replacement is scheduled to show up in a week to ten days. I bet it gets here before the router.
Then, for the grand finale (oh please tell me it was the finale), yesterday I elected to wash and dry my cell phone in the pocket of my jeans, thus necessitating the purchase of a new phone, even though I’m realizing today that I was actually eligible for a free replacement and will have to tackle all that if I want justice in the wireless world. I can’t blame that on technology though, much as I might like to. They pretty much warn you that washing and drying (on high, for thirty minutes) is not a great idea. This new one comes with all sorts of bells and whistles and I bet I never learn to use half of them. If I wasn’t feeling enough like a caveman through all this, the phone comes with an analog clock on the front, nice Roman numerals, and the twelve-year old selling me the thing pointed it out as a problem, but assured me I could switch it over to digital. Now slow down there, Youngin’, I’m not sure I cotton to your newfangled time piece there. Yes, I can speak digital, but my first language is still analog. When I look at a clock, I want to know what size pie-wedge I have to go. 11:47 doesn’t really register with me, but show me one quarter of a pizza (with just a bit trimmed off), and I know what I’ve got to work with before noon. But soon this tongue I speak will go the way of the passenger pigeon.
So. I’m considering joining the Amish, provided they let me bring deodorant, and some shorts.
All right, I use and appreciate plenty of modern conveniences; I’m a huge fan of indoor plumbing, electricity rocks, and I’m delighted to have been able to go as far afield as Seattle or Ireland without having to spend five days swallowing my weight in coal dust. Nonetheless I feel like modern life is kicking my ass, and isn’t going to stop anytime soon. Yes, I realize what the common denominator is in all this, so I’m working my Norman Vincent Peale as hard as I can, but damn.
Please don’t let me get shot into the ether.
Sunday, October 14, 2007
Call of the Wild
A nice thing has started to happen for me because of blogging. Until recently my blog reading and writing has been limited to people I already know and love, and that has been great, since geography or circumstance prevents me from seeing them most of the time, with the occasional exceptions of Melissa and Brian. Recently though, I've been getting to meet some wonderful people whom I only know through the blogosphere. It's always fun getting a glimpse of other people's lives, but it's particularly appealing when they seem to be living one of your alternate fantasy lives. The first time I came across this is Cooper's Corridor. Cooper lives in British Columbia, so he's already living my fantasy of being Canadian. He lives and works -in forestry, I believe - in what I know to be one of the most beautiful places in the world, and he recently adopted two young sons. I chose years ago to pursue acting as a career, and thus far that has required me to live in cities on the edge of poverty most of the time; the only living things depending on me thus far are houseplants. I am ambivalent to say the least about this, so visiting Cooper every once in a while is like walking through the wardrobe to meet Mr. Tumnus. Cooper is very grateful for the life he has worked so hard to create, and he never seems to take it for granted. What's more, he tends to notice and appreciate the same sorts of things I do, which only enhances the feeling that he is living one of my roads not taken (yet). His personal entries range from nature observations to epitaphs for lost loved ones, and they often end in prayers of gratitude. It's been good for me to read the thoughts of a glass-half-full person on a regular basis. He's also introduced me to some other fun folks, like Tornwordo (who is living my fantasy of marrying a Canadian) and Somewhere Joe (who works as a writer/photographer, and seems to be living my fantasy of living on the beach), but we're still getting acquainted, so I know less about them. They are all fun reads, go check them out if you haven't already.
As the title of this entry suggests however, I started off intending to write about something else that Cooper reminded me of. I've told the story of my encounter with timber wolves so many times that I had to go through all my blog entries to make sure I hadn't written about it already. I didn't find it, so I'm hoping I didn't already tell it. I guess it's a good thing I only have 76 entries to check, as lame as that seems after a year and a half of blogging.
Boy howdy do I find some weird things to feel lame about.
Okay, focus Patrick, timber wolves. As long as I can remember, another one of my fantasy lives had me living in the woods or jungle as a wild animal. I wanted to be Mowgli, basically, as I discovered when I first came across the Jungle Books. As a child I blissfully ignored the drawbacks of such a life, the infestation of fleas and other parasites, the constant near-state of starvation and exposure to the elements, the relentless physical and emotional grind, yada yada yada, but of course I grew out of this fantasy over time (didn't I? I did, right? Right?).
I never lost my love for wolves though, so it was especially exciting the summer of '85 when I worked at an adventure camp in Tennessee, where a trio of timber wolves were being housed temporarily. A local veternarian had rescued them somehow - I don't remember the specifics, seeing as how timber wolves are not native to Tennessee- but since she lacked the space, she asked her friends to put them up. Most environmentalists would probably find this whole story rather sad, and I completely understand that. The pen was not that big, probably only about thirty feet square, so the wolves weren't able to run at all. The camp leader used them as educational tools for the campers, teaching about ecology, the dangers of extinction, the lies perpetrated about wolves, etc. The kids loved it. Everybody loved it, but I doubt the wolves were happy.
Aquila, one of the two females, was almost a dog, friendly, affectionate, unafraid of most people, she even wagged her tail. She let people pet her through the fence, which we all did eagerly. The other two, Tasha and the male, Illich, were very scared of most people and tended to avoid them. They had started to become comfortable with the family caring for them, but were most comfortable with the vet and the daughter of the family, who both happened to be petite blond women.
For the 4th of July weekend, we were all on vacation and the camp was rented out to others, who, unfortunately, decided they needed to let off a gazillion fireworks. They were well up the road at the camp, quite some distance from the wolf pen, but this didn't make a difference to the wolves' sensitive ears and skittish personalities. No one knows how it happened, but it's assumed that the noise so terrified Tasha that she was able to jump or climb the high fence to escape. As far as I know, she was never found again. I hope roaming the in the Smokey Mountains was too her liking, and she didn't starve to death, or end up shot.
This left Aquila and Illich, and I think that change in dynamic might have shaped what happened later that summer. One day off I was down at the wolf pen watching the son of the family play with the wolves. He invited me in, and we all assumed I would get to play with Aquila but that would be it. I deliberately stayed slow, calm and quiet, no sudden moves, and believe me, no loud noises, and began romping with Aquila. At one point I was sitting on a log scratching her behind the ears while she tussled playfully with my shoelaces. I was in heaven. Suddenly I realized Illich was behind me, snuffling in my hair. I pretended not to notice, didn't turn to look in his eyes -which believe me, was hard because they were a beautiful silver - and kept rubbing Aquila's ears. By the way, I think petting dog or wolf ears has got to be one of the best tonics in the world. I can feel the stress drain out of me anytime I get to do it. Back to Tennessee though (boy I do like tangents, don't I. Also parentheses), I'm petting, Aquila is tussling, Illich is snuffling when suddenly WHOOMP, he jumps on my back, throwing paws the size of dinner plates over my shoulders. No, he wasn't attacking me, nor was he trying to mount me (you pervs), evidently he had decided I was all right and it was time to play. I've occasionally wondered if the fact that my hair had a texture similar to their fur, helped the situation. I wonder too if Illich wouldn't have taken this step if Tasha was still around (but maybe she would have liked me too, and we all could have played). Whatever change occurred, I was thrilled and, I'm sure you'll understand this, deeply honored. I always am honored when an animal (or a child) takes an instant liking to me, but having it be this noble, enormous, shy creature was overwhelming.
That afternoon is one of the most glorious times of my life. The three of us romped, wrestled, and played for hours. I've wondered sometimes if my retelling of the story has warped my memory some. Did Illich really take three quarters of my head in his mouth? Was he really that big? Did I really know I was safe at that moment? In my memory it all happened, and it was all amazing. I ended the day covered with scratches. Both wolves had a very intuitive sense of how hard they could bite; they used their teeth on me a lot, especially tugging me around by my hair, but never once did they break the skin. I wonder if they were treating me the way they would have treated a cub. They couldn't help their claws though, of course, which is why I had all the scratches. I didn't care.
From that day on, Illich became more and more like Aquila, gradually letting campers pet him through the fence. I am obviously ambivalent about the role I played in domesticating a wild animal. I don't know what happened to them after that summer; I hope they were eventually taken somewhere with lots more space, ideally to a national park or some such, where they might even have been able to join other wolves (though that is tricky), but I suspect they were too dependent on humans by that point, and lived the rest of their lives in some form of captivity. I hope it was at one of those wolf sanctuaries where they at least had space to run and roam.
None of that diminishes the joy I feel when I think about that afternoon, though. It stands as one of the peak experiences of my life, awe-inspiring and humbling. I feel like nature blessed me somehow. I feel the gratitude to this day.
As the title of this entry suggests however, I started off intending to write about something else that Cooper reminded me of. I've told the story of my encounter with timber wolves so many times that I had to go through all my blog entries to make sure I hadn't written about it already. I didn't find it, so I'm hoping I didn't already tell it. I guess it's a good thing I only have 76 entries to check, as lame as that seems after a year and a half of blogging.
Boy howdy do I find some weird things to feel lame about.
Okay, focus Patrick, timber wolves. As long as I can remember, another one of my fantasy lives had me living in the woods or jungle as a wild animal. I wanted to be Mowgli, basically, as I discovered when I first came across the Jungle Books. As a child I blissfully ignored the drawbacks of such a life, the infestation of fleas and other parasites, the constant near-state of starvation and exposure to the elements, the relentless physical and emotional grind, yada yada yada, but of course I grew out of this fantasy over time (didn't I? I did, right? Right?).
I never lost my love for wolves though, so it was especially exciting the summer of '85 when I worked at an adventure camp in Tennessee, where a trio of timber wolves were being housed temporarily. A local veternarian had rescued them somehow - I don't remember the specifics, seeing as how timber wolves are not native to Tennessee- but since she lacked the space, she asked her friends to put them up. Most environmentalists would probably find this whole story rather sad, and I completely understand that. The pen was not that big, probably only about thirty feet square, so the wolves weren't able to run at all. The camp leader used them as educational tools for the campers, teaching about ecology, the dangers of extinction, the lies perpetrated about wolves, etc. The kids loved it. Everybody loved it, but I doubt the wolves were happy.
Aquila, one of the two females, was almost a dog, friendly, affectionate, unafraid of most people, she even wagged her tail. She let people pet her through the fence, which we all did eagerly. The other two, Tasha and the male, Illich, were very scared of most people and tended to avoid them. They had started to become comfortable with the family caring for them, but were most comfortable with the vet and the daughter of the family, who both happened to be petite blond women.
For the 4th of July weekend, we were all on vacation and the camp was rented out to others, who, unfortunately, decided they needed to let off a gazillion fireworks. They were well up the road at the camp, quite some distance from the wolf pen, but this didn't make a difference to the wolves' sensitive ears and skittish personalities. No one knows how it happened, but it's assumed that the noise so terrified Tasha that she was able to jump or climb the high fence to escape. As far as I know, she was never found again. I hope roaming the in the Smokey Mountains was too her liking, and she didn't starve to death, or end up shot.
This left Aquila and Illich, and I think that change in dynamic might have shaped what happened later that summer. One day off I was down at the wolf pen watching the son of the family play with the wolves. He invited me in, and we all assumed I would get to play with Aquila but that would be it. I deliberately stayed slow, calm and quiet, no sudden moves, and believe me, no loud noises, and began romping with Aquila. At one point I was sitting on a log scratching her behind the ears while she tussled playfully with my shoelaces. I was in heaven. Suddenly I realized Illich was behind me, snuffling in my hair. I pretended not to notice, didn't turn to look in his eyes -which believe me, was hard because they were a beautiful silver - and kept rubbing Aquila's ears. By the way, I think petting dog or wolf ears has got to be one of the best tonics in the world. I can feel the stress drain out of me anytime I get to do it. Back to Tennessee though (boy I do like tangents, don't I. Also parentheses), I'm petting, Aquila is tussling, Illich is snuffling when suddenly WHOOMP, he jumps on my back, throwing paws the size of dinner plates over my shoulders. No, he wasn't attacking me, nor was he trying to mount me (you pervs), evidently he had decided I was all right and it was time to play. I've occasionally wondered if the fact that my hair had a texture similar to their fur, helped the situation. I wonder too if Illich wouldn't have taken this step if Tasha was still around (but maybe she would have liked me too, and we all could have played). Whatever change occurred, I was thrilled and, I'm sure you'll understand this, deeply honored. I always am honored when an animal (or a child) takes an instant liking to me, but having it be this noble, enormous, shy creature was overwhelming.
That afternoon is one of the most glorious times of my life. The three of us romped, wrestled, and played for hours. I've wondered sometimes if my retelling of the story has warped my memory some. Did Illich really take three quarters of my head in his mouth? Was he really that big? Did I really know I was safe at that moment? In my memory it all happened, and it was all amazing. I ended the day covered with scratches. Both wolves had a very intuitive sense of how hard they could bite; they used their teeth on me a lot, especially tugging me around by my hair, but never once did they break the skin. I wonder if they were treating me the way they would have treated a cub. They couldn't help their claws though, of course, which is why I had all the scratches. I didn't care.
From that day on, Illich became more and more like Aquila, gradually letting campers pet him through the fence. I am obviously ambivalent about the role I played in domesticating a wild animal. I don't know what happened to them after that summer; I hope they were eventually taken somewhere with lots more space, ideally to a national park or some such, where they might even have been able to join other wolves (though that is tricky), but I suspect they were too dependent on humans by that point, and lived the rest of their lives in some form of captivity. I hope it was at one of those wolf sanctuaries where they at least had space to run and roam.
None of that diminishes the joy I feel when I think about that afternoon, though. It stands as one of the peak experiences of my life, awe-inspiring and humbling. I feel like nature blessed me somehow. I feel the gratitude to this day.
Thursday, October 11, 2007
Margaret Smith Lacey's Zen Bread
When I was ten, my family lived in London for a year. As a family of adventurous eaters, we all had a wonderful time exploring new-to-us cuisines. My first tastes of Indian, Greek and French happened there, just to name a few. But we also found ourselves seeing old favorites in new lights. Mom, Dad, and I all found we much preferred the peanut butter we got there, because there was no added sugar. In 1977 Indiana, it wasn't easy to find unsweetened peanut butter when we got back, though somehow Mom managed it. My brother and sister both preferred the sweetened stuff like Jiff, which has led to an ongoing good-natured battle to this day. Lunch on peanut butter day is likely to include the following exchange.
Person A: "Please pass the peanut butter.... no not that stuff, the REAL peanut butter."
Person B: "This IS the real peanut butter."
Person A. "No, that is peanut JAM, gimme the peanut butter."
Person B: "Oh, the LIBRARY PASTE. Here."
It's important for families to have traditions.
One thing we all agreed on however was that the bread we got in London was vastly better than the stuff we could buy at home, even Pepperidge Farm, our previous staple. Lots of things were different, but here again, sweetness, or lack of it, was key. When you've gotten used to no sugar, even a small amount is overwhelming.
This led Mom to start experimenting with bread recipes. As cooking has become more popular in the last few years, some of the mystery has been removed from the process, but in the late 70s bread-baking was seen as an esoteric ritual somewhere between brain surgery and voodoo. Recipes required all sorts of odd, non-negotiable things. You had to have a brick or stone in the oven, a bowl of water for steaming, the dough had to be protected from drafts and noise while rising and baking, one had to bathe in Mare's milk and dress in clean white robes before approaching the flour, the dough had to be kneaded for at least twenty minutes, always in a clockwise direction, and you never baked during a full moon in the year of the horse.
I'm not exaggerating nearly as much as you think I am.
So, one of the first things Mom discovered as she experimented was how much of that was bullshit. No bricks, no bowls of water, no need for tiptoeing around the dough while rising or baking. Best of all, NO SUGAR. Trust me on this. I'll have more to say on this subject in later.
This has been the daily bread of my family for thirty years. Bread options, indeed all food options, have improved in my hometown in the last few years, but Mom still bakes two loaves every two days. I've been baking it too for years now (though mostly just when I'm having guests), and it usually gets a very strong reaction. A lot of them call it Patrick Bread, but I feel it's important to give credit where credit is due. Later I'll explain why Mom calls it "Zen Bread."
This is the recipe.
2 and 1/2 cups warm water (not too hot)
2 teaspoons salt
1 package yeast (or 1 tablespoon, if you buy it in bulk)
6 cups of flour
In a large mixing bowl, dissolve the salt in the water. Add the flour and yeast in any order you like. I typically will add three cups of the flour, then the yeast, then the remaining flour. After about four cups, you will find it easier to knead the flour in, rather than mix it with a spoon. Basically though, I don't think there is a bad way to combine these ingredients, as long as the water isn't too hot when the yeast goes in.
When it comes to kneading, this is where the Zen comes in. Mom discovered that she could knead a lot (as all previous recipes demanded) or not much at all, and not only did it not matter, often the bread tasted BETTER if she barely kneaded it. Her feeling is that the more you ignore this dough, the better it turns out. As long as most of the flour has been incorporated into the water, you've done what you needed to do. I actually enjoy the kneading process, so I often do it for a while, but I never do it longer than is fun.
For those new to baking, when you knead, you want the work surface and your hands to have dry flour on them, so as to prevent the dough from sticking to you or the surface.
Cover the dough (Mom uses just a paper towel, I use a dish towel, we're not talking airtight by any means), place it in some out-of-the-way area and let it rise for 1 and 1/2 hours, or until double in size. I usually put it in my gas oven, where the pilot light keeps it warm, but not so hot that the yeast gets killed.
After it has risen, punch it down again, kneading as much as you feel like, then if you want standard loaves, cut it in half, shape the two portions into loaves, and place them in greased bread pans. If you want to make French loaves, I find I can get six loaves out of this dough, and I place them on two greased cooking sheets. Don't be worried if the French loaves look too skinny, because they're going to rise again. You can also make rolls if you prefer. It's up to you how many you want, and how large you want them to be. They also go on greased cooking sheets.
(There are ways of shaping the dough to get a standard, even shape, but I thinking trying to describe that here would be too confusing, and give too much weight to the idea. Trust me, even if you end up with eccentric looking bread, it's going to taste just fine. If you really want to know how to control the shape somewhat, I'll have to show you in person sometime.)
Let the loaves/rolls rise for 1 hour.
Bake in a 400 F. oven. Apologies to my Dutch and Canadian friends, I haven't a clue what that is in Celsius (maybe somewhere around 170/80C?). The standard loaves will bake for 40 minutes, the French loaves and rolls will need about 20 minutes. With the standard loaves especially, you can check to see if they're baked all the way through by turning them out of the pans, and thumping them on the bottoms. If they sound hollow, they're done. If they make a wet, heavy, thunky sound, they're still raw in the middle; return to the pans and bake for at least five minutes, maybe ten.
So that's it. It may sound more daunting than it is. Sure, as with anything, your ability to read the process will improve the more you do it. I've found over the years that I can finesse the rising times if necessary, or even stop the process in the middle by shoving the dough in the fridge. I've usually allowed the loaves to come to room temperature before baking them, but on at least on occasion I've taken the loaves straight from the fridge to the oven, allowed a little more time to bake, and gotten good results.
Obviously this will taste great hot from the oven. The lack of preservatives means the bread will dry out after just a few hours, but then it makes amazing toast. If you're not going to finish it in two days, keep it in the fridge, to prevent or at least slow molding.
Mom, my sister, and I have found this dough to be remarkably versatile. We've added a little olive oil to it (no more than half a cup) and used it for pizza dough or foccaccia. I also found a recipe in the Moosewook Cookbook for pita, and realized that once I removed the unnecessary sugar, the dough was simply a half portion of this recipe. Go check out the book if you're interested. Mom has even doubled the yeast and used this recipe to make bagels. That is WAY more work than I'm willing to do, with the boiling and all, but if you know how to make bagels, this dough will work for it.
Now, the sugar issue. Many times friends have tried the recipe, and told me later "well, it was okay, but it didn't taste as good as yours. It just wasn't the same, somehow." So I'll ask them to describe what they did. They'll be talking me through it, and say "then I added the half cup of sugar (or honey)-"
"-Wait, what? You added sugar? This recipe doesn't use sugar."
Well, I figured you just forgot to write it down. Yeast needs sugar to rise."
No. No no no no no. Yeast needs gluten to rise. It will be perfectly happy with sugar, honey or high fructose corn syrup, it's true, but it is just as happy with flour. Sugar won't destroy the recipe, but it won't give you the same result. For my family, getting rid of the sugar was the whole POINT. So, if you want it, fine, just don't expect it to taste the same. (My mom had one supercilious houseguest announce that it simply wasn't possible for yeast to rise without sugar, and this twit was EATING THE BREAD AT THE TIME. I don't know what was going through her head. Did she think Mom was lying? What on earth would be her motive to do so? People crack me up.)
Now on the subject of flour types, I have to admit I have never gotten good results when I've used 100% whole wheat. I've ended up with twenty pound bricks. They were edible, but they didn't please as much. One felt terribly virtuous, perhaps, but it wasn't necessarily all that enjoyable. My best results have had half whole wheat, half unbleached white. Maybe whole wheat does require sugar since the gluten is harder for the yeast to access through the kernel. Maybe doubling the yeast would help. Maybe one HAS to knead 100% whole wheat dough for more time. I know one can also buy wheat gluten, I just don't know how to use it, whether it replaces some of the flour, or is additional. I would recommend making the recipe above a few times with no more than half whole wheat to get the hang of it, then start experimenting (and let me know what you discover).
You can also add up to half a cup of leftover oatmeal (or any cooked cereal), oat bran, some ground flax seed (I'm still experimenting with this, I wouldn't recommend more than a few tablespoons), fresh herbs etc. I almost always add uncooked oatmeal too. I've yet to experiment with non-wheat flours, but I would expect that anything which likes yeast will work.
I have this theory that this is the first dough, the one that was discovered at the dawn of time, as people began switching from nomadic to agrarian lives. There are a gazillion different variations, but they all start with this dough. Everything else is just ornamentation. When I'm making it, I feel connected to some deep, archetypal activity. Over the years it's become a form of meditation, and a prayer of gratitude, for my friends, my food, my working hands and body, even just the fact that I have a roof over my head.
So go, experiment, have fun. Feel free to send questions, and let me know what you discover.
And even when you become master bread-bakers, I hope you'll still come to my house for dinner sometimes.
Person A: "Please pass the peanut butter.... no not that stuff, the REAL peanut butter."
Person B: "This IS the real peanut butter."
Person A. "No, that is peanut JAM, gimme the peanut butter."
Person B: "Oh, the LIBRARY PASTE. Here."
It's important for families to have traditions.
One thing we all agreed on however was that the bread we got in London was vastly better than the stuff we could buy at home, even Pepperidge Farm, our previous staple. Lots of things were different, but here again, sweetness, or lack of it, was key. When you've gotten used to no sugar, even a small amount is overwhelming.
This led Mom to start experimenting with bread recipes. As cooking has become more popular in the last few years, some of the mystery has been removed from the process, but in the late 70s bread-baking was seen as an esoteric ritual somewhere between brain surgery and voodoo. Recipes required all sorts of odd, non-negotiable things. You had to have a brick or stone in the oven, a bowl of water for steaming, the dough had to be protected from drafts and noise while rising and baking, one had to bathe in Mare's milk and dress in clean white robes before approaching the flour, the dough had to be kneaded for at least twenty minutes, always in a clockwise direction, and you never baked during a full moon in the year of the horse.
I'm not exaggerating nearly as much as you think I am.
So, one of the first things Mom discovered as she experimented was how much of that was bullshit. No bricks, no bowls of water, no need for tiptoeing around the dough while rising or baking. Best of all, NO SUGAR. Trust me on this. I'll have more to say on this subject in later.
This has been the daily bread of my family for thirty years. Bread options, indeed all food options, have improved in my hometown in the last few years, but Mom still bakes two loaves every two days. I've been baking it too for years now (though mostly just when I'm having guests), and it usually gets a very strong reaction. A lot of them call it Patrick Bread, but I feel it's important to give credit where credit is due. Later I'll explain why Mom calls it "Zen Bread."
This is the recipe.
2 and 1/2 cups warm water (not too hot)
2 teaspoons salt
1 package yeast (or 1 tablespoon, if you buy it in bulk)
6 cups of flour
In a large mixing bowl, dissolve the salt in the water. Add the flour and yeast in any order you like. I typically will add three cups of the flour, then the yeast, then the remaining flour. After about four cups, you will find it easier to knead the flour in, rather than mix it with a spoon. Basically though, I don't think there is a bad way to combine these ingredients, as long as the water isn't too hot when the yeast goes in.
When it comes to kneading, this is where the Zen comes in. Mom discovered that she could knead a lot (as all previous recipes demanded) or not much at all, and not only did it not matter, often the bread tasted BETTER if she barely kneaded it. Her feeling is that the more you ignore this dough, the better it turns out. As long as most of the flour has been incorporated into the water, you've done what you needed to do. I actually enjoy the kneading process, so I often do it for a while, but I never do it longer than is fun.
For those new to baking, when you knead, you want the work surface and your hands to have dry flour on them, so as to prevent the dough from sticking to you or the surface.
Cover the dough (Mom uses just a paper towel, I use a dish towel, we're not talking airtight by any means), place it in some out-of-the-way area and let it rise for 1 and 1/2 hours, or until double in size. I usually put it in my gas oven, where the pilot light keeps it warm, but not so hot that the yeast gets killed.
After it has risen, punch it down again, kneading as much as you feel like, then if you want standard loaves, cut it in half, shape the two portions into loaves, and place them in greased bread pans. If you want to make French loaves, I find I can get six loaves out of this dough, and I place them on two greased cooking sheets. Don't be worried if the French loaves look too skinny, because they're going to rise again. You can also make rolls if you prefer. It's up to you how many you want, and how large you want them to be. They also go on greased cooking sheets.
(There are ways of shaping the dough to get a standard, even shape, but I thinking trying to describe that here would be too confusing, and give too much weight to the idea. Trust me, even if you end up with eccentric looking bread, it's going to taste just fine. If you really want to know how to control the shape somewhat, I'll have to show you in person sometime.)
Let the loaves/rolls rise for 1 hour.
Bake in a 400 F. oven. Apologies to my Dutch and Canadian friends, I haven't a clue what that is in Celsius (maybe somewhere around 170/80C?). The standard loaves will bake for 40 minutes, the French loaves and rolls will need about 20 minutes. With the standard loaves especially, you can check to see if they're baked all the way through by turning them out of the pans, and thumping them on the bottoms. If they sound hollow, they're done. If they make a wet, heavy, thunky sound, they're still raw in the middle; return to the pans and bake for at least five minutes, maybe ten.
So that's it. It may sound more daunting than it is. Sure, as with anything, your ability to read the process will improve the more you do it. I've found over the years that I can finesse the rising times if necessary, or even stop the process in the middle by shoving the dough in the fridge. I've usually allowed the loaves to come to room temperature before baking them, but on at least on occasion I've taken the loaves straight from the fridge to the oven, allowed a little more time to bake, and gotten good results.
Obviously this will taste great hot from the oven. The lack of preservatives means the bread will dry out after just a few hours, but then it makes amazing toast. If you're not going to finish it in two days, keep it in the fridge, to prevent or at least slow molding.
Mom, my sister, and I have found this dough to be remarkably versatile. We've added a little olive oil to it (no more than half a cup) and used it for pizza dough or foccaccia. I also found a recipe in the Moosewook Cookbook for pita, and realized that once I removed the unnecessary sugar, the dough was simply a half portion of this recipe. Go check out the book if you're interested. Mom has even doubled the yeast and used this recipe to make bagels. That is WAY more work than I'm willing to do, with the boiling and all, but if you know how to make bagels, this dough will work for it.
Now, the sugar issue. Many times friends have tried the recipe, and told me later "well, it was okay, but it didn't taste as good as yours. It just wasn't the same, somehow." So I'll ask them to describe what they did. They'll be talking me through it, and say "then I added the half cup of sugar (or honey)-"
"-Wait, what? You added sugar? This recipe doesn't use sugar."
Well, I figured you just forgot to write it down. Yeast needs sugar to rise."
No. No no no no no. Yeast needs gluten to rise. It will be perfectly happy with sugar, honey or high fructose corn syrup, it's true, but it is just as happy with flour. Sugar won't destroy the recipe, but it won't give you the same result. For my family, getting rid of the sugar was the whole POINT. So, if you want it, fine, just don't expect it to taste the same. (My mom had one supercilious houseguest announce that it simply wasn't possible for yeast to rise without sugar, and this twit was EATING THE BREAD AT THE TIME. I don't know what was going through her head. Did she think Mom was lying? What on earth would be her motive to do so? People crack me up.)
Now on the subject of flour types, I have to admit I have never gotten good results when I've used 100% whole wheat. I've ended up with twenty pound bricks. They were edible, but they didn't please as much. One felt terribly virtuous, perhaps, but it wasn't necessarily all that enjoyable. My best results have had half whole wheat, half unbleached white. Maybe whole wheat does require sugar since the gluten is harder for the yeast to access through the kernel. Maybe doubling the yeast would help. Maybe one HAS to knead 100% whole wheat dough for more time. I know one can also buy wheat gluten, I just don't know how to use it, whether it replaces some of the flour, or is additional. I would recommend making the recipe above a few times with no more than half whole wheat to get the hang of it, then start experimenting (and let me know what you discover).
You can also add up to half a cup of leftover oatmeal (or any cooked cereal), oat bran, some ground flax seed (I'm still experimenting with this, I wouldn't recommend more than a few tablespoons), fresh herbs etc. I almost always add uncooked oatmeal too. I've yet to experiment with non-wheat flours, but I would expect that anything which likes yeast will work.
I have this theory that this is the first dough, the one that was discovered at the dawn of time, as people began switching from nomadic to agrarian lives. There are a gazillion different variations, but they all start with this dough. Everything else is just ornamentation. When I'm making it, I feel connected to some deep, archetypal activity. Over the years it's become a form of meditation, and a prayer of gratitude, for my friends, my food, my working hands and body, even just the fact that I have a roof over my head.
So go, experiment, have fun. Feel free to send questions, and let me know what you discover.
And even when you become master bread-bakers, I hope you'll still come to my house for dinner sometimes.
Wednesday, October 10, 2007
Heartwarming Story

I went up to Fort Tryon Park to see what the garden up there was up to. (This picture is not from there, but from my sister's and brother-in-law's garden in Indiana, by the way). It was remarkably lush and beautiful, full of many more blooming things than I would have expected. One bush in particular caught my attention, however. It was full of middle-sized blossoms, with yellow-orange centers, and deep orange petals. I don't know what they were, they were the same shape as Black-eyed Susans, but with the different colors. Anyone?
Anyway, they were lovely, but the reason they caught my eye was because of the cloud, I mean FLOCK of monarchs that were feeding on them. If you've ever tried it, then you know it's not easy to count live butterflies, but I would say that there were never less than twenty on the bush, and often close to fifty feeding, floating on the breeze, flitting about in that butterfly way of theirs; since their wings were virtually the same color as the flowers, the whole thing seemed to be shimmering and dancing. Just in case I got too sappy about the glories of nature, I also watched a praying mantis catch and methodically eat one butterfly. None of the other Monarchs seemed bothered in the slightest; they kept drinking nectar right next to the mantis. So, just a little 'nature red in tooth and claw' to keep me grounded. I'm cool with that.
I sat and watched at for a couple of hours. I was sitting right under it, on a little raised brick border that runs along the path into the park. Anyone who has ever seen or been a child knows that this is the sort of thing one simple has to walk on, pretending to be a tightrope walker or some such. Okay, I admit it, sometimes I still have to pretend to be a tightrope walker, and walk on any narrow wall no matter what the height. At one point a little boy, no more than six, came along doing just that. When he got to me, he stopped to see what I was so engrossed by. His eyes widened at the wonder of glorious nature spread before him.
"Awww SHIT!" he said. Mom made some sort of mild remonstration, but kept walking.
"MOM!" he bellowed," I want a BUTTERFLY!" Then he scampered off after her.
Don't ask me why, but somehow I feel like this epitomizes my experience of New York.
Monday, October 08, 2007
So Yeah, I'm Doing A Meme, Make a Big Deal, Make a Really Big Deal, Make A Federal CASE Out of It
I came across this meme on the blogs of two of my friends, Brian, and Kate, and was drawn to it more than I usually am to surveys. I am not entirely clear on how this list gets compiled, to be honest. Most often marked 'unread'? Do libraries check this sort of thing on a regular basis? How is it, for example, that Jonathan Strange & Mr. Norrell (copyright 2004) and Anansi Boys (copyright 2005) are on the same list as Dickens, Dumas and Austen? I don't know what the number after most of the books signify, but since they go in descending order, I have to assume they indicate some kind of ranking, so how can Jonathan Strange... somehow be MORE unread in just a few years than oh, I don't know, The Aeneid? I have to assume the latter was quite a hit back in the day, so maybe this survey doesn't include Romans circa 600 B.C. I don't know what Library Thing is, but I question how randomly selected the survey population was. I think a bunch of Neil Gaiman haters stacked the it, for one thing.
Okay, whatever, I still thought it looked like fun, so I did it too. It made me feel like a bit of a neanderthal of course, which is probably the point, but I'm not losing any sleep over it. See below for instructions.
These are the top 106 books most often marked as "unread" by LibraryThing's users (as of [whenever this meme started going around]). As usual, bold what you have read, italicize what you started but couldn't finish, and strike through what you couldn't stand.
Jonathan Strange & Mr Norrell (149)
Anna Karenina (132)
Crime and Punishment (121)
Catch-22 (117)
One Hundred Years of Solitude (115)
Wuthering Heights (110)
The Silmarillion (104)
Life of Pi: a novel (94)
The Name of the Rose (91)
Don Quixote (91)
Moby Dick (86)
Ulysses (84)
Madame Bovary (83)
The Odyssey (83)
Pride and Prejudice (83)
Jane Eyre (80)
A Tale of Two Cities (80)
The Brothers Karamazov (80)
Guns, Germs, And Steel: The Fates of Human Societies (79)
War and Peace (78)
Vanity Fair (74)
The Time Traveler's Wife
The Iliad (73)
Emma (73)
The Blind Assassin (73)
The Kite Runner (71)
Mrs. Dalloway (70)
Great Expectations (70)
American Gods (68)
A Heartbreaking Work of Staggering Genius (67)
Atlas Shrugged (67)
Reading Lolita in Tehran: a memoir in books (66)
Memoirs of a Geisha (66)
Middlesex (66)
Quicksilver (66)
Wicked: the Life and Times of the Wicked Witch of the West (65)
The Canterbury Tales (64)
The Historian: a novel (63)
A Portrait of the Artist as a Young Man (63)
Love in the Time of Cholera (62)
Brave New World (61)
The Fountainhead (61)
Foucault's Pendulum (61)
Middlemarch (61)
Frankenstein (59)
The Count of Monte Cristo (59)
Dracula (59)
A Clockwork Orange (59)
Anansi Boys (58)
The Once and Future King (57)
The Grapes of Wrath (57)
The Poisonwood Bible: a novel (57)
1984 (57)
Angels & Demons (56)
The Inferno (56)
The Satanic Verses (55)
Sense and Sensibility (55)
The Picture of Dorian Gray (55)
Mansfield Park (55)
One Flew Over the Cuckoo's Nest (54)
To the Lighthouse (54)
Tess of the D'Urbervilles (54)
Oliver Twist (54)
Gulliver's Travels (53)
Les Misérables (53)
The Corrections (53)
The Amazing Adventures of Kavalier and Clay (52)
The Curious Incident of the Dog in the Night-Time (52)
Dune (51)
The Prince (51)
The Sound and the Fury (51)
Angela's Ashes: a memoir (51)
The God of Small Things (51)
A People's History of the United States: 1492-Present (51)
Cryptonomicon (50)
Neverwhere (50)
A Confederacy of Dunces (50)
A Short History of Nearly Everything (50)
Dubliners (50)
The Unbearable Lightness of Being (49)
Beloved (49)
Slaughterhouse-Five (49)
The Scarlet Letter (48)
Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation (48)
The Mists of Avalon (47)
Oryx And Crake: a novel (47)
Collapse: How Societies Choose to Fail or Succeed (47)
Cloud Atlas (47)
The Confusion (46)
Lolita (46)
Persuasion (46)
Northanger Abbey (46)
The Catcher in the Rye (46)
On the Road (46)
The Hunchback of Notre Dame (45)
Freakonomics: a rogue economist explores the hidden side of everything (45)
Zen and the Art of Motorcycle Maintenance: an inquiry into values (45)
The Aeneid (45)
Watership Down (44)
Gravity's Rainbow (44)
The Hobbit (44)
In Cold Blood: a true account of a multiple murder and its consequences (44)
White Teeth (44)
Treasure Island (44)
David Copperfield (44)
The Three Musketeers (44)
Okay, that's funny. Anna Karenina is the only book I started and didn't finish, and the reason was I was reading it as I traveled around the West of Ireland when I was 20, I left the book at one of my B&B's, and just never got around to picking up another copy before school started again. So even though I haven't yet finished it, the book is tied in my mind to train rides through some of the most beautiful places in the world, mountains, ocean views, green fields, sheep, rocks, constantly changing skies.
I am embarrassed that I have read no Tolstoy, Woolf, Joyce (my GOD, they're going to take away my Irish card), and only one Austen. My parents and sister love Austen, Emma in particular, I loved Pride and Prejudice when I read it, yet somehow I never got around to any of her others. So there's a little something to work on. I also never felt it necessary to cross out anything, not just because I don't know how to do that (and I don't), but because I honestly didn't feel the need. I can think of lots of books I never finished because I couldn't stand them, none of them seem to be on this list.
Tess of the D'Urbervilles was my commuting book when I first moved to Seattle right after college, was unsure I'd ever do theatre again and was working at a pottery owned by Scientologists. I would leave the house at 6am, when it was still dark out, take an hour long bus trip to arrive in one of the bleakest industrial parts of South Seattle, work for eight hours in a grungy warehouse where the air shimmered with silica dust because the Scientologist owners didn't want anyone wasting time cleaning the place because one could only become sick if one believed one could become sick, so if we all just thought positive thoughts we'd be fine -and forget about health insurance because that, like the medical and legal industries was all part of a plot to take over the world and control our minds- then at 3pm, as the sun was beginning to set (days are short in the winter in Seattle) I'd take the bus ride home. So, two hours a day of reading about the slow yet relentless destruction of a human being by society. I don't know why I didn't throw myself under a bus that winter. It was a great book, I looked forward to reading it each day, but DAMN. It is now completely tied in my head with grey weather, darkness, physical exhaustion and deep hopelessness.
I toyed with bolding Moby Dick, because I read it for a high school English class, but my teacher had us skip all the chapters where Melville rabbits on about the workings of the ship, so I decided that meant I hadn't REALLY read the book, but maybe it counts as a 'didn't finish'. AS a closeted, depressed gay boy I was sure I was making too much in my head of the scene where Ishmail wakes up in bed with Queequeg lovingly spooning him, so it's nice now to recognize that the homoeroticism wasn't completely my imagination. I'm told I really should give Billy Budd a try.
I probably didn't read every single Canterbury Tale (for junior high school English), just can't remember, but I bolded it anyway. Bite me.
Okay, whatever, I still thought it looked like fun, so I did it too. It made me feel like a bit of a neanderthal of course, which is probably the point, but I'm not losing any sleep over it. See below for instructions.
These are the top 106 books most often marked as "unread" by LibraryThing's users (as of [whenever this meme started going around]). As usual, bold what you have read, italicize what you started but couldn't finish, and strike through what you couldn't stand.
Jonathan Strange & Mr Norrell (149)
Anna Karenina (132)
Crime and Punishment (121)
Catch-22 (117)
One Hundred Years of Solitude (115)
Wuthering Heights (110)
The Silmarillion (104)
Life of Pi: a novel (94)
The Name of the Rose (91)
Don Quixote (91)
Moby Dick (86)
Ulysses (84)
Madame Bovary (83)
The Odyssey (83)
Pride and Prejudice (83)
Jane Eyre (80)
A Tale of Two Cities (80)
The Brothers Karamazov (80)
Guns, Germs, And Steel: The Fates of Human Societies (79)
War and Peace (78)
Vanity Fair (74)
The Time Traveler's Wife
The Iliad (73)
Emma (73)
The Blind Assassin (73)
The Kite Runner (71)
Mrs. Dalloway (70)
Great Expectations (70)
American Gods (68)
A Heartbreaking Work of Staggering Genius (67)
Atlas Shrugged (67)
Reading Lolita in Tehran: a memoir in books (66)
Memoirs of a Geisha (66)
Middlesex (66)
Quicksilver (66)
Wicked: the Life and Times of the Wicked Witch of the West (65)
The Canterbury Tales (64)
The Historian: a novel (63)
A Portrait of the Artist as a Young Man (63)
Love in the Time of Cholera (62)
Brave New World (61)
The Fountainhead (61)
Foucault's Pendulum (61)
Middlemarch (61)
Frankenstein (59)
The Count of Monte Cristo (59)
Dracula (59)
A Clockwork Orange (59)
Anansi Boys (58)
The Once and Future King (57)
The Grapes of Wrath (57)
The Poisonwood Bible: a novel (57)
1984 (57)
Angels & Demons (56)
The Inferno (56)
The Satanic Verses (55)
Sense and Sensibility (55)
The Picture of Dorian Gray (55)
Mansfield Park (55)
One Flew Over the Cuckoo's Nest (54)
To the Lighthouse (54)
Tess of the D'Urbervilles (54)
Oliver Twist (54)
Gulliver's Travels (53)
Les Misérables (53)
The Corrections (53)
The Amazing Adventures of Kavalier and Clay (52)
The Curious Incident of the Dog in the Night-Time (52)
Dune (51)
The Prince (51)
The Sound and the Fury (51)
Angela's Ashes: a memoir (51)
The God of Small Things (51)
A People's History of the United States: 1492-Present (51)
Cryptonomicon (50)
Neverwhere (50)
A Confederacy of Dunces (50)
A Short History of Nearly Everything (50)
Dubliners (50)
The Unbearable Lightness of Being (49)
Beloved (49)
Slaughterhouse-Five (49)
The Scarlet Letter (48)
Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation (48)
The Mists of Avalon (47)
Oryx And Crake: a novel (47)
Collapse: How Societies Choose to Fail or Succeed (47)
Cloud Atlas (47)
The Confusion (46)
Lolita (46)
Persuasion (46)
Northanger Abbey (46)
The Catcher in the Rye (46)
On the Road (46)
The Hunchback of Notre Dame (45)
Freakonomics: a rogue economist explores the hidden side of everything (45)
Zen and the Art of Motorcycle Maintenance: an inquiry into values (45)
The Aeneid (45)
Watership Down (44)
Gravity's Rainbow (44)
The Hobbit (44)
In Cold Blood: a true account of a multiple murder and its consequences (44)
White Teeth (44)
Treasure Island (44)
David Copperfield (44)
The Three Musketeers (44)
Okay, that's funny. Anna Karenina is the only book I started and didn't finish, and the reason was I was reading it as I traveled around the West of Ireland when I was 20, I left the book at one of my B&B's, and just never got around to picking up another copy before school started again. So even though I haven't yet finished it, the book is tied in my mind to train rides through some of the most beautiful places in the world, mountains, ocean views, green fields, sheep, rocks, constantly changing skies.
I am embarrassed that I have read no Tolstoy, Woolf, Joyce (my GOD, they're going to take away my Irish card), and only one Austen. My parents and sister love Austen, Emma in particular, I loved Pride and Prejudice when I read it, yet somehow I never got around to any of her others. So there's a little something to work on. I also never felt it necessary to cross out anything, not just because I don't know how to do that (and I don't), but because I honestly didn't feel the need. I can think of lots of books I never finished because I couldn't stand them, none of them seem to be on this list.
Tess of the D'Urbervilles was my commuting book when I first moved to Seattle right after college, was unsure I'd ever do theatre again and was working at a pottery owned by Scientologists. I would leave the house at 6am, when it was still dark out, take an hour long bus trip to arrive in one of the bleakest industrial parts of South Seattle, work for eight hours in a grungy warehouse where the air shimmered with silica dust because the Scientologist owners didn't want anyone wasting time cleaning the place because one could only become sick if one believed one could become sick, so if we all just thought positive thoughts we'd be fine -and forget about health insurance because that, like the medical and legal industries was all part of a plot to take over the world and control our minds- then at 3pm, as the sun was beginning to set (days are short in the winter in Seattle) I'd take the bus ride home. So, two hours a day of reading about the slow yet relentless destruction of a human being by society. I don't know why I didn't throw myself under a bus that winter. It was a great book, I looked forward to reading it each day, but DAMN. It is now completely tied in my head with grey weather, darkness, physical exhaustion and deep hopelessness.
I toyed with bolding Moby Dick, because I read it for a high school English class, but my teacher had us skip all the chapters where Melville rabbits on about the workings of the ship, so I decided that meant I hadn't REALLY read the book, but maybe it counts as a 'didn't finish'. AS a closeted, depressed gay boy I was sure I was making too much in my head of the scene where Ishmail wakes up in bed with Queequeg lovingly spooning him, so it's nice now to recognize that the homoeroticism wasn't completely my imagination. I'm told I really should give Billy Budd a try.
I probably didn't read every single Canterbury Tale (for junior high school English), just can't remember, but I bolded it anyway. Bite me.
Subscribe to:
Posts (Atom)

